Charles Marowitz was the first American to direct at the Royal Shakespeare Company and the first American to direct at the Czech National Theatre (while collaborating with Vaclav Havel). Known as a maverick playwright, director, and critic, he nurtured numerous figures who have come to shape contemporary theatre and larger society. Without Marowitz the theories and ideas of Antonin Artaud would remain obscure. The entire trajectory and ecology of theatre and performance since the 1960s have been considerably influenced by this alone. The present-day popularity of immersive theatre was a mode of performance introduced to the British theatre by Charles Marowitz and Allan Kaprow in the famous Happening at the 1963 Edinburgh Drama Conference. In 1968 Marowitz started the Open Space Theatre on Tottenham Court Road in collaboration with Thelma Holt. There is a gap in our collective understanding of this important figure and a gap in currently available literature about him. The Marowitz Compendium seeks to spark a revaluation. The audience for this book includes students, postgraduates, specialists and general readers interested in drama and the history of contemporary theatre.

The legendary comedy duo's Christmas Specials began in 1969, but the phenomenon exploded in 1971 when the first, lavish, extended Christmas production was broadcast.

Shirley Bassey sang in hobnail boots; Glenda Jackson was serenaded by an assortment of BBC Presenters and the Andre Previn sketch stole the show. From then on, every subsequent year demanded new stars and great sketches. Diana Rigg played Nell Gwynne, Elton John was sent the wrong way round Television Centre, Vanessa Redgrave starred in a Latin-American extravaganza and a leggy Angela Rippon emerged from behind the news desk to perform a legendary dance routine.

In their last year at the BBC, the show reached its peak as a record 28 million people tuned in to see a chorus line of newsreaders acrobatically dance and sing 'There Ain't Nothing Like a Dame', Penelope Keith climb awkwardly from an unfinished stairway and an unexpected return for Elton John.

Compilation of sketches featuring the much-loved funnymen Eric Morecambe and Ernie Wise. Includes 'Anthony and Cleopatra' with Glenda Jackson, 'Monty in the Bounty' with Arthur Lowe, the famous 'Singing in the Rain' routine, and Eric and Ernie making breakfast to the sound of 'The Stripper'.

Ken Russell's sensuous dramatisation of DH Lawrence's novel stars Sammi Davis as Ursula Brangwen, a young women in the process of discovering her sexuality. At school she enjoys a passionate affair with the gym mistress Winifred Inger (Amanda Donohoe), and later becomes a teacher herself. But when she meets and marries the soldier Anton Skrebensky (Paul McGann), it gradually becomes clear to her that true satisfaction lies elsewhere.

This book draws extensively on the little-known but important Suffragette Fellowship Collection of archive photographs, newspapers, personal correspondence, artefacts and memoirs, to present a vivid picture of Suffragette life. The strength of the book is its rare images of the Suffragette campaign leading to the outbreak of the First World War. The book also documents leading personalities in the Suffragette movement, such as Emmeline Pankhurst, Annie Kenney and Emily Wilding Davison, the behind-the-scenes activities at the Women’s Social and Political Union, their public propaganda work, the brilliant set-piece demonstrations and the escalation of militancy from ‘pestering the politicians’ to burning down buildings and attacking works of art. The book also explores what happened to these incredible women after their war was won and the vote was granted to them.