The final volume of the Harvard edition presents the journals of Ralph Waldo Emerson's last years. In them, he reacts to the changing America of the post-Civil War years, commenting on Reconstruction, immigration, protectionism in trade, and the dangers of huge fortunes in few hands-as well as on baseball and the possibilities of air travel. His role as a Harvard Overseer evokes his thoughts on education during crucial years of reform in American universities. His travels take him to Europe for the third time, and for the first time he encounters the new garden of California and the enigma of Egypt. He continues to lecture, and a second volume of poems and two more collections of essays, culled from his manuscripts, are published. Finally, his late journals show Emerson confronting his loss of creative vigor, husbanding his powers, and maintaining his equanimity in the face of decline. This concluding volume thus gives a complex picture of Emerson in his last sixteen years, facing old age but still the advocate of "newness" throughout the world.

"Letters and Social Aims," published in 1875, contains essays originally published early in the 1840s as well as those that were the product of a collaborative effort among Ralph Waldo Emerson, his daughter Ellen Tucker Emerson, his son Edward Waldo Emerson, and his literary executor James Eliot Cabot. The volume takes up the topics of Poetry and Imagination, Social Aims, Eloquence, Resources, The Comic, Quotation and Originality, Progress of Culture, Persian Poetry, Inspiration, Greatness, and, appropriately for Emerson s last published book, Immortality. The historical introduction demonstrates for the first time the decline in Emerson s creative powers after 1865; the strain caused by the preparation of a poetry anthology and delivery of lectures at Harvard during this time; the devastating effect of a house fire in 1872; and how the Emerson children and Cabot worked together to enable Emerson to complete the book. The textual introduction traces this collaborative process in detail and also provides new information about the genesis of the volume as a response to a proposed unauthorized British edition of Emerson s works. Historical Introduction by Ronald A. Bosco

Notes and Parallel Passages by Glen M. Johnson

Text Established and Textual Introduction and Apparatus by Joel Myerson

With the appearance of the tenth and final volume of Collected Works, a project fifty years in the making reaches completion: the publication of critically edited texts of all of Emerson's works published in his lifetime and under his supervision. The Uncollected Prose Writings is the definitive gathering of Emerson's previously published prose writings that he left uncollected at the time of his death. The Uncollected Prose Writings supersedes the three posthumous volumes of Emerson's prose that James Elliot Cabot and Edward Waldo Emerson added to his canon. Seeing as their primary task the expansion of the Emerson canon, they embellished and improvised. By contrast, Ronald A. Bosco and Joel Myerson have undertaken the restoration of Emerson's uncollected prose canon, printing only what Emerson alone wrote, authorized for publication, and saw into print. In their Historical Introduction and Textual Introduction, the editors survey the sweep of Emerson's uncollected published prose. The evidence they marshal reveals Emerson's progressive reliance on lectures as forerunners to his published prose in major periodicals and clarifies what has been a slowly emerging portrait of the last decade and a half of his life as a public intellectual.