The book aims to counter the normative functioning of creativity in contemporary capitalism with a plethora of alternatives to radical creative practices. In the first part, titled "Creative Capitalism", five authors analyze the forms of contemporary capitalism: on the one hand, there are new ways of working which include flexibility, mobility, and especially precarity; on the other, there are new forms of recovery and accumulation. In the second part, titled "Multitudinous Creativities: Radicalities and Alterities", the book reflects on more autonomous creative experiments in the world. The third part, titled "Creativity, New Technologies, and Networks", analyses the issues related to the work of creative capitalism and the possible resistance within the digital and collaborative platforms.

The exhaustion of neoliberal globalization is marked by three great tendencies or inflections: the first is the scornful failure of the South-American attempt to construct a neo-developmentalist exit; the second is the increasingly unavoidable Chinese-effect macro and micro dynamics within globalization; the third is the combination of austerity policies and monetary emissions (Quantitative Easing) that characterize, for instance, the financial conduct of the Central European Bank. The dramatic failure to renew traditional state interventionism in the sphere of Pink Tide in Latin American politics-in particular with the violent recession of the biggest economy on the Latin American continent, Brazil-shows and confirms that the escape from neoliberal regulation does not pass through the return of the traditional role of the state. At the same time, the Chinese economy came to play a double role. On one hand, it appears to represent the great and irreversible novelty of neoliberal globalization, particularly when our point of perspective is South America. While almost nothing remains of the legacy of the center-left-leaning regimes, the last South American decade appears to have genuinely been a Chinese decade. The Chinese advance is seen, especially by voices of the critical globalization studies, as a new "outside" of Empire, as something that stands for an alternative path, even if it is nothing more than an "old new" outside. Meanwhile, the role played by the financial sector continues to be regarded per se as the fundamental problem of contemporary capitalism. For some, this is a case of a deviation from an otherwise "good capitalism, the misleading result of a fictitious and unreal sphere (as opposed to the sphere of material economy, of good old bosses and hard workers), while for others, it is a case of one of the moral characteristics of Western civilization: infinite debt, and capitalism happens to be its modern drift.

With the spread of information and communication technologies (ICTs) comes the potential both for new social and economic equalities and new forms of inequalities. Information, Power, and Politics: Technological and Institutional Mediations demonstrates that ICTs can act as an impetus for democratizing information and knowledge, while at the same time new institutional frameworks can limit one's use of and access to strategic information and knowledge. The volume's contributors address ways to strengthen and affirm the socially marginalized as well as suggest how best to incorporate (semi)peripheral countries and regions into the international system. Information, Power, and Politics offers a refreshing and timely perspective on the ever-evolving relationship between information, knowledge, and communication.

Appunti fotografici e fotoacquarelli digitali realizzati nel 2003, per narrare la Aleppo che fu. Un omaggio ai miei ragazzi dell'Accademia di Belle Arti di Aleppo, a Nur la mia giovane intelligentissima interprete, ad ognuna delle persone ritratte, alla fantastica Aleppo, nel pensiero angoscioso delle perdite

I Taccuini di Viaggi in Italia sono racconti con uso di parole ed immagini. In una giornata di sole di fine primavera, vi porto a passare mezza giornata a Roma a visitare la piazza piu discussa e manomessa della storia capitolina: Piazza Augusto imperatore, nasce attorno al Mausoleo di Augusto, dal quale prende il nome, iniziato da Augusto nel 28 a.C. Piazza Augusto Imperatore venne creata nel 1937 attorno al Mausoleo di Augusto e per accogliere il monumento dell'Ara Pacis Augustae.