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Building on previous holistic readings of the Book of Isaiah, this collection approaches Isaiah through the concept of unity. Contributors outline research that point to new directions in the unity movement and, in the process, bring it under a critical gaze, considering the perennial challenges to unity reading and thus problematizing the very concept of unity. Divided into four parts, the book provides methodological reflections on reading Isaiah as a unity, and examines historical and redactional readings, literary readings and contextual or reader-orientated readings. Topics include how the figure of Jacob functions as a unifying motif in the final form of the book, Isaiah 1 as an example of the relevance of local structure for global coherence and how woman as a root metaphor of Zion not only bears revelatory significance but also serves as a theological linchpin for a more holistic reading of the book. Overall, the book highlights the continued promise of holistic readings for diverse methods and varied approaches to the Book of Isaiah.
Though the five poems of Lamentations undoubtedly refer to the Babylonian siege and destruction of Jerusalem in 587 BCE, the multiple voices that narrate unspeakable suffering and labor to make sense of the surrounding horror do so at women's expense. In the opening chapters, a prevailing metaphor of Jerusalem as a woman (Woman Zion) portrays a weeping widow, abandoned and alone, who soon becomes the target of blame for the downfall of the city and its inhabitants. Vague sexual improprieties craft the basis of her sinfulness, seemingly to justify her immense suffering as punishment. The damning effect of such a metaphor finds company in subsequent accounts of women, young girls, and mothers-all victims of the destruction recorded therein. But this feminist interpretation of Lamentations does not stop at merely documenting the case against women; it also demonstrates how such texts can serve as sources of strength by lifting up portraits of courageous resistance amid the rubble of misogynist landscapes.
The essays gathered here provide a panoramic view of current thinking on biblical texts that play important roles in contemporary struggles for social justice - either as inspiration or impediment. Here, from the hands of an ecumenical array of leading biblical scholars, are fresh and compelling resources for thinking biblically about what justice is and what it demands. Individual essays treat key debates, themes, and texts, locating each within its historical and cultural settings while also linking them to the most pressing justice concerns of the twenty-first century. The volume aims to challenge academic and ecclesiastical complacency and highlight key avenues for future scholarship and action.
This book spotlights the Old Testament's "supporting cast," the vast array of nameless characters wedged in the margins of biblical stories. Often categorized as literary props or aspects of scenery, these anonymous figures ("laborers," "a creditor," "the crowd," "servants," "elders," "a midwife," etc.) frequently shoulder the burden of a story that is never theirs. Grounded in literary theory, Gina Hens-Piazza sets forth a new taxonomy for these often anonymous characters.
This book comprises essays honoring the life and work of Yiu Sing Lucas Chan, S.J., who died unexpectedly on May 19, 2015, at the end of his first year as a member of the faculty in the Department of Theology at Marquette University. The editors intend to commemorate Chan's brief but productive career by furthering the critical conversations he started. The essays included thus touch on aspects of the brilliant young Jesuit's wide-ranging work in the fields of scriptural research, moral theology, and systematic theology. Each essay either engages Chan's scholarship directly or seeks to advance his design to bridge the disciplinary gaps between scriptural research and constructive theology. This book includes contributions by noted Roman Catholic theologians James F. Keenan, S.J., Bryan N. Massingale, and John R. Donohue, S.J., as well as two original poems by his Marquette colleagues dedicated to Lucas.
New Historicism has been a highly controversial and influential movement in university literature departments for almost twenty years. Biblical studies now wrestles with this force and evaluates its potential for interpretation. With lucid and jargon-free description, this study sets forth New Historicism for the nonspecialist. Defining New Historicism as a mindset rather than a method, it traces the development, discusses recurring features, and offers illustrations of this new literary approach. Here biblical texts are plunged back into the swirling currents of historical context only to disclose their plural, contradictory, fragmentary, and heterogeneous character. This includes the histories associated, represented, and embedded in those texts. In the process, the carefully guarded distinctions between text and context, history and literature, past and present, fade. In exchange for the loss of these tidy categories, New Historicism promises sufficient compensation-namely, a potential venue where the sharply drawn border currently separating historical investigations from literary studies in biblical interpretation can be negotiated.
The Jerome Biblical Commentary has, since 1968, been essential reading for all Catholics who wish to deepen their knowledge and understanding of the Bible. It is a landmark of Catholic biblical scholarship, the first port of call for priests, preachers, students and scholars, and all those lay people who like to keep a one-volume Biblical commentary in their home to enlighten their reading of the scriptures. In this new fully revised edition, the publication of which has been welcomed by Pope Francis (who has also written the foreword), the entire content of the commentary has been revised to bring it up-to-date with the very latest scholarship, featuring the leading international Catholic scholars of our day. Whilst based on the historical critical method of Biblical study, the contributors draw in a range of more contemporary approaches to the biblical texts. The pool of contributors has also been broadened outside north America and Western Europe to include a more diverse range of perspectives, ensuring that the Jerome speaks more comprehensively to a global Church. The 'General Articles' section has been revised to include articles on new approaches to the study of the bible and on the interpretation of the bible in diverse pastoral contexts. This magnificent third edition will be essential reading for all those who possess existing editions of The Jerome; but it will also find a new generation of readers, eager to engage the scriptures within the tradition and teaching of the Church.
The essays gathered here provide a panoramic view of current thinking on biblical texts that play important roles in contemporary struggles for social justice - either as inspiration or impediment. Here, from the hands of an ecumenical array of leading biblical scholars, are fresh and compelling resources for thinking biblically about what justice is and what it demands. Individual essays treat key debates, themes, and texts, locating each within its historical and cultural settings while also linking them to the most pressing justice concerns of the twenty-first century. The volume aims to challenge academic and ecclesiastical complacency and highlight key avenues for future scholarship and action.
This book spotlights the Old Testament's "supporting cast," the vast array of nameless characters wedged in the margins of biblical stories. Often categorized as literary props or aspects of scenery, these anonymous figures ("laborers," "a creditor," "the crowd," "servants," "elders," "a midwife," etc.) frequently shoulder the burden of a story that is never theirs. Grounded in literary theory, Gina Hens-Piazza sets forth a new taxonomy for these often anonymous characters.
Engages the reader by amplifying the biblical resonances echoing
in our own world today by disclosing how God's Word is embodied and
made known by those we least expect.
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