Dear reader, I said enough at the end of the last chapter to make you guess what happened, but no language would be powerful enough to make you realize all the voluptuousness which that charming being had in store for me. She came close to me the moment I was in bed. Without uttering one word our lips met, and I found myself in the ecstasy of enjoyment before I had had time to seek for it.

The girl came back with the packet, and putting myself in a proper position I told her to try one on. She proceeded to do so with a sulky air and with a kind of repugnance which made me feel interested in her. Number one would not go on, so she had to try on a second, and the result was that I besprinkled her plentifully. The mistress laughed, but she was indignant, threw the whole packet in my face, and ran away in a rage.

I went to see her every morning, and as my interest in her condition was genuine, she could have no suspicion that I was acting a part, or attribute my care of her to anything but the most delicate feelings. For her part she seemed well pleased in the alteration of my behaviour, though her satisfaction may very probably have been assumed. I understood women well enough to know that though she did not love me she was probably annoyed at seeing my new character sit upon me so easily.

He left us, and I remained alone with Christine. I spent an hour with her without trying to give her even a kiss, although I was dying to do so, but I prepared her heart to burn with the same desires which were already burning in me by those words which so easily inflame the imagination of a young girl.

Marcoline was charming in bed. I had not enjoyed the Venetian vices for nearly eight years, and Marcoline was a beauty before whom Praxiteles would have bent the knee. I laughed at my brother for having let such a treasure slip out of his hands, though I quite forgave him for falling in love with her.

Her room was just behind the recess in which my bed stood. I went in with her and was astonished to see a great display of dresses, and in an adjoining closet all the array of the toilette, linen in abundance, and a good stock of shoes and embroidered slippers. Dumb with surprise I looked at her, and was thoroughly satisfied with what I saw.

The reader who imagines that at these words rage gave place to love, and that I hastened to obtain the prize, does not know the nature of the passion so well as the vile woman whose plaything I was. From hot love to hot anger is a short journey, but the return is slow and difficult.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The empress, who was a woman of moderate height and yet of a majestic appearance, thoroughly understood the art of making herself loved. She was not beautiful, but yet she was sure of pleasing by her geniality and her wit, and also by that exquisite tact which made one forget the awfulness of the sovereign in the gentleness of the woman. A few days after, Count Partin told me that the empress had twice asked after me, and that this was a sure sign I had pleased her.

The empress, who was a woman of moderate height and yet of a majestic appearance, thoroughly understood the art of making herself loved. She was not beautiful, but yet she was sure of pleasing by her geniality and her wit, and also by that exquisite tact which made one forget the awfulness of the sovereign in the gentleness of the woman. A few days after, Count Partin told me that the empress had twice asked after me, and that this was a sure sign I had pleased her.

M. de Voltaire said that if I liked to play it at his house he would write to M. de Chavigni to send the Lindane, and that he himself would play Montrose. I excused myself by saying that Madame was at Bale and that I should be obliged to go on my journey the next day. At this he exclaimed loudly, aroused the whole company against me, and said at last that he should consider my visit as an insult unless I spared him a week at least of my society.

The Leads, used for the confinement of state prisoners, are in fact the lofts of the ducal palace, and take their name from the large plates of lead with which the roof is covered. One can only reach them through the gates of the palace, the prison buildings, or by the bridge of which I have spoken called the Bridge of Sighs.

A short time afterwards, Madame F---- whispered a few words to the general, who turned to me and said that he would be glad to hear me relate what had occurred to me in Constantinople with the wife of the Turk Yusuf, and at another friend's house, where I had been seen bathing by moonlight. I was rather surprised at such an invitation, and told him that such frolics were not worth listening to....

At these words I rose and went to the window, where I stayed for more than a quarter of an hour reflecting on her infatuation. When I returned to the table where she was seated she scanned my features attentively, and said, with much emotion, "Can it be done, my dear friend? I see that you have been weeping."

Her room was just behind the recess in which my bed stood. I went in with her and was astonished to see a great display of dresses, and in an adjoining closet all the array of the toilette, linen in abundance, and a good stock of shoes and embroidered slippers. Dumb with surprise I looked at her, and was thoroughly satisfied with what I saw.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.