This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society’s expectations and gifted the world with literary treasures through unparalleled fiction and poetry. We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves.  They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. The Women Who Wrote softcover edition offers: Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf. Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley. These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward.

“All Frenchmen know you have to become civilised between eighteen and twenty-three and that civilisation comes upon you by contact with an older woman, by revolution, by army discipline, by any escape or any subjection, and then you are civilised and life goes on normally in a latin way.” Gertrude Stein’s Paris France, published in 1940 on the day Paris fell to Nazi Germany, is a witty account of Stein’s life in France, and the perfect introduction to her work.

The Autobiography of Alice B. Toklas was written in 1933 by Gertrude Stein in the guise of an autobiography authored by Alice B. Toklas, who was her lover. It is a fascinating insight into the art scene in Paris as the couple were friends with Paul Cezanne, Henri Matisse and Pablo Picasso. They begin the war years in England but return to France, volunteering for the American Fund for the French Wounded, driving around France, helping the wounded and homeless. After the war Gertrude has an argument with T. S. Eliot after he finds one of her writings inappropriate. They become friends with Sherwood Anderson and Ernest Hemingway. It was written to make money and was indeed a commercial success. However, it attracted criticism, especially from those who appeared in the book and didn't like the way they were depicted.

Gertrude Stein's first published work Three Lives is divided into three different stories, each one a psychological portrait of a different women. The Good Anna describes an exacting German house servant; Melanctha explores the love affair of an African-American woman; and The Gentle Lena narrates the fate of a patient German maid. The three narratives are independent of each other, but all are set in the fictional town of Bridgepoint. The innovative style of Three Lives broke with narrative, linear, and temporal conventions and catapulted Stein to the forefront of the American Modernist movement and inspired such later novelists as Ernest Hemingway and Jack Kerouac.

The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.

-- Gertrude Stein

Gertrude Stein wrote many odd and peculiar texts, and this work -- "Tender Buttons" -- is among the best known of them. Stein's wonderful and peculiar approach to the language seems to focus on sounds and rhythms rather than the sense of words. Abandoning the sense of things, it's said, she attempted to capture "moments of consciousness," independent of time and memory. That may and may not be the case, but over the years, this and many similar works have been described by critics as a "feminist reworking of patriarchal language." We don't know about that, but we do like the work, just as we like Stein.

'You see that Anna led an arduous and troubled life... Her face was worn, her cheeks were thin, her mouth drawn and firm, and her light blue eyes were very bright. Sometimes they were full of lightning and sometimes full of humour, but they were always sharp and clear.' Under the grey, industrial skies of Bridgepoint (modelled on Baltimore), three women - Anna, Melanctha and Lena - live, work and love. Painting a powerful portrait of women trapped in drudgery, Stein's Three Lives is a ground-breaking portrayal of abuse and non-heteronormative sexuality, and is a searing indictment of the struggles of the working class in turn-of-the-century America. An astonishing work that toys with style and conventions, Three Lives stands as a monument in Modernism and experimental literature, and comes from the pen of a writer whose intelligence and understanding bleeds from every page.

Celebrated for her innovative literary bravura, Gertrude Stein (1874 1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with and tirelessly championed the careers of a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times).

In Paris France (1940) published here with a new introduction from Adam Gopnik Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.

The MLA Committee on Scholarly Editions has awarded "Tender Buttons: The Corrected Centennial Edition" its seal designating it an MLA Approved Edition.

2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, "Tender Buttons." This centennial edition is the first and only version to incorporate Stein's own handwritten corrections--found in a first-edition copy at the University of Colorado--as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of "Tender Buttons" that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, "Tender Buttons: The Corrected Centennial Edition" is unique among the available versions of this classic text and is destined to become the standard.

Gertrude Stein (1874-1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of "The Autobiography of Alice B. Toklas" (1933).

Seth Perlow teaches English at Oklahoma State University.

