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The artists AROTIN & SERGHEI question the predominate language
of our time: the constant visual observation of the infinite
metamorphosis of “light cells”, the smallest components of
digital imagery. Their most recent work, Infinite Screen, grapples
with themes of endless space, the illusionary surface of images,
and the genesis of light. This publication is a survey of the
development of Infinite Screen over several cycles of intermedia
drawings, pictures, installations, sculptures and compositions
within constantly evolving parameters of scientific, mythological,
philosophical, and architectural frameworks. The project 'Infinite
Screen' was realized in several large-scale variations at Ars
Electronica, the Venice Biennial, the Kunsthistorisches Museum
Vienna and the Beyeler Foundation.
The Prix Ars Electronica is one of the most prestigious prizes in
media art, since 1987. The jury of experts includes
Computer/Film/VFX, Digital Musics & Sound Art or Artificial
Intelligence & Life Art.
The Ars Electronica Center is the architectural expression of what
Ars Electronica is all about: a place of inquiry and discovery,
experimentation and exploration, a place that has taken the world
of tomorrow as its stage, and that assembles and presents
influences from many different ways of thinking and of seeing
things. This book pays tribute - not just to architecture and
objects displayed but also to all artists and individuals,
companies, and institutions that have contributed to this modern
artistic synthesis. The photographic concept bears the hallmarks of
eminent photographer Lois Lammerhuber, and of Nicolas Ferrando, a
multimedia specialist and advertising photographer working on an
international scale. In cooperation with Edition Lammerhuber, their
work has resulted in a high quality coffee-table book. The camera
immerses the readers in the virtual world of the AEC, guiding them
on a startling tour with many an unexpected turn.
The Prix Ars Electronica is the most richly traditional media art
competition in the world. Awarded annually since 1987, it is
considered a trend barometer for global media art, thanks to its
continuity and the large number of high-quality submissions.
Containing many pictures, essays, and statements from the jury, the
book gathers together the works awarded prizes in 2019 in the
categories of Computer Animation, Digital Music & Sound Art,
Artificial Intelligence & Life Art, and u19 – Create Your
World. The book also again features a “best-of” the works
selected for the STARTS Prize, sponsored by the European
Commission. This highly lucrative competition focuses on innovative
projects that intersect with science, technology, and art (=
Science, Technology and ARTS).
The Prix Ars Electronica is one of the most prestigious prizes in
media art, since 1987. The jury of experts includes
Computer/Film/VFX, Digital Musics & Sound Art or Artificial
Intelligence & Life Art.
Neither naive escapism into virtual worlds, nor the technological
ultra-topia of space colonization will save us from facing the big,
uncomfortable questions. With this year's theme Welcome to Planet
B, Ars Electronica is an invitation to take part in an exciting
thought experiment: What if we had already mastered the great
challenges of the 21st century? How would we live (together)? And
most importantly: What would our path there have looked like? We
will need every bit of technology, but the biggest innovation
project has to be ourselves, our ability to rise to the challenge
as a global community - a reinvention of humanity! Planet B is not
the second chance for another place where we can continue as
before, it is the cipher for the indispensable, new and in many
forms completely different life and action on this only planet that
exists for us.
Since 1979 Ars Electronica has tracked and analysed the digital
revolution and its multiple impacts. The focus has always been on
processes and trends combining art, technology, and society.
Results of this artistic and scientific research can be seen in the
form of an annual festival in Linz, Austria, where a five-day-long
program involves conferences, podium discussions, workshops,
exhibitions, performances, interventions, and concerts. The
festival is planned, organised, and executed in collaboration with
artists and scientists from around the world. A variety of
controversial futuristic themes are always the center of attention.
Richly illustrated and containing in-depth essays, this book is a
companion to the Ars Electronica Festival.
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