The study of any masterpiece can change one's life, but the Confessions of St. Augustine, like Plato's Republic or Dante's Commedia, has the almost uncanny power to enact in the reader what it describes. Plato's book reconfigures the city of the soul by freeing it from enslavement to the tyrannical passions and making it answerable to reason in its pursuit of the good. For Augustine, who shares many of the same ends, the pursuit of the good is not the rectification of philosophical reason, but (as it was for Dante) an intensely personal and consuming love: the encounter with the living God. Oddly, it may seem, that encounter comes for Augustine through the act of reading. Unlike Plato, who depicts the process of reasoning toward the truth, Augustine finds the truth revealed in another, immeasurably greater book that cannot be read in its true sense without the help of its author. The essays uncover a variety of themes, from Augustine's act of reading (Marc LePain and Bercier), his emphasis on memory (Roger Corriveau), and his choice to reveal to the world his "hidden and unworldly activity" (Daniel Maher), to the way Augustine's own education might serve as a corrective to contemporary understandings of "assessment" (Gavin Colvert). The vast wake of Augustine's work includes writers from Dante and Montaigne to Nabokov, but three representative figures were chosen to show his influence: Jean-Jacques Rousseau in the Confessions (Rick Sorenson), James Joyce in the whole range of his work (Eloise Knowlton), and T.S. Eliot in the Four Quartets (Glenn Arbery). The most direct engagement with Augustine is obviously Rousseau's. In his essay comparing and contrasting the pivotal moments of the two Confessions, Rick Sorenson explores major differences between the way of faith and the path of reliance on reason. Joyce might be said to have taken Rousseau's path (at least in rejecting revelation), whereas Eliot took Augustine's. In its sophistications and anxieties, the late antiquity Augustine inhabited feels a great deal like the late modernity we inhabit now. Certainly, the barbarians of materialist thought long ago sacked the civilization our ancestors inhabited. When Eliot published The Waste Land in 1922, he already saw the old order of antiquity and Christendom as "stony rubble," "a heap of broken images." As one of his speakers puts it, "Dry bones can harm no one." This old book, the Confessions, might seem to our contemporaries as dry and dead as those bones, but it is not so. Without being a defense of Christianity (as the City of God is) or a work of catechesis, the Confessions might be the greatest counter to the materialist creed in Western literature. It recounts Augustine's central, intensely personal, and ultimately liberating struggle to conceive of spiritual substance, an intellectual achievement without which he cannot even hope to accommodate his understanding to the reality of God. This book of essays has one primary end, which is to entice the reader to reopen Augustine's book, to look over his shoulder and see what the act of reading means to him and what it has accomplished: the world-changing encounter with the substance of the Word.

A stunning collection of highly unusual poems by Lyle Novinski, a renown painter. This collection of poems, written over decades, will appeal to anyone who loves the celebration of small things, sensuously felt by the imagination pouring its perception of places, scents, touch, sounds into the body; world beauty, felt deeply. For years, Lyle Novinkski took yearly trips to Italy and Greece, seeing those landscapes and people with ever more acute and subtle perception. He saw through the artist's eye - open, with wonder and the ability to completely surrender to whatever was present, allowing it all to flow into his soul, without prejudice, judement, or speculation. Then, the matrix of scenes from that year would remain in memory, fermenting and distilling into poems that were written - as love poems to his wife as he would go off on another trip the following year. Each poem gives a sense of a possible future, present as though it had just been happening. The writing elevates the world of time, the tapestry of past, present, and future, now endowed with love. Time intimate, overcoming the yearly space between him and his beloved. The way into this poetry is provided by, Glenn Arbery, astute literary and cultural critic. This introduction is not only instructive, it is in itself a masterful, creative piece, worthy of savoring slowly. Such a reading helps one enter the poems with care, with a sense of how to be with these words in such a way as to allow bodily perception of what Lyle was seeing. The secret lies in letting yourself become enveloped in stillness, the true subject, the bright theme whispering throughout this book. Such poetry educates the soul in how to move from intense but unruly emotion into the spirit-filled presence of feeling.

Gained Horizons takes up Pope Benedict XVI's invitation, issued in his lecture at the University of Regensburg, to enter into the dialogue of cultures by "broadening our concept of reason" to "once more disclose its vast horizons." Benedict placed in the foreground the notion of God as acting with reason, and said of "this great logos, this breadth of reason," that "to rediscover it constantly is the great task of the university." Contributors include Jean Bethke Elshtain, Peter Lawler, R. R. Reno, Glenn Arbery, and Nalin Ranasinghe.

The works of William Shakespeare vividly represent for our admiration and study a pageant of souls with longing in whose wake we ceaselessly follow. Through some of his most memorable characters, Shakespeare illuminates the nature and character-as well as consequences-of our distinctively human passions and ambition, in particular our desire for and pursuit of both honor and love. The contributors to this collaborative volume (scholars in English Literature, Political Philosophy, and the Humanities) argue that Shakespeare has much to teach us about our longing for honor and love in particular, and thus about who we are, what we desire, and why. Through sustained reflection on the Shakespearean portraits of honor and love, which are the focus of the chapters in Souls With Longing, we become more keenly aware of our own humanity and come to know ourselves more profoundly. As the abiding popularity of his works aptly demonstrates, Shakespeare's unforgettable portraits of souls with longing-his representations of honor and love-continue to exert undeniable sway over our political, moral, and romantic imaginations.