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'You see that Anna led an arduous and troubled life... Her face was worn, her cheeks were thin, her mouth drawn and firm, and her light blue eyes were very bright. Sometimes they were full of lightning and sometimes full of humour, but they were always sharp and clear.' Under the grey, industrial skies of Bridgepoint (modelled on Baltimore), three women - Anna, Melanctha and Lena - live, work and love. Painting a powerful portrait of women trapped in drudgery, Stein's Three Lives is a ground-breaking portrayal of abuse and non-heteronormative sexuality, and is a searing indictment of the struggles of the working class in turn-of-the-century America. An astonishing work that toys with style and conventions, Three Lives stands as a monument in Modernism and experimental literature, and comes from the pen of a writer whose intelligence and understanding bleeds from every page.
A unique anthology of short stories and poetry by feminist contemporaries of Virginia Woolf, who were writing about work, discrimination, war, relationships and love in the early part of the 20th Century. Includes works by English and American writers Zelda Fitzgerald, Charlotte Perkins Gillman, Radclyffe Hall, Katherine Mansfield, Alice Dunbar Nelson, Edith Wharton, and Virginia Woolf, alongside their recently rediscovered 'sisters' from around the world. This book offers a diverse and international array of over 20 literary gems from women writers living in Bulgaria, Chile, China, Egypt, France, Italy, Palestine, Romania, Russia, Spain and Ukraine.
In this collection, readers will rediscover Gertrude Stein as the bearer of a joyfully radical literary vision. A bold experimenter, her writing sparks with vitality, relishing in rhythm, repetition, sound and colour in its central vision: to prise apart language and association and find thrilling new ways to express the true essence of her subject with charming joie de vivre Stein considered her shorter writings to be the truest expressions of her enrapturing style. Her fascination with people and personalities can be located in expressive portraits of close friends such as Pablo Picasso, Henri Matisse and Juan Gris, whilst her decades-long relationship with Alice B. Toklas is immortalised with shimmering eroticism. There are also playful meditations on her unique writing process, conveying her serious delight in meddling with conventions of grammar and composition.
The MLA Committee on Scholarly Editions has awarded "Tender
Buttons: The Corrected Centennial Edition" its seal designating it
an MLA Approved Edition. 2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, "Tender Buttons." This centennial edition is the first and only version to incorporate Stein's own handwritten corrections--found in a first-edition copy at the University of Colorado--as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of "Tender Buttons" that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, "Tender Buttons: The Corrected Centennial Edition" is unique among the available versions of this classic text and is destined to become the standard. Gertrude Stein (1874-1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of "The Autobiography of Alice B. Toklas" (1933). Seth Perlow teaches English at Oklahoma State University. Juliana Spahr teaches writing at Mills College.
This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society’s expectations and gifted the world with literary treasures through unparalleled fiction and poetry. We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. The Women Who Wrote softcover edition offers: Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf. Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley. These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward.
Before becoming the patron of Lost Generation artists, Gertrude Stein established her reputation as an innovative author whose style was closer to painting than literature. Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.
Celebrated for her innovative literary bravura, Gertrude Stein (1874 1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with and tirelessly championed the careers of a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times). In Paris France (1940) published here with a new introduction from Adam Gopnik Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.
Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist's book unites Stein's ten portraits in prose with sketches by five artists: Pablo Picasso, Christian Berard, Eugene Berman, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein's writing and the artists' images provide nuance and depth, balancing humor and sincerity. With a new introduction by Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Pablo Picasso, Guillaume Apollinaire, Erik Satie, Pavel Tchelitchew, Virgil Thomson, Christian Berard, Bernard Fay, Kristians Tonny, Georges Hugnet, and Eugene Berman. Originally printed in an edition of 100 copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein's legacy as a champion of artists and a pioneer of creativity.
"This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein's career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.
Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.
Sadder than salad. From apples to artichokes, these glittering, fragmented, painterly portraits of food by the avant-garde pioneer Gertrude Stein are redolent of sex, laughter and the joy of everyday life. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
The art of Boris Lurie (* 1924, Leningrad) and Wolf Vostell (* 1932, Leverkusen) is determined by the break in civilization in Germany in 1933, which made the German genocide of German and European Jews (the Shoah) possible. Both artists make the Shoah the subject of their work in a radical way. They work - initially independently of one another - with the means of painting and during the 1950s they resort to the stylistic devices of the first avant-garde: Cubism, Dadaism, Surrealism. They strategically employ collage and assembly techniques. Vostell later develops the subject further in the media of happening and video art while Lurie takes up writing. In 1964 the artists met in New York and entertained a lifelong friendship.
This sequel to Stein's Autobiography of Alice B. Toklas has been long misunderstood and neglected. An account of her experiences resulting from writing a bestseller, Everybody's Autobiography is funny and engaging, but also a seering meditation on the meaning of identity, success, and America. Stein at her most accessible and her most serious. Rejacketed and reprinted.
This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein-including her own autobiographical writings-omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.
In the more than 75 plays Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with the pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her - including the natural world - and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound and wordplay. For Stein, the writing process itself was always important in developing the "continuous present" at the heart of her work. "Last Operas and Plays" contains many of Stein's most important and most-produced works. As a special feature, it also includes her essay "Plays", in which she reflects on the experience in the theatre of seeing and hearing, and on emotion and time.
