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Showing 1 - 13 of 13 matches in All Departments
This volume argues for the enduring and pervasive significance of war in the formation of British Enlightenment and Romantic culture. Showing how war throws into question conventional disciplinary parameters and periodization, essays in the collection consider how war shapes culture through its multiple, divergent, and productive traces.
Challenging the assumptions which underlie an understanding of the "Romantics" as solitary and anti-sociable, this volume introduces sociability to the field of Romantic literary and cultural studies. The volume focuses in particular on sociability in British radical culture of the 1790s as it moved away from eighteenth-century ideas of a masculine "public sphere", and on the gendered nature of sociability. In a range of essays the volume transforms our understanding of Romanticism by exploring the social networks of Romantic figures including Barbauld, Burney, Coleridge, Godwin, Hazlitt, Priestley, Thelwall and Wollstonecraft.
Mid-eighteenth-century London witnessed a major expansion in public culture as a result of a rapidly commercialising society. Of the many sites of entertainment, the most celebrated (and often notorious) were the Carlisle House club, the Pantheon, and the Ladies Club or Coterie. In this major study of these institutions and the fashionable sociability they epitomised, Gillian Russell examines how they transformed metropolitan cultural life. Associated with lavish masquerades, excesses of fashion, such as elaborate hairstyles, and scandalous intrigues, these venues suggested a feminisation of public life which was profoundly threatening, not least to the theatre of the period. In this highly illustrated and original contribution to the cultural history of the eighteenth century, Russell reveals fresh perspectives on the theatre and on canonical plays such as The School for Scandal, as well as suggesting a prehistory for British Romanticism.
Philosophy of language is the branch of philosophy that examines
the nature of meaning, the relationship of language to reality, and
the ways in which we use, learn, and understand language. Organized thematically, the Companion is divided into seven sections: Core Topics; Foundations of Semantics; Parts of Speech; Methodology; Logic for Philosophers of Language; Philosophy of Language for the Rest of Philosophy; and Historical Perspectives. Comprised of 70 never-before-published essays from leading scholars--including Sally Haslanger, Jeffrey King, Sally McConnell-Ginet, Rae Langton, Kit Fine, John MacFarlane, Jeff Pelletier, Scott Soames, Jason Stanley, Stephen Stich and Zoltan Gendler Szabo--the Routledge Companion to Philosophy of Language promises to be the most comprehensive and authoritative resource for students and scholars alike.
Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relationship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for 'ephemerology' as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.
The analytic/synthetic distinction looks simple. It is a
distinction between two different kinds of sentence. Synthetic
sentences are true in part because of the way the world is, and in
part because of what they mean. Analytic sentences - like all
bachelors are unmarried and triangles have three sides - are
different. They are true in virtue of meaning, so no matter what
the world is like, as long as the sentence means what it does, it
will be true.
Mid-eighteenth-century London witnessed a major expansion in public culture as a result of a rapidly commercialising society. Of the many sites of entertainment, the most celebrated (and often notorious) were the Carlisle House club, the Pantheon, and the Ladies Club or Coterie. In this major study of these institutions and the fashionable sociability they epitomised, Gillian Russell examines how they transformed metropolitan cultural life. Associated with lavish masquerades, excesses of fashion, such as elaborate hairstyles, and scandalous intrigues, these venues suggested a feminisation of public life which was profoundly threatening, not least to the theatre of the period. In this highly illustrated and original contribution to the cultural history of the eighteenth century, Russell reveals fresh perspectives on the theatre and on canonical plays such as The School for Scandal, as well as suggesting a prehistory for British Romanticism.
Challenging the assumptions which underlie an understanding of the 'Romantics' as solitary and anti-sociable, and Romanticism as representing the rejection of Enlightenment sociability, this 2002 volume introduces sociability to the field of Romantic literary and cultural studies. The volume engages with Jurgen Habermas' model of the 'public sphere' which emphasizes the coffee-house and club as models of an older, masculine eighteenth-century sociability, and focuses on the changing nature of sociability in British radical culture of the 1790s and on the gendered nature of sociability. In a range of essays which examine modes of sociability as diverse as circles of sedition, international republicanism, Dissenting culture, Romantic lecturing, theatre, and shopping, the volume transforms our understanding of Romanticism by exploring the social networks of such central Romantic figures as Anna Barbauld, Frances Burney, Samuel Taylor Coleridge, William Godwin, William Hazlitt, Anne Lister, Robert Merry, Joseph Priestley, John Thelwall and Mary Wollstonecraft.
The analytic/synthetic distinction looks simple. It is a
distinction between two different kinds of sentence. Synthetic
sentences are true in part because of the way the world is, and in
part because of what they mean. Analytic sentences--like all
bachelors are unmarried and triangles have three sides--are
different. They are true in virtue of meaning, so no matter what
the world is like, as long as the sentence means what it does, it
will be true.
The Romantic period in British culture was an era of extraordinarily diverse and original achievements in literature and the arts, accomplished in a time of great political and social upheaval. This book is the first major interdisciplinary reference guide to provide a broad cultural and historical perspective which presents the aesthetic achievements of great literary figures like Wordsworth and Coleridge, their followers and opponents, alongside their counterparts in the field of art, music, design, science, and the history of ideas, within a comprehensive picture of the period. Forty long essays on key topics, written by major international authorities, are complemented by an alphabetical reference section detailing all the significant figures, works, topics, and major events. Illustrated throughout.
Philosophy of language is the branch of philosophy that examines
the nature of meaning, the relationship of language to reality, and
the ways in which we use, learn, and understand language. Organized thematically, the Companion is divided into seven sections: Core Topics; Foundations of Semantics; Parts of Speech; Methodology; Logic for Philosophers of Language; Philosophy of Language for the Rest of Philosophy; and Historical Perspectives. Comprised of 70 never-before-published essays from leading scholars--including Sally Haslanger, Jeffrey King, Sally McConnell-Ginet, Rae Langton, Kit Fine, John MacFarlane, Jeff Pelletier, Scott Soames, Jason Stanley, Stephen Stich and Zoltan Gendler Szabo--the Routledge Companion to Philosophy of Language promises to be the most comprehensive and authoritative resource for students and scholars alike.
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