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This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ La Coltivazione E Gli Epigrammi Di Luigi Alamanni E Le Api Di
Giovanni Rucellai ...: Colle Annotazioni Del Signor Dottor Guiseppe
Bianchini Da Prato Sopra La Coltivazione, E Di Roberto Titi Sopra
Le Api, Con La Vita Dell' Alamanni Sc Scritta Dal Sig. Co.
Giammaria Mazzuchelli ... Luigi Alamanni, Giovanni Rucellai,
Giuseppe Maria Bianchini, Giammaria Mazzuchelli (conte) Remondini,
1812
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.Western literary
study flows out of eighteenth-century works by Alexander Pope,
Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann
Gottfried Herder, Johann Wolfgang von Goethe, and others.
Experience the birth of the modern novel, or compare the
development of language using dictionaries and grammar discourses.
++++The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to insure edition identification:
++++Harvard University Houghton LibraryN012945Vertical chain lines.
With a list of subscribers, four leaves at end.Londra: 1799: da'
torchj di Moore; presso l'editore; Cadell, Elmsly; White; Robson e
Faulder; e Hand, 1779]. 10],64, 8]p., plate; 4
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Le Api ... Annotato ... Giovanni Rucellai Bemporad, 1892
Foreign Language Study; Italian; Foreign Language Study / Italian;
Italian language
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Teatro Italiano O Sia Scelta Di Tragedie Per Uso Della Scena:
Tomo Primo In Cui Si Contengono La Sofonisba Del Trissino, L'Oreste
Del Rucellai Non Piu Stampato, L'Edipo Di Sofocle Tradotto Dal
Giustiniano, La Merope Del Torelli. Premessa Un'istoria Del Teatro,
E Difesa Di Esso Giovanni Giorgio Trissino, Giovanni Rucellai,
Sofocles, Pomponio Torelli Nella Stamperia di Stefano Orlandini,
1746
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ La Coltivazione Di Luigi Alamanni E Le Api Di Giovanni
Rucellai: Con Annotazioni Del Dottor Giuseppe Bianchini Da Prato
Sopra La Coltivazione; Volume 200 Of Classici Italiani; Classici
Italiani, N. 200 Luigi Alamanni, Giovanni Rucellai, Giuseppe Maria
Bianchini, Roberto Titi, Giammaria Mazzuchelli (conte) Societa Tip.
de'Classici italiani, 1804 Science; Life Sciences; Botany; Bees;
Bees in literature; Plants; Science / Life Sciences / Botany
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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