Juliana Spahr teaches writing at Mills College.
""Tender Buttons" was recently reissued by City Lights Books, to mark the centennial of a volume that broke language barriers, acknowledging hungers to see more. It challenged with inspired daring."--Barbara Berman, "The Rumpus"
"For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein's manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. 'The difference is spreading.'"--Charles Bernstein, University of Pennsylvania, author of "Attack of the Difficult Poems: Essays and Inventions"
"Happy 100th birthday, "TENDER BUTTONS." You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all."--Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume "Gertrude Stein: Writings" published by the Library of America
"The publication of an authoritative edition of "Tender Buttons," with Stein's hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication."--Jonathan Culler, Cornell University
"This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein's 'mind grammar' operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the 'minutes particulars, ' Blake admonished, and here she does just that: 'it is a winning cake.' Salvos to the editor and salient 'afterword' that give belletristic notes and political perspective as well. A unique edition."--Anne Waldman, The Jack Kerouac School of Disembodied Poetics

In this collection, readers will rediscover Gertrude Stein as the bearer of a joyfully radical literary vision. A bold experimenter, her writing sparks with vitality, relishing in rhythm, repetition, sound and colour in its central vision: to prise apart language and association and find thrilling new ways to express the true essence of her subject with charming joie de vivre Stein considered her shorter writings to be the truest expressions of her enrapturing style. Her fascination with people and personalities can be located in expressive portraits of close friends such as Pablo Picasso, Henri Matisse and Juan Gris, whilst her decades-long relationship with Alice B. Toklas is immortalised with shimmering eroticism. There are also playful meditations on her unique writing process, conveying her serious delight in meddling with conventions of grammar and composition.

Sadder than salad. From apples to artichokes, these glittering, fragmented, painterly portraits of food by the avant-garde pioneer Gertrude Stein are redolent of sex, laughter and the joy of everyday life. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Three Lives (1909) is a collection of novellas by Gertrude Stein. Characterized by its straightforward narrative style and disjointed prose, Three Lives proved a breakthrough for Stein, who had previously found it difficult bringing her works to publication. Each novella is set in Bridgepoint, a fictionalized version of Baltimore, where working class people of all races undergo the dignities and indignities of life in an industrialized nation. In "The Good Anna," an immigrant housekeeper working in the home of a wealthy woman commands respect and order from all who cross her path. Caring only for her three small dogs, she does her best to forget a traumatic past. Having lost her mother in Germany at a young age, Anna moved to Bridgepoint with hope for a better future, but poor health and unlucky relationships haunt her throughout her life. "Melanctha" is the story of a young mixed-race woman who suffers from a lack of opportunity in a segregated city. Despite being honest and empathetic, she constantly finds herself betrayed and abandoned by those she trusts, and soon her pure heart and kind nature reach their limit. In "The Gentle Lana," another German immigrant endures the banality and heartbreak of unhappily married life, raising a family and caring for a home without ever feeling fulfilled as an individual. With a beautifully designed cover and professionally typeset manuscript, this edition of Gertrude Stein's Three Lives is a classic work of American literature reimagined for modern readers.

Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.

Before becoming the patron of Lost Generation artists, Gertrude Stein established her reputation as an innovative author whose style was closer to painting than literature. Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein-including her own autobiographical writings-omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.

In the more than 75 plays Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with the pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her - including the natural world - and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound and wordplay. For Stein, the writing process itself was always important in developing the "continuous present" at the heart of her work. "Last Operas and Plays" contains many of Stein's most important and most-produced works. As a special feature, it also includes her essay "Plays", in which she reflects on the experience in the theatre of seeing and hearing, and on emotion and time.

Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist's book unites Stein's ten portraits in prose with sketches by five artists: Pablo Picasso, Christian Berard, Eugene Berman, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein's writing and the artists' images provide nuance and depth, balancing humor and sincerity. With a new introduction by Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Pablo Picasso, Guillaume Apollinaire, Erik Satie, Pavel Tchelitchew, Virgil Thomson, Christian Berard, Bernard Fay, Kristians Tonny, Georges Hugnet, and Eugene Berman. Originally printed in an edition of 100 copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein's legacy as a champion of artists and a pioneer of creativity.