A masterpiece of local history, by the Queen of the genre; Gillian Tindall has acquired a devoted readership through her lovingly researched works, such as the prize-winning "The House" by the Thames and "Celestine: Voices from a French Village". A journey through time: from a scattering of cottages along a pre-roman horse track, to a medieval parish and staging post for travellers, onwards into a prosperous Tudor village favoured by gentlemen for their country seats and an 18th century resort of pleasure gardens eventually transformed by a warren of railway lines into a thickly populated working-class district. Fragments of this past can still be found by the observant eye. This is one of a precious handful of books (such as Montaillou and Akenfield) that in their precise examination of a particular locality open our understanding of the universal themes of the past. In this case it is Kentish Town in London that reveals its complex secrets to us, through the resurrection of its now buried rivers and wells, coaching house, landlords, traders, and simple tennants.

The seventeenth-century London Wenceslaus Hollar knew is now largely destroyed or buried. Yet its populous river, its timbered streets, fashionable ladies, old St Paul's, the devestation of the Fire, the palace of Whitehall and the meadows of Islington live on for us in his etchings. Drawing on numerous sources, Gillian Tindall creates a montage of Hollar's life and times and of the illustrious lives that touched his. It is a carefully researched factual account, but she has also employed her novelist's skill to form an intricate whole - a life's texture which is also an absorbing and occasionally tragic story.

Just across the River Thames from St Paul's Cathedral stands an old and elegant house. Over the course of almost 450 years the dwelling on this site has witnessed many changes. From its windows, people have watched the ferrymen carry Londoners to and from Shakespeare's Globe; they have gazed on the Great Fire; they have seen the countrified lanes of London's marshy south bank give way to a network of wharves, workshops and tenements - and then seen these, too, become dust and empty air. Rich with anecdote and colour, this fascinating book breathes life into the forgotten inhabitants of the house - the prosperous traders; an early film star; even some of London's numberless poor. In so doing it makes them stand for legions of others and for a whole world that we have lost through hundreds of years of London's history.

*As read on BBC Radio 4's Book of the Week* 'A genius for a certain kind of social history that, in shining a light on one small place, illuminates a huge amount' Sunday Telegraph A toy train. A stack of letters. A tiny pulse glass, inherited from her great-great-grandfather, which was used to time a patient's heartbeat before pocket watches... Gillian Tindall, one of our most admired domestic history writers, examines seemingly humble objects to trace the personal and global memories stored within them, and re-animate the ghostly heartbeats of lost lives. 'Elegiac... Tindall reflects on a lifetime's interest in historical recovery' The Telegraph 'Tindall is a fine historian and writes with a wryness of everyday human foibles' The Times

Newly opened by Queen Elizabeth II herself, discover the history and secret stories of the people who've lived above London's newest trainline. Crossrail, or the 'Elizabeth' line, is just the latest way of traversing the very old east-west route through the former countryside, into the capital, and out again. Throughout The Tunnel Through Time, renowned historian Gillian Tindall uncovers the lives of those who walked this ancient path. These people spoke the names of ancient farms, manors and slums that now belong to our squares and tube stations. Visiting Stepney, Liverpool Street, Tottenham Court Road and Oxford Street, Tindall traces the course of many of these historical journeys across time as well as space. 'Enchanting' Sunday Telegraph 'Deftly weaves together archaeology, social history, politics, myth, religion and philosophy' The Times 'Fully of lively vignettes' Spectator