First published in 1989, this book analyses fiction and long narrative, drawing on a broad range of writing from earlier periods and on recent narrative theory. Gillian Beer looks at the work of writers as diverse as Thomas Carlyle and Philip Sydney, Samuel Richardson, and George Eliot. Three chapters on Virginia Woolf demonstrate how Woolf's reading of past literature, philosophy, and science gave her an intellectual and emotional purchase on problems of feminism and modernism. Beer examines how writers create dialogues with past writing, how readers of the present day engage with the difference of past literature, and how we make contact with the desires and debates of past readers.

First published in 1970, this work provides an overview of the Romance from the medieval period to the 20th century and tracks how the genre has changed with time, including its interaction with other forms of literature such as gothic novels, realism and science fiction. It explores a myriad of writers including Chaucer, Sidney, Tennyson, Shelley, Meredith and Keats and analyses key texts such as Don Quixote by Cervantes and Kubla Khan by Coleridge. This book will be of interest to those studying Romantic literature.

First published in 1989, this book analyses fiction and long narrative, drawing on a broad range of writing from earlier periods and on recent narrative theory. Gillian Beer looks at the work of writers as diverse as Thomas Carlyle and Philip Sydney, Samuel Richardson, and George Eliot. Three chapters on Virginia Woolf demonstrate how Woolf's reading of past literature, philosophy, and science gave her an intellectual and emotional purchase on problems of feminism and modernism. Beer examines how writers create dialogues with past writing, how readers of the present day engage with the difference of past literature, and how we make contact with the desires and debates of past readers.

Gillian Beer's classic Darwin's Plots, one of the most influential works of literary criticism and cultural history of the last quarter century, is here reissued in an updated edition to coincide with the anniversary of Darwin's birth and of the publication of The Origin of Species. Its focus on how writers, including George Eliot, Charles Kingsley and Thomas Hardy, responded to Darwin's discoveries and to his innovations in scientific language continues to open up new approaches to Darwin's thought and to its effects in the culture of his contemporaries. This 2009 third edition includes an important new essay that investigates Darwin's concern with consciousness across all forms of organic life. It demonstrates how this fascination persisted throughout his career and affected his methods and discoveries. With an updated bibliography reflecting recent work in the field, this book will retain its place at the heart of Victorian studies.

This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.

First published in 1970, this work provides an overview of the Romance from the medieval period to the 20th century and tracks how the genre has changed with time, including its interaction with other forms of literature such as gothic novels, realism and science fiction. It explores a myriad of writers including Chaucer, Sidney, Tennyson, Shelley, Meredith and Keats and analyses key texts such as Don Quixote by Cervantes and Kubla Khan by Coleridge. This book will be of interest to those studying Romantic literature.

This is an enlarged edition of Professor Beer's volume on George Eliot which initially appeared in the `Key Women Writers' series issued by The Harvester Press. It was widely welcomed. Elaine Showalter, Professor of English, Princeton University said of it that "I feel convinced that the book will become one of the very few essential sources for all serious readers of George Eliot, whether or not they call themselves feminists."

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. At twenty-seven, Anne Elliot is no longer young and has few romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What happens when they encounter each other again is movingly told in Jane Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, but, above all,it is a love story tinged with the heartache of missed opportunities.

Science always raises more questions than it can contain. These challenging essays track encounters between science, literature, and other forms of emotional experience. Calling on nineteenth- and twentieth-century writing, including Darwin and Hardy, Gillian Beer throws new light on the rise of modernism, and on current controversies concerning science in culture.

'can we doubt ... that individuals having any advantage, however slight, over others, would have the best chance of surviving and of procreating their kind?' In the Origin of Species (1859) Darwin challenged many of the most deeply held beliefs of the Western world. His insistence on the immense length of the past and on the abundance of life-forms, present and extinct, dislodged man from his central position in creation and called into question the role of the Creator. He showed that new species are achieved by natural selection, and that absence of plan is an inherent part of the evolutionary process. Darwin's prodigious reading, experimentation, and observations on his travels fed into his great work, which draws on material from the Galapagos Islands to rural Staffordshire, from English back gardens to colonial encounters. The present edition provides a detailed and accessible discussion of his theories and adds an account of the immediate responses to the book on publication. The resistances as well as the enthusiasms of the first readers cast light on recent controversies, particularly concerning questions of design and descent. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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‘She had been forced into prudence in her youth, she learned romance as she grew older’ 

At twenty-seven, Anne Elliot is no longer young and has few romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What happens when they encounter each other again is movingly told in Jane Austen’s last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, but, above all, it is a love story tinged with the heartache of missed opportunities.

