This edited volume is an inquiry into the representation of intimate relationships in a diverse array of media including cinema, arts, literature, picture books, advertising and popular music. It examines artistic portrayal of intimate relationships as a subversion of the boundaries between the representable and the non-representable, the real and the surreal, the visceral and the ideal, the embodied and the abstracted, the configured and transfigured. The essays focus on artistic mediation of intimacy in diverse relationships, including heterosexual, same-sex, familial, sibling' , political, and sadomasochistic. The collection offers new interdisciplinary and multicultural perspectives on current trends in the study of popular representations of intimacy; representations that affect and formulate people's most personal inspirations, desires, angsts, dreams and nightmares in an increasingly alienated, industrialized world.

Queer Nostalgia in Cinema and Pop Culture explores popular representations of queer nostalgia in films, animation and music videos as means of empowerment, re-evaluating and recreating lost gay youth, coming to terms with one's sexual otherness and homoerotic desires, celebrating queer counterculture, and creatively challenging homophobia, chauvinism, ageism and racism. In particular, Queer Nostalgia engages in a critical discussion of nostalgia-in-motion, the significance of 'femininostlagia' (gay men's effeminate nostalgia), the intricate relationship between queer nostalgia, martyrdom and emergent queer mythology, the contribution of nostalgia to 'autoqueerography' (queer autobiography inspired by women's dissident autobiography or 'autogynography'), and the interrelationship between ethnic and queer nostalgias.

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin's Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.

Providing an inclusive, yet multi- layered perspective on leisure cultures in dynamic hegemonic, subcultural, and countercultural communities, this volume investigates the disciplinary and interdisciplinary aspects of leisure studies in the age of mass migration, nationalism, cultural wars, and conflicted societies in Israel. Israeli society has struggled with complicated geopolitical, intercultural, economic, and security conditions since the establishment of the State of Israel. Consequently, the emergent leisure cultures in Israel are vibrant, diversified, exuberant, and multifaceted, oscillating between Western and Middle Eastern tendencies. The chapters in this edited volume reflect dramatic influences of globalization on Israeli traditions, on one hand, and emergent local practices that reflect a communal quest of originality and authenticity, on the other hand. This book opens up a critical perspective on the tension between contested leisure cultures that are interconnected with spatial and temporal changes and interchanges. Examining leisure as a part of social, interethnic, physical, gendered, and sexual changes, the volume is a key text for scholars and students interested in leisure culture, Israeli society, education, cultural and media studies, and the Middle East.

Providing an inclusive, yet multi- layered perspective on leisure cultures in dynamic hegemonic, subcultural, and countercultural communities, this volume investigates the disciplinary and interdisciplinary aspects of leisure studies in the age of mass migration, nationalism, cultural wars, and conflicted societies in Israel. Israeli society has struggled with complicated geopolitical, intercultural, economic, and security conditions since the establishment of the State of Israel. Consequently, the emergent leisure cultures in Israel are vibrant, diversified, exuberant, and multifaceted, oscillating between Western and Middle Eastern tendencies. The chapters in this edited volume reflect dramatic influences of globalization on Israeli traditions, on one hand, and emergent local practices that reflect a communal quest of originality and authenticity, on the other hand. This book opens up a critical perspective on the tension between contested leisure cultures that are interconnected with spatial and temporal changes and interchanges. Examining leisure as a part of social, interethnic, physical, gendered, and sexual changes, the volume is a key text for scholars and students interested in leisure culture, Israeli society, education, cultural and media studies, and the Middle East.

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin's Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.

This edited volume is an inquiry into the representation of intimate relationships in a diverse array of media including cinema, arts, literature, picture books, advertising and popular music. It examines artistic portrayal of intimate relationships as a subversion of the boundaries between the representable and the non-representable, the real and the surreal, the visceral and the ideal, the embodied and the abstracted, the configured and transfigured. The essays focus on artistic mediation of intimacy in diverse relationships, including heterosexual, same-sex, familial, sibling' , political, and sadomasochistic. The collection offers new interdisciplinary and multicultural perspectives on current trends in the study of popular representations of intimacy; representations that affect and formulate people's most personal inspirations, desires, angsts, dreams and nightmares in an increasingly alienated, industrialized world.