Post-war British comedy in which a soldier returns to his home village and the family tavern now at threat from an unscrupulous rival. When pub owner George Harper (George Formby) arrives back in Britain his first thought is to return to the village of Tumbleford and his pub, The Unicorn. Unfortunately for George, the manager of the village's other pub, The Lion, has taken advantage of his absence to steal his customers and even seems suspiciously close to George's childhood sweetheart, Mary (Rosalyn Boulter). Can George find a way to win back Mary and his customers?

On July 9th, 1980 I broke my neck in a waterskiing accident, which resulted in quadriplegia. A Brilliant Career proceeds in three parts. In Part I, I discuss my eight-month hospitalization, with flashbacks to an able-bodied trip to the East Coast taken ten days before my accident and ending with my narration of the accident. Part II contains vignettes of life in a wheelchair, difficult facts often retold with humor. Part III contains one-sentence to five-page reflections on what the disability might mean, this radical slowing down, from the perspective of having lived for twenty-six years between wheels.

Throughout the long running BBC series Doctor Who, the Doctor has rarely been alone, traveling with both female and male "companions." The companion is essential to Doctor Who because he or she is a stand-in for the audience, providing information about the Doctor's ongoing adventures. With the casting of a female actor in the role of the Doctor in 2018, one criticism of the series was finally resolved. After the shift in gender identity, the role of the Doctor and the companion also shifted--or has it? The continued focus on romantic relations between the TARDIS occupants has led to complaints from both male and female fans, reiterating and reinforcing myriad criticisms about the portrayal of the female companions. Essays in this book consider how gender is presented in Doctor Who and how certain female companions have been able to break out of the gendered roles usually assigned to them through the classic and new series.

This title focuses on the essence of how to go about identifying birds. Topics covered include size, shape, bill length, and other physical features that provide clues to the birds’ lifestyle and identity. Full colour photographs and simple line drawings support the text.

This title is suitable for beginners of all ages as well as younger birders – in fact, for anyone daunted by the prospect of getting started in the captivating pastime of birding.

This book explores the role and impact of the settlement house movement in the global development of social welfare and the social work profession. It traces the transnational history of settlement houses and examines the interconnections between the settlement house movement, other social and professional movements and social research. Looking at how the settlement house movement developed across different national, cultural and social boundaries, this book show that by understanding its impact, we can better understand the wider global development of social policy, social research and the social work profession.

In Domestic Wild, Franklin Ginn sets out to find a new sense of the wild at the heart of modernity. Inspired by experienced, skilful gardeners, Ginn analyses what happens when plants, animals and people meet in the suburbs of London. Weaving major theories of landscape, memory and nonhuman subjectivity with the practical wisdom of gardeners, this book offers a radical new account of everyday gardening. Amid spectacular horizons of planetary loss, Domestic Wild argues that gardening offers a means to cultivate a renewed sense of intimacy with nature and ourselves.

2018 Choice Outstanding Academic Title ******************************** The Late-Victorian cultural mission to London's slums was a peculiar effort towards social reform that today is largely forgotten or misunderstood. The philanthropy of middle and upper-class social workers saw hundreds of art exhibitions, concerts of fine music, evening lectures, clubs and socials, debates and excursions mounted for the benefit of impoverished and working-class Londoners. Ginn's vivid and provocative book captures many of these in detail for the first time. In refreshing our understanding of this obscure but eloquent activism, Ginn approaches cultural philanthropy not simply as a project of class self-interest, nor as fanciful 'missionary aestheticism.' Rather, he shows how liberal aspirations towards adult education and civic community can be traced in a number of centres of moralising voluntary effort. Concentrating on Toynbee Hall in Whitechapel, the People's Palace in Mile End, Red Cross Hall in Southwark and the Bermondsey Settlement, the discussion identifies the common impulses animating practical reformers across these settings. Drawing on new primary research to clarify reformers' underlying intentions and strategies, Ginn shows how these were shaped by a distinctive diagnosis of urban deprivation and anomie. In rebutting the common view that cultural philanthropy was a crudely paternalistic attempt to impose 'rational recreation' on the poor, this volume explores its sources in a liberal-minded social idealism common to both religious and secular conceptions of social welfare in this period. Culture, Philanthropy and the Poor in Late-Victorian London appeals to students and researchers of Victorian culture, moral reform, urbanism, adult education and philanthropy, who will be fascinated by this underrated but lively aspect of the period's social activism.

