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for SSSA unaccompanied. Palestrina's setting of the Marian motet
Alma Redemptoris Mater seamlessly interweaves each of the four
independent voices based on the solemn tone of the corresponding
chant. Offprinted from The Oxford Book of Upper-Voice Polyphony.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Canzonette E Madrigali, Volume 2; Issue 21 Of I Classici Della
Musica Italiana; Canzonette E Madrigali; Giovanni Pierluigi Da
Palestrina Giovanni Pierluigi da Palestrina, Carlo Perinello
Societ� anonima notari, 1919 Madrigals, Italian; Part songs,
Italian
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