All good things must come to an end. And so it was with Monty Python's Flying Circus, the most outrageously off-the-wall and brilliantly silly Comedy of All Time.

After four seasons of inspired lunacy, the Pythons hung up their TV spurs and became superheroes, repeatedly saving the world from diabolical villains and menacing threats from outer space.

But fear not! Their pre-heroic exploits are available to you on this gloriously remastered and utterly complete DVD of the Complete Fourth Season featuring such gems as "Buying an Ant", "The Batsmen of the Kalahari" and "The Golden Age of Ballooning".

Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe - conceptual designer on The Lord of the Rings movie trilogy - in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

Dorothy Butler Gilliam, whose 50-year-career as a journalist put her in the
forefront of the fight for social justice, offers a comprehensive view of racial
relations and the media in the U.S.

Most civil rights victories are achieved behind the scenes, and this riveting, beautifully
written memoir by a "black first" looks back with searing insight on the decades of
struggle, friendship, courage, humor and savvy that secured what seems commonplace
today-people of color working in mainstream media.

Told with a pioneering newspaper writer's charm and skill, Gilliam's full, fascinating life
weaves her personal and professional experiences and media history into an
engrossing tapestry. When we read about the death of her father and other formative
events of her life, we glimpse the crippling impact of the segregated South before the
civil rights movement when slavery's legacy still felt astonishingly close. We root for
her as a wife, mother, and ambitious professional as she seizes once-in-a-lifetime
opportunities never meant for a "dark-skinned woman" and builds a distinguished
career. We gain a comprehensive view of how the media, especially newspapers,
affected the movement for equal rights in this country. And in this humble, moving
memoir, we see how an innovative and respected journalist and working mother helped
provide opportunities for others.

With the distinct voice of one who has worked for and witnessed immense progress
and overcome heart-wrenching setbacks, this book covers a wide swath of media
history -- from the era of game-changing Negro newspapers like the Chicago Defender
to the civil rights movement, feminism, and our current imperfect diversity. This timely
memoir, which reflects the tradition of boot-strapping African American storytelling
from the South, is a smart, contemporary consideration of the media.

The theory of contrastive rhetoric was first put forth by Robert Kaplan in the mid 1960s to explain the differences in writing and discourse between students who were native speakers of English and their international counterparts. Over the past three decades, contrastive rhetoric theory has been used primarily by linguists in language centers and involved in ESL teaching. As the number of international students in American universities has continued to grow, contrastive rhetoric has become increasingly relevant to all disciplines, and to rhetoric and composition in particular.
This volume breaks important new ground in its examination of contrastive rhetoric in the exclusive context of composition. The editor has assembled contributors with varying areas of specialty to demonstrate how the traditional definition of contrastive rhetoric theory can be applied to composition in new and innovative ways and how it can be redefined through the lens of addressing "difference" issues in writing. Thus, the volume as a whole clarifies how the basic principles of contrastive rhetoric theory can help composition instructors to understand writing and rhetorical decisions.
With the inclusion of current research on multicultural issues, this collection is appropriate for all instructors in ESL writing, including teachers in rhetoric, composition, and linguistics. It can also be used as an advanced text for students in these areas. Wherever it is employed, it is certain to offer significant new insights into the application of contrastive rhetoric within the composition discipline.

The theory of contrastive rhetoric was first put forth by Robert Kaplan in the mid 1960s to explain the differences in writing and discourse between students who were native speakers of English and their international counterparts. Over the past three decades, contrastive rhetoric theory has been used primarily by linguists in language centers and involved in ESL teaching. As the number of international students in American universities has continued to grow, contrastive rhetoric has become increasingly relevant to all disciplines, and to rhetoric and composition in particular.
This volume breaks important new ground in its examination of contrastive rhetoric in the exclusive context of composition. The editor has assembled contributors with varying areas of specialty to demonstrate how the traditional definition of contrastive rhetoric theory can be applied to composition in new and innovative ways and how it can be redefined through the lens of addressing "difference" issues in writing. Thus, the volume as a whole clarifies how the basic principles of contrastive rhetoric theory can help composition instructors to understand writing and rhetorical decisions.
With the inclusion of current research on multicultural issues, this collection is appropriate for all instructors in ESL writing, including teachers in rhetoric, composition, and linguistics. It can also be used as an advanced text for students in these areas. Wherever it is employed, it is certain to offer significant new insights into the application of contrastive rhetoric within the composition discipline.

Social Construction of the Past examines how mainstream scholarship constructs the past and, in creating a people's cultural history, appropriates it and turns it into a form of domination by one group over another.
Acknowledgements of the intellectual and scholarly contribution of subjugated peoples such as women, minorities, and workers has led to a critical review of the established bodies of knowledge. Social Construction of the Past looks at the way 'postcolonial' scholars redefine the nature of scholarship, and themselves, in order to develop a more egalitarian discourse. It probes the nature of the relationship of labour, race and gender to power and class. The chapters cover a broad range of topics, from the role of intellectuals in restructuring a non-apartheid South Africa, to Haitian working-class women using sexuality to resist domination.
Social Construction of the Past is essential reading for academics and students from a whole range of different social and intellectual backgrounds, including anthropology, archaeology, history, comparative literature, political science and sociology.