2018 Choice Outstanding Academic Title ******************************** The Late-Victorian cultural mission to London's slums was a peculiar effort towards social reform that today is largely forgotten or misunderstood. The philanthropy of middle and upper-class social workers saw hundreds of art exhibitions, concerts of fine music, evening lectures, clubs and socials, debates and excursions mounted for the benefit of impoverished and working-class Londoners. Ginn's vivid and provocative book captures many of these in detail for the first time. In refreshing our understanding of this obscure but eloquent activism, Ginn approaches cultural philanthropy not simply as a project of class self-interest, nor as fanciful 'missionary aestheticism.' Rather, he shows how liberal aspirations towards adult education and civic community can be traced in a number of centres of moralising voluntary effort. Concentrating on Toynbee Hall in Whitechapel, the People's Palace in Mile End, Red Cross Hall in Southwark and the Bermondsey Settlement, the discussion identifies the common impulses animating practical reformers across these settings. Drawing on new primary research to clarify reformers' underlying intentions and strategies, Ginn shows how these were shaped by a distinctive diagnosis of urban deprivation and anomie. In rebutting the common view that cultural philanthropy was a crudely paternalistic attempt to impose 'rational recreation' on the poor, this volume explores its sources in a liberal-minded social idealism common to both religious and secular conceptions of social welfare in this period. Culture, Philanthropy and the Poor in Late-Victorian London appeals to students and researchers of Victorian culture, moral reform, urbanism, adult education and philanthropy, who will be fascinated by this underrated but lively aspect of the period's social activism.

First appearing in Marvel Comics in the 1960s, Natasha Romanoff, a.k.a. Black Widow, was introduced to movie audiences in Iron Man 2 (2010). Her character has grown in popularity with subsequent Marvel films, and fans have been vocal about wanting to see Black Widow in a titular role. Romanoff has potent appeal: a strong female character who is not defined by her looks or her romantic relationships, with the skill set of a veteran spyfirst for the KGB, then for S.H.I.E.L.D. This collection of new essays is the first to examine Black Widow and her development, from Cold War era comics to the Marvel Cinematic Universe.

On February 24, 1838, Maine Congressman Jonathan Cilley was killed in Maryland by another Congressman from Kentucky in one of the last duels to take place in the United States. At the time, dueling was not illegal, but still Cilley's death was a shock to the nation. Before the duel, fought with rifles at less than one hundred paces, Cilley is believed to have said, "New England must not be trampled on." He fought for the honor of his name, the honor of his home state, and the stout patriotism he held all his life. This revealing biography considers Cilley's short life: his early years in New Hampshire, his time at Bowdoin College and his friendship with Nathaniel Hawthorn, his marriage and political life, the events that caused him to accept the duel challenge, and the duel itself, with its tragic aftermath. It also provides an intriguing look into the politics of nineteenth century America.

With diverse contributions from scholars in English literature, psychology, and film and television studies, this collection of essays contextualizes Fringe as a postmodern investigation into what makes us human, and as an examination of how technology invariably transforms our humanity. The essays provide a provocative meditation on how a stellar example of science fiction television comments on the state of personal identity in a 21st century society dependent on technology that both enlivens and threatens the individual. In compiling this collection, the editors sought material as multifaceted as the series itself, devoting sections to specific areas of interest explored by both the writers of Fringe and the writers of the essays: humanity, duality, genre, and viewership. Taken together, the section headings serve as a map to the many thematic readings the editors and contributors apply to Fringe.