By contextualizing Walter Pater's aestheticism alongside Alexandre Kojeve's and Georges Bataille's readings of Hegelianism, this book shows that Pater's aestheticism constitutes both a philosophy of death and at the same time a philosophy of the impossibility of death.

Walter Pater, best known as the author of The Renaissance (1873) and as Oscar Wilde s tutor and friend, was a leading figure in European aestheticism and British fin-de-siecle culture. Despite this, he has received only limited critical attention, and has tended to be read conservatively. Drawing on Pater s unpublished manuscripts, Giles Whiteley challenges this view of Pater as a closeted don who spent the remainder of his life regretting the excesses of his Renaissance. Focusing on Pater s reading of the German idealist philosopher, G. W. F. Hegel, Whiteley argues that Pater s response to both the philosophical and the ideological legacies of idealism was significantly more advanced than has been hitherto thought. Presenting a persuasive new reading of the genre of the imaginary portrait Pater s most elusive form of writing the book paints a picture of Walter Pater as a truly revolutionary thinker. Pater, like Nietzsche during the same period, breaks with the dialectic as a method. Anticipating the radical critiques of ideology of post-Hegelians such as Derrida and Deleuze, Pater becomes a radical and transgressive thinker in his own right.