This study deals with examples of Buddhist and Sivaite dvarapalas or temple-guardians from mainland Southeast Asia, compared to examples from Indonesia which are still in situ, that is to say on their original location, within the architectural layout of Buddhist and Sivsite sanctuaries. Two issues are dealt with. Firstly, that foreign frameworks (notably from southern India, southern Vietnam and Cambodia) iconographically and stylistically founded the dvarapala in Indonesia. Secondly, that the dvarapala in this latter area is the outcome of a distinct acculturation process of adoption and reinterpretation, based on local developments. This book contributes to knowledge of the dvaralapa, and as well as the text, provides a collection of 100 black-and-white plates of dvarapala statues. It is suitable for archaeologists, and those interested in Asian iconography and cultural history.