In her introduction, Gillian Beer discusses Austen’s portrayal of the double-edged nature of persuasion and the clash between old and new worlds. This edition also includes a new chronology and full textual notes.

Young, impoverished and ambitious, science student Mr Lewisham is locked in a struggle to further himself through academic achievement. But when his former sweetheart, Ethel Henderson, re-enters his life his strictly regimented existence is thrown into chaos by the resurgence of old passion. Driven by overwhelming desire, he pursues Ethel passionately, only to find that while she returns his love she also hides a dark secret. For she is involved in a plot of trickery that goes against his firmest beliefs, working as an assistant to her stepfather - a cynical charlatan 'mystic' who earns his living by deluding the weak-willed with sly trickery.

When a disturbed young Russian man came to Freud for treatment, the analysis of his childhood neuroses—most notably a dream about wolves outside his bedroom window—eventually revealed a deep-seated trauma. It took more than four years to treat him, and "The Wolfman" became one of Freud's most famous cases. This volume also contains the case histories of a boy's fear of horses and the Ratman's violent fear of rats, as well as the essay "Some Character Types," in which Freud draws on the work of Shakespeare, Ibsen, and Nietzsche to demonstrate different kinds of resistance to therapy. Above all, the case histories show us Freud at work, in his own words.

‘Little Hans’/The ‘Ratman’/The ‘Wolfman’/Some Character Types Encountered in Psychoanalytic Work

‘Engrossing … Freud’s narrative method gives a grandeur of scale to these histories of ordinary lives’ 
Gillian Beer

When a disturbed young Russian man came to Freud for treatment, the analysis of his childhood neuroses – most notably a dream about wolves outside his bedroom window – eventually revealed a deep-seated trauma. It took over four years to treat him and ‘The Wolfman’ became Freud’s most famous case.

This volume also contains the case history of five-year-old Little Hans’s fear of horses; the Ratman’s violent fears of rats gnawing into his father and lover; and the essay ‘Some Character Types’, in which Freud draws on the work of Shakespeare, Ibsen and Nietzsche to demonstrate different kinds of resistance to therapy. Above all, the case histories show us Freud at work, in his own words.

A new translation by Louise Adey Huish with an Introduction by Gillian Beer

General Editor: Adam Phillips

A collection of essays on the writings of Virginia Woolf, this study demonstrates how Woolf's conceptualizations of history and narrative are intimately bound up with her ways of thinking about women, writing and social and sexual relations. The author's approach has been to steer Woolf studies towards feminist historical concerns. This is demonstrated by precise, detailed configurations, setting Woolf texts alongside texts both contemporary and distant, scientific and literary, illuminating her writing in unexpected contexts.

Gillian Beer's classic Darwin's Plots, one of the most influential works of literary criticism and cultural history of the last quarter century, is here reissued in an updated edition to coincide with the anniversary of Darwin's birth and of the publication of The Origin of Species. Its focus on how writers, including George Eliot, Charles Kingsley and Thomas Hardy, responded to Darwin's discoveries and to his innovations in scientific language continues to open up new approaches to Darwin's thought and to its effects in the culture of his contemporaries. This 2009 third edition includes an important new essay that investigates Darwin's concern with consciousness across all forms of organic life. It demonstrates how this fascination persisted throughout his career and affected his methods and discoveries. With an updated bibliography reflecting recent work in the field, this book will retain its place at the heart of Victorian studies.

'Interdisciplinarity' has dynamised the Modern Humanities like no other recent academic trend. Yet, this presents serious challenges involving both translation and affect: how can we transmit facts and interpretations, sense and sensations between disciplines, between different artistic media, between cultures, between the private and the public sphere? What are the advantages, the difficulties, and risks? Another challenge concerns language: if single disciplines have produced their own technologies of reading and writing, this book examines and breaks the routine to propose alternative languages. Some of the most distinctive voices in criticism, both established and upcoming, from literature, music, the visual arts, psychoanalysis and philosophy, amongst others, show here their commitment to comparative thinking.