The post-revolutionary state in Iran has tried to amalgamate 'Sharia with electricity' and modernity with what it considers as 'Islam'. While sympathetic to private capital, through quasi anti-capitalist politics, the state began to restrict market-relations, confiscate major assets of sections of the Iranian bourgeoisie, and nationalize major aspects of Iran's industry, including its communications system. Since the end of war with Iraq and the start of the process of 'reconstruction', market-driven development and economic policies have been key aims of the state.

The post-revolutionary state in Iran has tried to amalgamate 'Sharia with electricity' and modernity with what it considers as 'Islam'. While sympathetic to private capital, through quasi anti-capitalist politics, the state began to restrict market-relations, confiscate major assets of sections of the Iranian bourgeoisie, and nationalize major aspects of Iran's industry, including its communications system. Since the end of war with Iraq and the start of the process of 'reconstruction', market-driven development and economic policies have been key aims of the state.

An invaluable resource for those seeking to understand the past, present and future of media and cultural resources in the Middle East. The Handbook of Media and Culture in the Middle East is designed to help readers navigate the important questions of the region and better understand the global cultural and media transformations that shape the debates and challenges of the twenty-first century. Bringing together contributions by a trans-regional panel of established experts and new voices, this interdisciplinary volume offers a fresh perspective on the cultures of the Middle East and their media production, distribution, and consumption. Rather than viewing the Middle East as a monolithic culture operating within a limited media framework, the book examines the multi-local characteristics of knowledge production, media, and culture in the region. Particular emphasis is placed on the necessity for moving away from universalism in favor of theoretically- and historically-grounded integrated analysis. Throughout the text, the authors address the central questions of media and culture in the Middle East while contextualizing the region’s competing histories, geopolitical and socio-economic issues, and ongoing cultural and media debates. Describes the intellectual landscape of the field, including its historic emergence and evolution, key theoretical approaches and empirical research, and possible future directions Presents rich analyses anchored in contemporary research and broad historical and geopolitical contexts Focuses on the symbiotic and dynamic relationship between old and emerging media Offers case studies in cultural production and mainstream and alternative media. Discusses the role of empire and its consequences for communication, culture and politics Engages with culture as a dynamic site of struggle and contestation Part of the acclaimed Blackwell Global Handbooks in Media and Communication Research series, The Handbook of Media and Culture in the Middle East is essential reading for academics and researchers in the field and an excellent textbook for students of global studies, media and communication, journalism, anthropology, sociology, economics, political science, and history.

When we are told so regularly that we live in a 'post truth' age and are surrounded by 'fake news', it can be tempting to think of politics as primarily mediated. Discussion and analysis of public affairs is preoccupied with the power and reach of platforms or the passion and rage of social media exchanges. As important as these issues may be, a focus on the communicative risks downgrading the political. Media, Democracy and Social Change puts politics back into political communications. It shows how within a digital media ecology, the wider context of neoliberal capitalism remains essential for understanding what political communications is, and can hope to be. Tackling broad themes of structural inequality, technological change, political realignment and social transformation, the book explores political communications as it relates to debates around the state, infrastructures, elites, populism, political parties, activism, the legacies of colonialism, and more. It is both an expert introduction to the field of political communications, and a critical intervention to help re-imagine what a democratic politics might mean in a digital age. It will be essential reading for students, researchers and activists. Aeron Davis, Natalie Fenton, Des Freedman and Gholam Khiabany all work at the Department of Media and Communication at Goldsmiths, University of London, where they teach together on the MA in Political Communications.

When we are told so regularly that we live in a 'post truth' age and are surrounded by 'fake news', it can be tempting to think of politics as primarily mediated. Discussion and analysis of public affairs is preoccupied with the power and reach of platforms or the passion and rage of social media exchanges. As important as these issues may be, a focus on the communicative risks downgrading the political. Media, Democracy and Social Change puts politics back into political communications. It shows how within a digital media ecology, the wider context of neoliberal capitalism remains essential for understanding what political communications is, and can hope to be. Tackling broad themes of structural inequality, technological change, political realignment and social transformation, the book explores political communications as it relates to debates around the state, infrastructures, elites, populism, political parties, activism, the legacies of colonialism, and more. It is both an expert introduction to the field of political communications, and a critical intervention to help re-imagine what a democratic politics might mean in a digital age. It will be essential reading for students, researchers and activists. Aeron Davis, Natalie Fenton, Des Freedman and Gholam Khiabany all work at the Department of Media and Communication at Goldsmiths, University of London, where they teach together on the MA in Political Communications.

The protests unleashed by Iran's disputed presidential election in June 2009 brought the Islamic Republic's vigorous cyber culture to the world's attention. Iran has an estimated 700,000 bloggers, and new media such as Facebook, Twitter, and YouTube were thought to have played a key role in spreading news of the protests. The Internet is often celebrated as an agent of social change in countries like Iran, but most literature on the subject has struggled to grasp what this new phenomenon actually means. How is it different from print culture? Is it really a new public sphere? Will the Iranian blogosphere create a culture of dissidence, which eventually overpowers the Islamist regime? In this groundbreaking work, the authors give a flavor of contemporary Internet culture in Iran and analyze how this new form of communication is affecting the social and political life of the country. Although they warn against stereotyping bloggers as dissidents, they argue that the Internet is changing things in ways which neither the government nor the democracy movement could have anticipated. "Blogistan "offers both a new reading of Iranian politics and a new conceptual framework for understanding the politics of the Internet, with implications for the wider Middle East, China, and beyond.

The protests unleashed by Iran's disputed presidential election in June 2009 brought the Islamic Republic's vigorous cyber culture to the world's attention. Iran has an estimated 700,000 bloggers, and new media such as Facebook, Twitter and YouTube were thought to have played a key role in spreading news of the protests. The internet is often celebrated as an agent of social change in countries like Iran, but most literature on the subject has struggled to grasp what this new phenomenon actually means. How is it different from print culture[unk] Is it really a new public sphere[unk] Will the Iranian blogosphere create a culture of dissidence, which eventually overpowers the Islamist regime[unk] In this groundbreaking work, the authors give a flavour of contemporary internet culture in Iran and analyse how this new form of communication is affecting the social and political life of the country. Although they warn against stereotyping bloggers as dissidents, they argue that the internet is changing things in ways which neither the government nor the democracy movement could have anticipated. "Blogistan" offers both a new reading of Iranian politics and a new conceptual framework for understanding the politics of the internet, with implications for the wider Middle East, China and beyond.

As the world looked on in horror at the Paris terror attacks of January and November 2015, France found itself at the centre of a war that has split across nations and continents. The attacks set in motion a steady creep towards ever more repressive state surveillance, and have fuelled the resurgence of the far right across Europe and beyond, while leaving the left dangerously divided. These developments raise profound questions about a number of issues central to contemporary debates, including the nature of national identity, the limits to freedom of speech, and the role of both traditional and social media. After Charlie Hebdo brings together an international range of scholars to assess the social and political impact of the Paris attacks in Europe and beyond. Cutting through the hysteria that has characterised so much of the initial commentary, it seeks to place these events in their wider global context, untangling the complex symbolic web woven around 'Charlie Hebdo' to pose the fundamental question - how best to combat racism in our supposedly 'post-racial' age?