This volume offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art in the context of Continental Europe. It features chapters on Mansfield's reception in several European countries together with her own translations of other European writers.

This volume offers an introductory overview to the short stories of Katherine Mansfield, discussing a wide range of her most famous stories from different viewpoints. The book elaborates on Mansfield's themes and techniques, thereby guiding the reader - via close textual analysis - to an understanding of the author's modernist techniques.

Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.

Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield's influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield's life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.

Volume 3 of the new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Presents all Mansfield's letters to John Middleton Murry from 1912 to 1918, foregrounding their years of intellectual apprenticeship and the impact of war, political upheavals and ill-health on their social and cultural environment Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence Unlike the first two volumes of this new edition of Katherine Mansfield's letters, which encompassed a dazzling variety of correspondents, this third volume focuses exclusively on letters to John Middleton Murry, chronologically arranged, from the day when he first became her lodger in 1912 through to the week after the Armistice in November 1918, when they were newly married. It is no exaggeration to say that over the course of these six years, their entire world was turned upside down. By the time the volume closes, they are married but already increasingly estranged; they have both become professional writers but grapple with increasing economic precarity; Europe lies ravaged by war; and the devastating diagnosis of tuberculosis has been pronounced, not, ironically, for Murry whose fragile health had preoccupied them for two years, but for Mansfield herself. This volume of letters documents the whole spectrum of changes, against a vivid historical and socio-cultural backcloth and contains entirely new, insightful and extensive annotations. A second volume of letters between the pair completes the edition.

Katharine Mansfield's arrival in London in 1908 marked the start of her professional career as a writer and this study marks a revival of her reputation as one of the foremost practitioners of the short story. The international line-up of contributors attests to Mansfield's global appeal. By discussing her fiction in relation to her life, the contributors to this critical work present reinterpretations and readings. Enhanced by new transcriptions of manuscripts and access to her diaries and letters, these readings combine biographical approaches with critical-theoretical ones and focus not only on philosophy and fiction, but class and gender, biography/autobiography. The historical and aesthetic studies of Mansfield's work all take place within a framework of modernist literature, criticism and theory, thereby expanding our understanding of what it means to be a Modernist while allocating Mansfield a firm place in any current study of Modernism.

The first volume of this edition of Katherine Mansfield's letters, correspondents A-J, is heavily weighted towards the Beauchamp family and several of her closest friends. This second volume, quite by chance, puts the emphasis far more on Mansfield's literary and intellectual friendships especially members of the Bloomsbury group. It includes letters to Sylvia Lynd, the Hon. Bertrand Russell, Sydney and Violet Schiff, Lytton Strachey, Leonard Woolf, Virginia Woolf and Hugh Walpole, as well as those individuals who gathered around Lady Ottoline Morrell (herself the recipient of one of the largest number of letters in this volume) at Garsington Manor. With over twenty new letters not published in previous editions of her letters, as well substantial revisions and additions to a number of other letters, accompanied by thoroughly researched annotations, this volume offers many new insights into Mansfield's epistolary relationships.

Explores the literary connection between Katherine Mansfield and Elizabeth von Arnim Elizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work. By bringing the work of Mansfield and von Arnim together including on matters of artistry, on mourning, on gardens, on female resistance this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.

Includes a literary reflection on Mansfield's work by award-winning novelist Ali Smith. Katherine Mansfield: New Directions brings together leading international scholars to explore and celebrate the modernist short fiction writer, Katherine Mansfield. Reassessing Mansfield's life, work and reputation in the light of new research in literary modernism the book maps new directions for future Mansfield studies in the twenty-first century. Drawing on current work from postcolonial studies, eco-criticism, affect studies, book, periodical and manuscript studies, and auto/biographical and critical-theoretical approaches to her life and art as well as new archival discoveries, this is an essential contribution to our deepening understanding of a central modernist figure.

This book explores all aspects of Brophy's literary career, alongside contributions on animal rights, vegetarianism, anti-vivisectionism, humanism, feminism and sexual politics, not only celebrating Brophy's eclectic achievements but fully reflecting them. Contributors include literary critics, animal rights activists, Brophy's daughter, Kate Levey, and Brophy herself.

What Virginia Woolf called 'Childlikeness' is a facet of Mansfield's personality which permeates every aspect of her personal and creative life. It is present in her mature fiction, where some of her most well-known and accomplished stories, such as 'Prelude' and 'At the Bay', have children as protagonists. It is present in her early poetry, which includes a collection of poems for children intended for publication and it is also present in her juvenilia, where many of the stories she wrote from an early age for school magazines and other publications, feature children. Even as an adult, Mansfield's love of the miniature, her delight in children in general, her fascination with dolls, all feature in her personal writing. Her relationship with John Middleton Murry was characterised by their mutual descriptions of themselves as little children fighting against a corrupt world. Including a newly discovered short story potentially by Mansfield, with an explanatory essay, this volume engages each of these aspects of the child in Mansfield's work and life.

