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'If we want to understand what has been lost to time, there is no way other than through the exercise of imagination ... imagination applied with delicate rather than broad strokes'. So wrote the award winning Japanese author Kyoko Nakajima of her story, Things Remembered and Things Forgotten, a piece that illuminates, as if by throwing a switch, the layers of wartime devastation that lie just below the surface of Tokyo's insistently modern culture. The ten acclaimed stories in this collection are pervaded by an air of Japanese ghostliness. In beautifully crafted and deceptively light prose, Nakajima portrays men and women beset by cultural amnesia and unaware of how haunted they are - by fragmented memories of war and occupation, by fading traditions, by buildings lost to firestorms and bulldozers, by the spirits of their recent past.
The Little House is set in the early years of the Showa era (1926-89), when Japan's situation is becoming increasingly tense but has not yet fully immersed in a wartime footing. On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in the house. Her journal captures the refined middle-class life of the time from her gentle perspective. At the end of the novel, however, a startling final chapter is added. The chapter brings to light, after Taki's death, a fact not described in her notebook. This suddenly transforms the world that had been viewed through the lens of a nostalgic memoir, so that a dramatic, flesh-and-blood story takes shape. Nakajima manages to combine skillful dialogue with a dazzling ending. The result is a polished, masterful work fully deserving of the Naoki Prize.
An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland, with Love is set in an alternative, dystopian present in which the dollar has collapsed and Japan's economy has fallen along with it. The North Korean government, sensing an opportunity, sends a fleet of rebels in the first land invasion that Japan has ever faced. Japan can't cope with the surprise onslaught of Operation From the Fatherland, with Love . But the terrorist Ishihara and his band of renegade youths - once dedicated to upsetting the Japanese government - turn their deadly attention to the North Korean threat. They will not allow Fukuoka to fall without a fight. Epic in scale, From the Fatherland, with Love is laced throughout with Murakami's characteristically savage violence. It's both a satisfying thriller and a completely mad, over-the-top novel like few others. Translated by Ralph McCarthy, Charles De Wolf and Ginny Tapley Takemori, and published by Pushkin Press 'A troubled meditation on the soul of modern Japan... Alarmingly pertinent in light of current British politics... A morbidly funny comedy... Above all, it is a phenomenal feat of storytelling 700 pages, dozens of characters and scores of ideas woven into one gripping whole.' Andrzej Lukowski, Metro 'This is a novel by the other Murakami. Not Haruki... If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones... [From the Fatherland, with Love] has a Tolstoyan cast of characters, from crack North Korean commandos and hapless Japanese bureaucrats to a gang of hoodlums who eventually decide to save Japan. It unfolds with the pace of a thriller...' David Pilling, Financial TImes 'Massively ambitious and uncompromising... prescient in unexpected ways' Joanne Hayden, Sunday Business Post ''[Mixes] the thrills of a spy novel with some national soul-searching' Lionel Barber, Financial Times, Summer Books 'Definitely edgier and darker than Haruki [Ryu Murakami] has a worldwide following and is regarded by many as one of the most thrilling writers of contemporary Japanese fiction... [He] offers a thrilling insight - with a geopolitical panoramic view - into national character, human relationships, chaos and disorder' - Tatevik Sargsyan, Hunger Magazine 'Like nothing else out there... a Japanese Tarantino... Highly addictive' Morpheus Tales Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition and In the Miso Soup. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.
In a dusty library, in the quietest corner of a house in a Tokyo suburb, live the Little People: Fern and Balbo, Robin and Iris. Just a few inches high, sleeping in cigarette boxes and crafting shoes from old book jackets, they need only one thing from their Humans - a nightly glass of milk, served in a sparkling Blue Glass goblet, by a trusted young member of the Human family. But when the Second World War comes to Japan, bringing a dangerous new kind of patriotism, both Humans and their beloved Little People face a world they could never before have imagined. It will take great love, bravery, and a rather loyal pigeon, to bring their unique families back together once more...
'So beautiful, so profound... It is a book that will last all your life' Irish Times 'I am still unable to leave the burnt-out ruins' Akiyuki Nosaka, 2014 In 1945, Akiyuki Nosaka watched the Allied firebombing of Kobe kill his adoptive parents, and then witnessed his sister starving to death. The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War. They are stories of a lovely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her own son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable. Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.
An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland, with Love is set in an alternative, dystopian present in which the dollar has collapsed and Japan's economy has fallen along with it. The North Korean government, sensing an opportunity, sends a fleet of rebels in the first land invasion that Japan has ever faced. Japan can't cope with the surprise onslaught of Operation From the Fatherland, with Love . But the terrorist Ishihara and his band of renegade youths - once dedicated to upsetting the Japanese government - turn their deadly attention to the North Korean threat. They will not allow Fukuoka to fall without a fight. Epic in scale, From the Fatherland, with Love is laced throughout with Murakami's characteristically savage violence. It's both a satisfying thriller and a completely mad, over-the-top novel like few others. Translated by Ralph McCarthy, Charles De Wolf and Ginny Tapley Takemori, and published by Pushkin Press 'A troubled meditation on the soul of modern Japan... Alarmingly pertinent in light of current British politics... A morbidly funny comedy... Above all, it is a phenomenal feat of storytelling 700 pages, dozens of characters and scores of ideas woven into one gripping whole.' Andrzej Lukowski, Metro 'This is a novel by the other Murakami. Not Haruki... If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones... [From the Fatherland, with Love] has a Tolstoyan cast of characters, from crack North Korean commandos and hapless Japanese bureaucrats to a gang of hoodlums who eventually decide to save Japan. It unfolds with the pace of a thriller...' David Pilling, Financial TImes 'Massively ambitious and uncompromising... prescient in unexpected ways' Joanne Hayden, Sunday Business Post ''[Mixes] the thrills of a spy novel with some national soul-searching' Lionel Barber, Financial Times, Summer Books 'Definitely edgier and darker than Haruki [Ryu Murakami] has a worldwide following and is regarded by many as one of the most thrilling writers of contemporary Japanese fiction... [He] offers a thrilling insight - with a geopolitical panoramic view - into national character, human relationships, chaos and disorder' - Tatevik Sargsyan, Hunger Magazine Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition and In the Miso Soup. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.
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