One of television's most critically acclaimed programmes, The Wire addresses the seedy side of Baltimore’s finest, looking into money, drugs, politics and murder.

Told from the point of view of both the police and their targets, the series captures a universe of subterfuge and surveillance, where easy distinctions between good and evil, and crime and punishment, are challenged at every turn.

A study on urban life in one of America’s toughest cities, each season of The Wire has focused on a different aspect of Baltimore, starting with the police force and the drug trade, then moving on to City Hall, the education system and concluding with the media.

Christian Gilliam argues that a philosophy of pure immanence is integral to the development of an alternative understanding of the political; one that re-orients our understanding of the self toward the concept of an unconscious, or micropolitical, life of desire. Through proving its philosophical context, lineage and political import, Gilliam shows that immanence is necessary understanding politics and resistance.

Forty-five percent of adolescents ages 15-19 have had sexual intercourse.By age 19, 75% of all adolescents have had sexual intercourse.Most adolescents select condoms as their most reliable method of contraception. The United States continues to rank among the highest of all similarly developed countries in rates of adolescent pregnancy, and the unintended pregnancy rate is highest among women ages 20-24. The reasons for these public health statistics are myriad, but a major issue is that adolescents and young women use contraception inconsistently. Thus, there is a need for youth to learn about and use contraception consistently and effectively. Unfortunately, misinformation abounds, even among practicing clinicians. Young people need a clinician who is up to date on clinical recommendations regarding contraceptive care. The busy clinician needs information at his or her fingertips, needs to know how to create a teen-friendly environment and must exhibit best contraceptive counseling practices.

Gynecologists and primary care practitioners (as well as family physicians, adolescent medicine physicians and pediatricians) are on the front lines when it comes to discussing, recommending and prescribing contraceptive options to adolescent and young women. This book is a valuable resource for these clinicians; it is the only handbook on the market on contraception for the adolescent and young adult women and it is filled with evidence-based information in an easy to read and easy to digest format.Now is an optimal time for a book of this sort.The Centers for Disease Control and Prevention just completed a clinical guideline for contraceptive care based on the World Health Organization s Medical Eligibility Criteria (MEC). The United States MEC seeks to demystify contraceptive care for all women.It also lays the groundwork for helping providers improve clinical practice in contraceptive care. "Contraception for Adolescent and Young Adult Women" will complement these efforts in a manner tailored to the unique needs of this population."

This volume contains survey and research articles by some of the leading researchers in mathematical systems theory - a vibrant research area in its own right. Many authors have taken special care that their articles are self-contained and accessible also to non-specialists.

This book is a collection of essays devoted in part to new research direc tions in systems, networks, and control theory, and in part to the growing interaction of these disciplines with new sectors of engineering and applied sciences like coding, computer vision, and hybrid systems. These are new areas of rapid growth and of increasing importance in modern technology. The essays, written by world-leading experts in the field, reproduce and expand the plenary and minicoursejminisymposia invited lectures which were delivered at the Mathematical Theory of Networks and Systems Sym posium (MTNS-98), held in Padova, Italy, on July 6-10, 1998. Systems, control, and networks theory has permeated the development of much of present day technology. The impact has been visible in the past fifty years through the dramatic expansion and achievements of the aerospace and avionics industry, through process control and factory au tomation, robotics, communication signals analysis and synthesis, and, more recently, even finance, to name just the most visible applications. The theory has developed from the early phase of its history when the ba sic tools were elementary complex analysis, Laplace transform, and linear differential equations, to present day, where the mathematics ranges widely from functional analysis, PDE's, abstract algebra, stochastic processes and differential geometry. Irrespective of the particular tools, however, the ba sic unifying paradigms of feedback, stability, optimal control, and recursive filtering, have remained the bulk of the field and continue to be the basic motivation for the theory, coming from the real world."

Terry Gilliam is a famously candid commentator on his own work, and in these specially recorded interviews, he reflects on how his Midwestern childhood and early career as an animator—including his work as the only American member of Monty Python—prepared him to undertake his extraordinary adventures in cinema.

His films are distinctively dark, fantastic, and strangely hilarious. From the medieval mock-epic Monty Python and the Holy Grail to the mythic yet paranoid worlds of The Fisher King, Twelve Monkeys, and Fear and Loathing in Las Vegas, Gilliam has pursued a totally personal and uncompromising vision. As detailed herein, this vision has led to legendary battles with studios and financiers, notably over The Adventures of Baron Munchausen and Brazil, the latter of which is now considered a classic.

The book includes Gilliam's storyboards for the films—a unique glimpse at his creative process—along with his original cartoons and black-and-white photographs throughout.

