Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Modern Stephen King Canon: Beyond Horror is a collection of essays focused on the more recent writings of Stephen King, including Revival, 11/22/63, and a selection of short stories by the "Master of the Macabre." The authors write about King works that have received little critical attention and aim to open up doorways of analysis and insight that will help readers gain a stronger appreciation for the depth and detail within King's fiction. Indeed, while King is often relegated to the role of a genre writer (horror), the essays in this collection consider the merits of King's writing beyond the basics of horror for which he is primarily known. Recommended for scholars of literature, horror, and popular culture.

The Modern Stephen King Canon: Beyond Horror is a collection of essays focused on the more recent writings of Stephen King, including Revival, 11/22/63, and a selection of short stories by the "Master of the Macabre." The authors write about King works that have received little critical attention and aim to open up doorways of analysis and insight that will help readers gain a stronger appreciation for the depth and detail within King's fiction. Indeed, while King is often relegated to the role of a genre writer (horror), the essays in this collection consider the merits of King's writing beyond the basics of horror for which he is primarily known. Recommended for scholars of literature, horror, and popular culture.

These fourteen essays by leading Austrian historians and political scientists serve as a basic introduction to a small but sometimes trend-setting European country. They provide a basic up-to-date outline of Austria's political history, shedding light on economic and social trends as well. No European country has experienced more dramatic turning points in its twentieth-century history than Austria. This volume divides the century into three periods. The five essays of Section I deal with the years 1900-1938. Under the relative tranquility of the late Habsburg monarchy seethed a witch's brew of social and political trends, signaling the advent of modernity and leading to the outbreak of World War I and eventually to the collapse of the Habsburg Empire. The First Austrian Republic was one of the succession states that tried to build a nation against the backdrop of political and economic crisis and simmering civil war between the various political camps. Democracy collapsed in 1933 and an authoritarian regime attempted to prevail against pressures from Nazi Germany and Nazis at home. The two essays in Section II cover World War II (1938-1945). In 1938, Hitler's "Third Reich" annexed Austria and the population was pulled into the cauldron of World War II, fighting and collaborating with the Nazis, and also resisting and fleeing them. The seven essays of Section III concentrate on the Second Republic (1945 to the present). After ten years of four-power Allied occupation, Austria regained her sovereignty with the Austrian State Treaty of 1955. The price paid was neutrality. Unlike the turmoil of the prewar years, Austria became a "normal" nation with a functioning democracy, one building toward economic prosperity. After the collapse of the "iron curtain" in 1989, Austria turned westward, joining the European Union in 1995. Most recently, with the advent of populist politics, Austria's political system has experienced a sea of change departing from its political economy of a huge state-owned sector and social partnership as well as Proporz.This informed and insightful volume will serve as a textbook in courses on Austrian, German and European history, as well as in comparative European politics.