Rather than a media history of the region or a history of southern media, Remediating Region: New Media and the U.S. South formulates a critical methodology for studying the continuous reinventions of regional space across media platforms. This innovative collection demonstrates that structures of media undergird American regionalism through the representation of a given geography's peoples, places, and ideologies. It also outlines how the region answers back to the national media by circulating ever-shifting ideas of place via new platforms that allow for self-representation outside previously sanctioned media forms. Remediating Region recognizes that all media was once new media. In examining how changes in information and media modify concepts of region, it both articulates the virtual realities of the twenty-first-century U.S. South and historicizes the impact of "new" media on a region that has long been mediated. Eleven essays examine media moments ranging from the nineteenth century to the present day, among them Frederick Douglass's utilization of early photography, video game representations of a late capitalist landscape, rural queer communities' engagement with social media platforms, and contemporary technologies focused on revitalizing Indigenous cultural practices. Interdisciplinary in scope and execution, Remediating Region argues that on an increasingly networked planet, concerns over the mediated region continue to inform how audiences and participants understand their entree into a global world through local space.

Red States examines how the recurrent use of Native American history in southern cultural and literary texts produces ideas of ""feeling southern"" that have consequences for how present-day conservative political discourses resonate across the United States. Assembling a newly constituted archive that includes theatrical and musical performances, pre-Civil War literatures, and contemporary novels, Gina Caison argues that notions of Native American identity in the U.S. South can be understood by tracing how audiences in the region came to imagine indigeneity through texts ranging from the nineteenth-century Cherokee Phoenix to the Mardi Gras Indian narratives of Treme. Policy issues such as Indian Removal, biracial segregation, land claim, and federal termination frequently correlate to the audience consumption of such texts, and therefore the reception histories of this archive can be tied to shifts in the political claims of--and political possibilities for--Native people of the U.S. South. This continual appeal to the political issues of Indian Country ultimately generates what we see as persistent discourses about southern exceptionality and counternationalism.

Rather than a media history of the region or a history of southern media, Remediating Region: New Media and the U.S. South formulates a critical methodology for studying the continuous reinventions of regional space across media platforms. This innovative collection demonstrates that structures of media undergird American regionalism through the representation of a given geography's peoples, places, and ideologies. It also outlines how the region answers back to the national media by circulating ever-shifting ideas of place via new platforms that allow for self-representation outside previously sanctioned media forms. Remediating Region recognizes that all media was once new media. In examining how changes in information and media modify concepts of region, it both articulates the virtual realities of the twenty-first-century U.S. South and historicizes the impact of "new" media on a region that has long been mediated. Eleven essays examine media moments ranging from the nineteenth century to the present day, among them Frederick Douglass's utilization of early photography, video game representations of a late capitalist landscape, rural queer communities' engagement with social media platforms, and contemporary technologies focused on revitalizing Indigenous cultural practices. Interdisciplinary in scope and execution, Remediating Region argues that on an increasingly networked planet, concerns over the mediated region continue to inform how audiences and participants understand their entree into a global world through local space.

Red States uses a regional focus in order to examine the tenets of white southern nativism and Indigenous resistance to colonialism in the U.S. South. Gina Caison argues that popular misconceptions of Native American identity in the U.S. South can be understood by tracing how non-Native audiences in the region came to imagine indigeneity through the presentation of specious histories presented in regional literary texts, and she examines how Indigenous people work against these narratives to maintain sovereign land claims in their home spaces through their own literary and cultural productions. As Caison demonstrates, these conversations in the U.S. South have consequences for how present-day conservative political discourses resonate across the United States. Assembling a newly constituted archive that includes regional theatrical and musical performances, pre-Civil War literatures, and contemporary novels, Caison illuminates the U.S. South's continued investment in settler colonialism and the continued Indigenous resistance to this paradigm. Ultimately, she concludes that the region is indeed made up of red states, but perhaps not in the way readers initially imagine.