Celebrates the centennial of Katherine Mansfield's Bliss This book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories, revealing not only the depth and innovation of her work but also the extent to which she was instrumental in revisioning the potential of the short story form. It includes the publication of a newly discovered short story potentially by Mansfield, with an explanatory essay. It also presents a selection of new poetry and a new short story by acclaimed New Zealand author Paula Morris, all inspired by Mansfield.

During Katherine Mansfield's life she experienced the effects of abortion, miscarriage, gonorrhoea, peritonitis, rheumatism and tuberculosis, and would take up a peripatetic existence constantly in search of more favourable climates. The First World War of 1914 1918 and the influenza pandemic of 1918 20 informed the zeitgeist of her times. This volume of essays explores the extent to which this resonant context of disease and death shaped Mansfield's literary output and her modes of thinking. Illness both stimulated and limited Mansfield's creativity she would write to fund her medical care while simultaneously limited by her poor health, writing in 1922: 'The real point is I shall have to make as much money as I can on my next book my path is so dotted with doctors'. As explored in this volume, her personal writings document the increasing influence of tubercular literary predecessors such as Anton Chekhov and John Keats, while her stories function compellingly as dialogue with loved ones who have been lost her brother, her mother, her grandmother endowing them with life in the process.

Presents cutting-edge criticism on the theme of Katherine Mansfield and childrenWhat Virginia Woolf called 'Childlikeness' is a facet of Mansfield's personality which permeates every aspect of her personal and creative life. It is present in her mature fiction, where some of her most well-known and accomplished stories, such as 'Prelude' and 'At the Bay', have children as protagonists. It is present in her early poetry, which includes a collection of poems for children intended for publication and it is also present in her juvenilia, where many of the stories she wrote from an early age for school magazines and other publications, feature children. Even as an adult, Mansfield's love of the miniature, her delight in children in general, her fascination with dolls, all feature in her personal writing. Her relationship with John Middleton Murry was characterised by their mutual descriptions of themselves as little children fighting against a corrupt world. Including a newly discovered short story potentially by Mansfield, with an explanatory essay, this volume engages each of these aspects of the child in Mansfield's work and life.

This book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories, revealing not only the depth and innovation of her work but also the extent to which she was instrumental in revisioning the potential of the short story form. It includes the publication of a newly discovered short story potentially by Mansfield, with an explanatory essay. It also presents a selection of new poetry and a new short story by acclaimed New Zealand author Paula Morris, all inspired by Mansfield.

These are Katherine Mansfield's non-fiction collected in one volume for the first time. This volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield's poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of the novels of the day, and her essays, including those for the little magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced, some of it unpublished until this edition. For the first time, Mansfield scholars and devotees can read all of Mansfield's non-fiction work, which expands considerably on previous partial editions of her poems or critical writings. Arranged chronologically, and with perceptive notes and a General Introduction by two leading Mansfield scholars, this is, at last, the Edition that Mansfield deserves. This volume of Mansfield's poetry and critical writing comprises: Book reviews (not collected since 1987 and incomplete); Poetry (not collected since 1988 and incomplete); Translations (not previously collected); Essays (not collected since 1987 and incomplete); Parodies (not previously collected); and, Pastiches (not previously collected). Much of the material has been out of print for decades. It is fully annotated. Some of the material has never been collected or seen before.

A new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Organised A-Z, which foregrounds the lives and personalities of her correspondents, along with the various self-fictionalising games that the letter-writer played Showcases letters and sections of letters that have never previously been published Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed expose of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.

The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield's place as the most prominent modernist short story writer of her generation. Early reviewers of the collection commented on the similarities it shared with her previous collection, Bliss and Other Stories; however, while contemporary reviews were mixed, many emphasised the psychological power of her stories, praising how she was able to bring her characters to life in a way simple action could not. While it contains some of Mansfield's most sophisticated and well-loved stories, several of the stories in The Garden Party initially appeared in the Sphere, and thus were often dismissed as inferior. Mansfield herself felt some of these stories fell short of her desired effect, though recent scholarship has revealed their greater complexity. The essays in this volume, by both seasoned and newer Mansfield scholars, work to continue this conversation. The collection also includes Mansfield-inspired short fiction, two translations of memorial poems dedicated to Mansfield by Chinese and French contemporaries with accompanying notes, and a recently re-discovered book review by Mansfield. In addition, Sydney Janet Kaplan provides a reflection on her personal meeting with Christopher Isherwood, a writer heavily influenced by the life and work of Mansfield

