What is that lace? How old is it? Has it been made by hand or machine? What would it have been used for? These are the types of questions that this practical guide sets out to answer. Lavishly illustrated, it shows you how to identify the sort of lace that you might find hiding away in drawers and cupboards, or buy at a vintage textile fair. It deals predominantly with the hand-made and machine laces of the nineteenth and twentieth centuries. Topics covered include: an introductory survey of the different types of lace, their history and construction; guidelines for a systematic approach to lace identification and advice on cleaning and storage; chapters on the different types of lace: bobbin lace, needlelace, craft laces such as crochet and tatting, machine lace and lace based on tapes and nets. There are exercises on distinguishing similar pieces of lace made using different techniques and there are illustrations of how lace has been used and of some of the tools used in the making. Written by experienced lacemakers, Gilian Dye and Jean Leader, it presents items from their own collections to illuminate and inspire others who wish to know more about this fascinating textile. Lace Identification is a complete guide to the beauty of this stitch craft, and will richly reward all those who study the treasures they may own.

Explore the world of Bobbin Lace with this book, which takes you through simple Torchon ground pieces to scarves, purse and bags. Bobbin lace may look complicated when you see a pillow set up with dozens of bobbins, but it will seem far less daunting when you realise that only four bobbins (two pairs) are in use at any one time, and there are only two moves - twist and cross - that you can do. While the basic lace stitches are common to all types of bobbin lace, different lacemaking traditions developed different ways of putting these stitches together. Bruges lace, for example, uses less than a dozen pairs of bobbins and a relatively coarse thread to create curved braids and flower-like motifs which are linked to form the fabric; on the other hand point ground laces, such as Chantilly or Bucks Point, are worked from one end to the other in fine silk or cotton and may need a hundred pairs or more.