A celebration of Houston's Rothko Chapel on its fiftieth anniversary, featuring work by contemporary artists responding to its continuing impact Artists and the Rothko Chapel celebrates the legacy of the Rothko Chapel in Houston and globally, highlighting how it has inspired artists since its founding in 1971. The catalogue reflects on the Chapel's past while looking toward its future, featuring recent work by four contemporary artists-Sam Gilliam, Sheila Hicks, Shirazeh Houshiary, and Byron Kim-as well as illustrating the 1975 exhibition Marden, Novros, Rothko: Painting in the Age of Actuality shown at Rice University. The volume includes interviews with Brice Marden and David Novros, statements from the artists about their work's relationship to the Chapel, and testimonies by local figures reflecting on questions of spirituality, identity, and equality. With new photography of the installations and of the recently restored Chapel, this vividly illustrated catalogue is a testament to the enduring impact of the non-denominational space Mark Rothko created. Distributed for the Moody Center for the Arts, Rice University Exhibition Schedule: Moody Center for the Arts, Rice University (February 23-May 15, 2021)

Although Africa seems to most people a remote and impoverished place remembered for the suffering of its people, it has played an important role in recent history, and it will play a significant role in the future of America and the West in general. This volume of the ANNALS, Perspectives on Africa and the World, provides a unique opportunity for fresh insight into the continent's past, present, and future by examining crucial historical turning points in African history over the past 75 years. The distinguished authors emphasize that understanding the reality of Africa in the twenty-first century requires viewing the continent within a broader context of recent world history. Through the lens of four watershed events-World War II, the end of colonialism, the cold war, and the new global interconnections- they show how much of what happens on the African continent has its origins in Washington, London, Paris, Moscow, or Beijing, just as events in Africa can shape the politics and economies of the world, and that we ignore Africa to our own peril.

Understanding the genetic architecture underlying complex multigene disorders is one of the major goals of human genetics in the upcoming decades. Advances in whole genome sequencing and the success of high throughput functional genomics allow supplementing conventional reductionist biology with systems-level approaches to human heredity and health as systems of interacting genetic, epigenetic, and environmental factors. This integrative approach holds the promise of unveiling yet unexplored levels of molecular organization and biological complexity. It may also hold the key to deciphering the multigene patterns of disease inheritance.

GILLIAMESQUE LIMITED EDITION GBP250 To celebrate Terry Gilliam's 75th birthday, Canongate are releasing an exceptional limited edition of Gilliamesque. As well as a signed copy of Gilliam's 'pre-posthumous' memoir, this limited edition features an exclusive signed and numbered print, 'Book Worms', by Terry Gilliam, created exclusively for this volume. The book and print are cased in a beautiful cloth-bound collector's box. Only 75 copies are available. More on GILLIAMESQUE, the book: Telling his story for the first time, the director of Time Bandits, Brazil, The Adventures of Baron Munchausen, The Fisher King, 12 Monkeys and Fear and Loathing in Las Vegas - not to mention co-founder of Monty Python's Flying Circus - recalls his life so far. Packed with never-before-seen artwork, photographs and commentary, Gilliamesque blends the visual and the verbal with scabrous wit and fascinating insights. This book is an unrestrained look into a unique creative mind and an incomparable portrait of late twentieth-century popular culture.

Dorothy Butler Gilliam, whose 50-year-career as a journalist put her in the forefront of the fight for social justice, offers a comprehensive view of racial relations and the media in the U.S.

Most civil rights victories are achieved behind the scenes, and this riveting, beautifully written memoir by a "black first" looks back with searing insight on the decades of struggle, friendship, courage, humor and savvy that secured what seems commonplace today-people of color working in mainstream media.

Told with a pioneering newspaper writer's charm and skill, Gilliam's full, fascinating life weaves her personal and professional experiences and media history into an engrossing tapestry. When we read about the death of her father and other formative events of her life, we glimpse the crippling impact of the segregated South before the civil rights movement when slavery's legacy still felt astonishingly close. We root for her as a wife, mother, and ambitious professional as she seizes once-in-a-lifetime opportunities never meant for a "dark-skinned woman" and builds a distinguished career. We gain a comprehensive view of how the media, especially newspapers, affected the movement for equal rights in this country. And in this humble, moving memoir, we see how an innovative and respected journalist and working mother helped provide opportunities for others.

With the distinct voice of one who has worked for and witnessed immense progress and overcome heart-wrenching setbacks, this book covers a wide swath of media history -- from the era of game-changing Negro newspapers like the Chicago Defender to the civil rights movement, feminism, and our current imperfect diversity.

This timely memoir, which reflects the tradition of boot-strapping African American storytelling from the South, is a smart, contemporary consideration of the media.

Maps the context and development of immanence and micropolitics, from Sartre to Deleuze Christian Gilliam argues that a philosophy of 'pure' immanence is integral to the development of an alternative understanding of 'the political'; one that re-orients our understanding of the self toward the concept of an unconscious or 'micropolitical' life of desire. He argues that here, in this 'life', is where the power relations integral to the continuation of post-industrial capitalism are most present and most at stake. Through proving its philosophical context, lineage and political import, Gilliam ultimately comes to outline and justify the conceptual importance and necessity of immanence in understanding politics and resistance, thereby challenging the claim that ontologies of 'pure' immanence are either apolitical and/or politically incoherent.