The first publisher of Tender Buttons described the book's effect on readers as "something like terror, there are no known precedents to cling to." Written in pencil in a small notebook and barely revised after its first composition, the text caused a sensation and was widely reviewed and discussed on its publication. This edition of Gertrude Stein's transformative work immerses the text in its cultural context. The most opaque of modernist texts, Tender Buttons also had modernism's most voluminous and varied response. This Broadview Edition uses the response to Tender Buttons as a way of understanding this spectacular moment in publishing history. Stein's text is published alongside its parodies, defenses, publicity brochure, and selections from the hundreds of responses to it in American daily newspapers, which placed it in the context of Cubism, fashion shows, and celebrity culture.
Three Lives (1909) is a collection of novellas by Gertrude Stein. Characterized by its straightforward narrative style and disjointed prose, Three Lives proved a breakthrough for Stein, who had previously found it difficult bringing her works to publication. Each novella is set in Bridgepoint, a fictionalized version of Baltimore, where working class people of all races undergo the dignities and indignities of life in an industrialized nation. In "The Good Anna," an immigrant housekeeper working in the home of a wealthy woman commands respect and order from all who cross her path. Caring only for her three small dogs, she does her best to forget a traumatic past. Having lost her mother in Germany at a young age, Anna moved to Bridgepoint with hope for a better future, but poor health and unlucky relationships haunt her throughout her life. "Melanctha" is the story of a young mixed-race woman who suffers from a lack of opportunity in a segregated city. Despite being honest and empathetic, she constantly finds herself betrayed and abandoned by those she trusts, and soon her pure heart and kind nature reach their limit. In "The Gentle Lana," another German immigrant endures the banality and heartbreak of unhappily married life, raising a family and caring for a home without ever feeling fulfilled as an individual. With a beautifully designed cover and professionally typeset manuscript, this edition of Gertrude Stein's Three Lives is a classic work of American literature reimagined for modern readers.
Three Lives (1909) is a collection of novellas by Gertrude Stein. Characterized by its straightforward narrative style and disjointed prose, Three Lives proved a breakthrough for Stein, who had previously found it difficult bringing her works to publication. Each novella is set in Bridgepoint, a fictionalized version of Baltimore, where working class people of all races undergo the dignities and indignities of life in an industrialized nation. In "The Good Anna," an immigrant housekeeper working in the home of a wealthy woman commands respect and order from all who cross her path. Caring only for her three small dogs, she does her best to forget a traumatic past. Having lost her mother in Germany at a young age, Anna moved to Bridgepoint with hope for a better future, but poor health and unlucky relationships haunt her throughout her life. "Melanctha" is the story of a young mixed-race woman who suffers from a lack of opportunity in a segregated city. Despite being honest and empathetic, she constantly finds herself betrayed and abandoned by those she trusts, and soon her pure heart and kind nature reach their limit. In "The Gentle Lana," another German immigrant endures the banality and heartbreak of unhappily married life, raising a family and caring for a home without ever feeling fulfilled as an individual. With a beautifully designed cover and professionally typeset manuscript, this edition of Gertrude Stein's Three Lives is a classic work of American literature reimagined for modern readers.
Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father's house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names-Austen and Alcott, Bronte and Browning, Wheatley and Woolf-though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world. The perfect keepsake gift for the reader in your life Anthology of stories and poems Book length: approximately 90,000 words
LARGE PRINT EDITION. Three Lives (1909) is a collection of novellas by Gertrude Stein. Characterized by its straightforward narrative style and disjointed prose, Three Lives proved a breakthrough for Stein, who had previously found it difficult bringing her works to publication. Each novella is set in Bridgepoint, a fictionalized version of Baltimore, where working class people of all races undergo the dignities and indignities of life in an industrialized nation. In “The Good Anna,” an immigrant housekeeper working in the home of a wealthy woman commands respect and order from all who cross her path. Caring only for her three small dogs, she does her best to forget a traumatic past. Having lost her mother in Germany at a young age, Anna moved to Bridgepoint with hope for a better future, but poor health and unlucky relationships haunt her throughout her life. “Melanctha” is the story of a young mixed-race woman who suffers from a lack of opportunity in a segregated city. Despite being honest and empathetic, she constantly finds herself betrayed and abandoned by those she trusts, and soon her pure heart and kind nature reach their limit. In “The Gentle Lana,” another German immigrant endures the banality and heartbreak of unhappily married life, raising a family and caring for a home without ever feeling fulfilled as an individual. With a beautifully designed cover and professionally typeset manuscript, this edition of Gertrude Stein’s Three Lives is a classic work of American literature reimagined for modern readers.
In the 1950s, Yale University Press published a number of Gertrude Stein's posthumous works, among them her incomparable "Stanzas in Meditation." Since that time, scholars have discovered that Stein's poem exists in several versions: a manuscript that Stein wrote and two typescripts that her partner Alice B. Toklas prepared. Toklas's work on the second typescript changed the poem when, enraged upon detecting in it references to a former lover, she not only adjusted the typescript but insisted that Stein make revisions in the original manuscript. This edition of "Stanzas in Meditation" is the first to confront the complicated story of its composition and revision. Through meticulous archival work, the editors present a reliable reading text of Stein's original manuscript, as well as an appendix with the textual variants among the poem's several versions. This record of Stein's multi-layered revisions enables readers to engage more fully with the author's radically experimental poem and also to detect the literary impact of Stein's relationship with Toklas. The editors' preface and poet Joan Retallack's introduction offer insight into the complexities of reading Stein's poetry and the innovative modes of reading that her works require and generate. Students and admirers of Stein will welcome this illuminating new contribution to Stein's oeuvre.
Intimate, revealing memoir of Picasso as man and artist by influential literary figure. Highly readable amalgam of biographical fact, artistic and aesthetic comments: Picasso as founder of Cubism, associate of Apollinaire, Braque, Derain, other notables; titanic, creative spirit. One of Stein's most accessible works. 61 black-and-white illustrations. Index. |
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