This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses. Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon.

Published on the centenary of Hopkin's death, this edition aims to provide insights into Hopkin's methods of composition, revision and refinement.;The history of all the manuscript albums of Hopkins' verse is provided and the poems, whether finished or unfinished, originals or translations, are arranged in a single sequence based on their date of composition. The metrical marks which Hopkins used in his final texts are included, as are all the drafts and fair copies of each piece, listed in their probable sequence. There is also a bibliography and detailed commentary dealing with matters linguistic, theological and scientific.

How did a Catholic priest who died a failure become one of the world’s greatest poets? Discover in his own words the struggle for faith that gave birth to some of the best spiritual poetry of all time. Gerard Manley Hopkins deserves his place among the greatest poets in the English language. He ranks seventh among the most frequently reprinted English-language poets, surpassed only by Shakespeare, Donne, Blake, Dickinson, Yeats, and Wordsworth. Yet when the English Jesuit priest died of typhoid fever at age forty-four, he considered his life a failure. He never would have suspected that his poems, which would not be published for another twenty-nine years, would eventually change the course of modern poetry and influence such poets as W. H. Auden, Dylan Thomas, Robert Lowell, John Berryman, Geoffrey Hill, and Seamus Heaney. Like his contemporaries Walt Whitman and Emily Dickinson, Hopkins revolutionized poetic language. And yet we love Hopkins not only for his literary genius but for the hard-won faith that finds expression in his verse. Who else has captured the thunderous voice of God and the grandeur of his creation on the written page as Hopkins has? Seamlessly weaving together selections from Hopkins’s poems, letters, journals, and sermons, Peggy Ellsberg lets the poet tell the story of a life-long struggle with faith that gave birth to some of the best poetry of all time. Even readers who spurn religious language will find in Hopkins a refreshing, liberating way to see God’s hand at work in the world.

Discover How Hopkins's Spiritual Life and Vision Can Enlighten Your Own "Poetry and art and music seize upon the human experience in ways that reveal new possibilities of intimacy with the Divine. In the way they reach out and grab us by the heart at unexpected times, they reaffirm that the Holy will meet us when it chooses.…" —from the Preface by Rev. Thomas Ryan, CSP Gerard Manley Hopkins, Christian mystical poet, is beloved for his use of fresh language and startling metaphors to describe the world around him. Beneath the surface of this lovely verse lies a searching soul, wrestling with and yearning for God. Hopkins writes from a Christian background, and yet his themes speak to people of all faiths who seek a deeper understanding of the presence of God in all of life. This beautiful sampling of Hopkins's poetry offers a glimpse into his unique spiritual vision that continues to inspire readers throughout the world. The poems unite his two devotions, presenting mystical images of Christ in the natural world, which serve as a window through which you might also begin to see the Divine Presence in the world around you.

A celebration of men's voices in prayer—through the ages from many faiths, cultures and traditions. "If men like us don't pray, where will emerging generations get a window into the soul of a good man, an image of the kind of man they can aspire to be—or be with—when they grow up? If men don’t pray, who will model for them the practices of soul care—of gratitude, confession, compassion, humility, petition, repentance, grief, faith, hope and love? If men don’t pray, what will men become, and what will become of our world and our future?" —from the Introduction by Brian D. McLaren This collection celebrates the profound variety of ways men around the world have called out to the Divine—with words of joy, praise, gratitude, wonder, petition and even anger—from the ancient world up to our own day. The prayers come from a broad spectrum of spiritual traditions—both East and West—including Christianity, Judaism, Islam, Hinduism, Buddhism and more. Together they provide an eloquent expression of men’s inner lives, and of the practical, mysterious, painful and joyous endeavor that prayer is. Men Pray will challenge your preconceived ideas about prayer. It will inspire you to explore new ways of prayerful expression and new possibilities for your own spiritual journey. This is a book to treasure and to share. Includes prayers from: Marcus Aurelius • Daniel Berrigan • Rebbe Nachman of Breslov • Walter Brueggemann • Bernard of Clairvaux • St. Francis of Assisi • Robert Frost • George Herbert • Gerard Manley Hopkins • St. Ignatius Loyola • Fr. Thomas Keating • Thomas à Kempis • Chief Yellow Lark • Brother Lawrence • C. S. Lewis • Ted Loder • Nelson Mandela • General Douglas MacArthur • Thomas Merton • D. L. Moody • John Henry Newman • John Philip Newell • John O’Donohue • Rumi • Rabindranath • Tagore • Walt Whitman • many others

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature. Gerard Manley Hopkins (1844-1889) was born in Stratford. He attended Balliol College, Oxford where he befriended the future Poet Laureate Robert Bridges. While at Balliol he converted to Catholicism and after graduating he entered the Society of Jesus and was ordained in 1877. Having burned his early poems on entering the Church, Hopkins eventually took up writing again but apart from a few poems that appeared in periodicals he was not published during his own lifetime. Since the publication of his poems in 1918 he has become one of the best known poets of the Victorian age and his are among the greatest poems written on the subject of faith and doubt.

Gerard Manley Hopkins (1844-89) is now recognized as a major poet of striking originality. He is widely admired for his particularly vivid expression of feeling, from the religious ecstasy of `he Blessed Virgin' to the torments of his loneliness and despair in `No Worst', and for conveying with wonderful freshness his sense of natural beauty in such poems as `The Windhover' and `Pied Beauty'. This selection, chosen from the award-winning Oxford Authors critical edition, includes all his major English poems and most of the larger fragments. The poems are supported with extensive notes and a useful introduction to Hopkins's life and poetry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together all Hopkins's poetry and a generous selection of his prose writings to give the essence of his work and thinking. Gerard Manley Hopkins (1844-89) was one of the most innovative of nineteenth-century poets. During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as 'The Wreck of the Deutschland' and ''The Windhover' to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem 'Consule Jones'. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses. Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon.

This volume contains the complete text of the great Hopkins poem, together with Nigel Foxell's introduction and his copious notes, touching on nearly every line in the poem. An indispensable reader's guide to one of the great poems in the language. 'The Wreck of the Deutschland" deserves and requires close and subtle attention from the imagination and intellect of critics. A new generation of readers will be grateful to Nigel Foxell, poet, novelist and scholar, for the diligence and love he has brought to bear on this formidable task.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

Collection of poems by Hopkins, nearly all first published after his death, by UK poet laureate Robert Bridges, whom no one today has heard of -- go figure.

Collection of poems by Hopkins, nearly all first published after his death, by UK poet laureate Robert Bridges, whom no one today has heard of -- go figure.

In one of Mauriac's lesser known novels, he introduces the reader to The Frontenacs, small landed gentry of the Bordeaux region on France. This story explores the special, even sacramental, character of the family bond.

The larger part of this classic symposium on the poetry of Gerard Manley Hopkins was originally assembled as a special number of The Kenyon Review to celebrate in 1944 the centenary of the poet's birth, and then published in the New Directions 'Makers of Modern Literature' series.