This is the first complete edition of Katherine Mansfield's fiction. The resurgence of interest in Katherine Mansfield (1888-1923) in recent years has grown to the extent that she is now perceived as 'the most emblematic woman writer of her time'. Mansfield researchers have been frequently frustrated by the lack of a complete edition of her fiction. There are several editions of her stories in print, but these omit many pieces not already collected and published in the volumes edited by Mansfield's husband John Middleton Murry after her death, from which present 'collected' editions derive. This Edinburgh edition of her stories, published to coincide with the ninetieth anniversary of her death in 1923, is a truly complete collection of the author's fiction writing. The editors have sought to include hitherto uncollected or rarely seen stories and prose fragments as well as the instantly recognisable stories. Placed in chronological order and fully annotated with clear, concise notes, this edition undertakes a complete remapping of the author's fiction output, from her earliest childhood pieces to the pitch-perfect quality of the mature writer at the height of her craft, thereby redefining Katherine Mansfield as a writer for the twenty-first century. Key features: brings together all of Mansfield's extant fiction; refocuses critical attention on one of the most influential exponents of modernist fiction; the essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writer; and, redefines Mansfield as a writer for the next generation.

Celebrates Brigid Brophy's life's work, its diversity, originality and achievement The first critical book on Brigid Brophy covering all her interests from literature, music and art to animal rights and political activism Includes previously unpublished written and illustrated material by Brophy Contributions from leading literary scholars, biographers, creative writers and activists This book explores all aspects of Brophy's literary career, alongside contributions on animal rights, vegetarianism, anti-vivisectionism, humanism, feminism and sexual politics, not only celebrating Brophy's eclectic achievements but fully reflecting them. Contributors include literary critics, animal rights activists, Brophy's daughter, Kate Levey, and Brophy herself.

This is the first complete edition of Katherine Mansfield's fiction. The resurgence of interest in Katherine Mansfield (1888-1923) in recent years has grown to the extent that she is now perceived as 'the most emblematic woman writer of her time'. Mansfield researchers have been frequently frustrated by the lack of a complete edition of her fiction. There are several editions of her stories in print, but these omit many pieces not already collected and published in the volumes edited by Mansfield's husband John Middleton Murry after her death, from which present 'collected' editions derive. This Edinburgh edition of her stories, published to coincide with the ninetieth anniversary of her death in 1923, is a truly complete collection of the author's fiction writing. The editors have sought to include hitherto uncollected or rarely seen stories and prose fragments as well as the instantly recognisable stories. Placed in chronological order and fully annotated with clear, concise notes, this edition undertakes a complete remapping of the author's fiction output, from her earliest childhood pieces to the pitch-perfect quality of the mature writer at the height of her craft, thereby redefining Katherine Mansfield as a writer for the twenty-first century. Key features: brings together all of Mansfield's extant fiction; refocuses critical attention on one of the most influential exponents of modernist fiction; the essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writer; and, redefines Mansfield as a writer for the next generation.

New essays and creative explorations of the friendship, milieu and writings of Katherine Mansfield and Virginia Woolf 'I love to think of you, Virginia, as my friend ... pray consider how rare it is to find someone with the same passion for writing, who desires to be scrupulously truthful - and to give you the freedom of the city without any reserves at all.' Katherine Mansfield's ardent overture to Virginia Woolf launched a historic friendship of mutual admiration and fascination shot through with wary misunderstandings, rivalry and envy. These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious & thrilling' literary relationship - absorbing, intimate, distant, secretly critical, competitive, sometimes foundering in 'quicksands' - and its profound impact on their creative imaginations.

Margaret Scott's two-volume edition of the Notebooks published in 1997 is a remarkable achievement, given the difficulty of transcribing Mansfield's notorious handwriting, and all Mansfield scholars remain forever in Scott's debt. However, one recurring criticism is that Mansfield's diary entries and loose papers which comprise the edition are not transcribed in chronological order. As Mansfield frequently re-used notebooks and diaries within a time span of several years, the result in the published Notebooks is that diary entries for a specific year do not necessarily follow sequentially. This edition remaps all the entries in the Notebooks not used in the Collected Fiction volumes, and presents the material in chronological order, with annotations. This edition provides a fascinating, chronological account of Mansfield's life, as she wrote it and Mansfield will be read differently and far more accurately as a result.

This first complete edition of Katherine Mansfield's poetry This edition is made up of 217 poems, ordered chronologically, so that the reader can follow Mansfield's development as a poet and her experiments with different forms as well as trace the themes such as love and death, the natural world and the seasons, childhood and friendship, music and song which preoccupied her throughout her writing life. The comprehensive annotations provide illuminating biographical information as well as explaining the rich contexts of the European poetic tradition, including fin de siecle decadence, within which her artistry is steeped. The inclusion of a collection of newly-discovered poems, dating from 1909-10, highlights Mansfield's desire to be taken seriously as a poet from her earliest beginnings as a writer. The poems as a whole point to a poet who varied her craft as she perfected it, often witty and ironic yet always enchanted by the sound of words.

Explores the literary connection between Katherine Mansfield and Elizabeth von Arnim Elizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work. By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.