This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Coltivazione E Gli Epigrammi Di Luigi Alamanni E Le Api Di Giovanni Rucellai ...: Colle Annotazioni Del Signor Dottor Guiseppe Bianchini Da Prato Sopra La Coltivazione, E Di Roberto Titi Sopra Le Api, Con La Vita Dell' Alamanni Sc Scritta Dal Sig. Co. Giammaria Mazzuchelli ... Luigi Alamanni, Giovanni Rucellai, Giuseppe Maria Bianchini, Giammaria Mazzuchelli (conte) Remondini, 1812

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard University Houghton LibraryN012945Vertical chain lines. With a list of subscribers, four leaves at end.Londra: 1799: da' torchj di Moore; presso l'editore; Cadell, Elmsly; White; Robson e Faulder; e Hand, 1779]. 10],64, 8]p., plate; 4

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Api ... Annotato ... Giovanni Rucellai Bemporad, 1892 Foreign Language Study; Italian; Foreign Language Study / Italian; Italian language

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Teatro Italiano O Sia Scelta Di Tragedie Per Uso Della Scena: Tomo Primo In Cui Si Contengono La Sofonisba Del Trissino, L'Oreste Del Rucellai Non Piu Stampato, L'Edipo Di Sofocle Tradotto Dal Giustiniano, La Merope Del Torelli. Premessa Un'istoria Del Teatro, E Difesa Di Esso Giovanni Giorgio Trissino, Giovanni Rucellai, Sofocles, Pomponio Torelli Nella Stamperia di Stefano Orlandini, 1746

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Coltivazione Di Luigi Alamanni E Le Api Di Giovanni Rucellai: Con Annotazioni Del Dottor Giuseppe Bianchini Da Prato Sopra La Coltivazione; Volume 200 Of Classici Italiani; Classici Italiani, N. 200 Luigi Alamanni, Giovanni Rucellai, Giuseppe Maria Bianchini, Roberto Titi, Giammaria Mazzuchelli (conte) Societa Tip. de'Classici italiani, 1804 Science; Life Sciences; Botany; Bees; Bees in literature; Plants; Science / Life Sciences / Botany

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.