untitled]
Public art
is a lot like the CIA
its need to maintain
plausible deniability
One could argue
this enriches the artistic product
makes more interesting entendre and layers
or one could say it puts a level of stress
this is not necessary
lays another cross, a burden on the artist's shoulders
a layer of stress
like inviting an unwanted guest, a thief at that,
a hustler, a whore, into one's own home

"Prophetgandist" is a war-torn carnival of words too immense to contain. It is philosophy, mysticism, and Dadaesque surrealism that will go on living in your very being. From political polemic and devil preachin' to sylvan expose, it covers humanity's foibles and glories while exploring the deep roots of our history to reveal the future.

A new beat intelligence unfolds, yet unseen on the American horizon. So sit back, listen, and watch the show. Someone left the propane on; the fire's still smoldering; the clues are lurking. The mystery is true; the detective is you.

provides a new analysis of population and agricultural growth. argues that we can't make sense of population and food production without recognizing the drivers of three fundamentally different types of agriculture: Malthusian (expansion), industrialization (external-input-dependent) and intensification (labour-based). upends entrenched misconceptions such as that we are running out of land for food production and that our only hope is development of new agricultural technologies written in an engaging style, containing vignettes, short histories and global case studies will not only be of interest to students and scholars of agriculture, land management and development, but also those more widely interested in learning about agri-food systems and the challenges of feeding a growing population.

This study is a fresh approach to Paul's Epistle to the Romans. Taking Paul's Jewish background seriously, it challenges the prevailing consensus that Paul's object in the first three chapters is to conclude that everyone is under the power of sin. Davies shows that in Paul's thinking there has always been a category of the righteous, those who live by faith and express their faith in obedience. Paul's indictment of Jews and Gentiles, therefore, is an indictment of only the wicked among Jews and Gentiles, not of the righteous.

provides a new analysis of population and agricultural growth. argues that we can't make sense of population and food production without recognizing the drivers of three fundamentally different types of agriculture: Malthusian (expansion), industrialization (external-input-dependent) and intensification (labour-based). upends entrenched misconceptions such as that we are running out of land for food production and that our only hope is development of new agricultural technologies written in an engaging style, containing vignettes, short histories and global case studies will not only be of interest to students and scholars of agriculture, land management and development, but also those more widely interested in learning about agri-food systems and the challenges of feeding a growing population.

Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media. Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER

Theosis shapes contemporary Orthodox theology in two ways: positively and negatively. In the positive sense, contemporary Orthodox theologians made theosis the thread that bound together the various aspects of theology in a coherent whole and also interpreted patristic texts, which experienced a renaissance in the twentieth century, even in Orthodox theology. In the negative sense, contemporary theologians used theosis as a triumphalistic club to beat down Catholic and Protestant Christians, claiming that they rejected theosis in favor of either a rationalistic or fideistic approach to Christian life. The essays collected in this volume move beyond this East–West divide by examining the relation between faith, reason, and theosis from Orthodox, Catholic, and Protestant perspectives. A variety of themes are addressed, such as the nature–grace debate and the relation of philosophy to theology, through engagement with such diverse thinkers as Thomas Aquinas, John Wesley, Meister Eckhart, Dionysius the Areopagite, Symeon the New Theologian, Panayiotis Nellas, Vladimir Lossky, Martin Luther, Martin Heidegger, Sergius Bulgakov, John of the Cross, Delores Williams, Evagrius of Pontus, and Hans Urs von Balthasar. The essays in this book are situated within a current thinking on theosis that consists of a common, albeit minimalist, affirmation amidst the flow of differences. The authors in this volume contribute to the historical theological task of complicating the contemporary Orthodox narrative, but they also continue the “theological achievement” of thinking about theosis so that all Christian traditions may be challenged to stretch and shift their understanding of theosis even amidst an ecumenical celebration of the gift of participation in the life of God.

Supplementing theological interpretation with historical, literary, and philosophical perspectives, The Weight of Love analyzes the nature and role of affectivity in medieval Christian devotion through an original interpretation of the writings of the Franciscan theologian Bonaventure. It intervenes in two crucial developments in medieval Christian thought and practice: the renewal of interest in the corpus of Dionysius the Areopagite in thirteenth-century Paris and the proliferation of new forms of affective meditation focused on the passion of Christ in the later Middle Ages. Through the exemplary life and death of Francis of Assisi, Robert Glenn Davis examines how Bonaventure traces a mystical itinerary culminating in the meditant's full participation in Christ's crucifixion. For Bonaventure, Davis asserts, this death represents the becoming-body of the soul, the consummation and transformation of desire into the crucified body of Christ. In conversation with the contemporary historiography of emotions and critical theories of affect, The Weight of Love contributes to scholarship on medieval devotional literature by urging and offering a more sustained engagement with the theological and philosophical elaborations of affectus. It also contributes to debates around the "affective turn" in the humanities by placing it within this important historical context, challenging modern categories of affect and emotion.

Theosis shapes contemporary Orthodox theology in two ways: positively and negatively. In the positive sense, contemporary Orthodox theologians made theosis the thread that bound together the various aspects of theology in a coherent whole and also interpreted patristic texts, which experienced a renaissance in the twentieth century, even in Orthodox theology. In the negative sense, contemporary theologians used theosis as a triumphalistic club to beat down Catholic and Protestant Christians, claiming that they rejected theosis in favor of either a rationalistic or fideistic approach to Christian life. The essays collected in this volume move beyond this East–West divide by examining the relation between faith, reason, and theosis from Orthodox, Catholic, and Protestant perspectives. A variety of themes are addressed, such as the nature–grace debate and the relation of philosophy to theology, through engagement with such diverse thinkers as Thomas Aquinas, John Wesley, Meister Eckhart, Dionysius the Areopagite, Symeon the New Theologian, Panayiotis Nellas, Vladimir Lossky, Martin Luther, Martin Heidegger, Sergius Bulgakov, John of the Cross, Delores Williams, Evagrius of Pontus, and Hans Urs von Balthasar. The essays in this book are situated within a current thinking on theosis that consists of a common, albeit minimalist, affirmation amidst the flow of differences. The authors in this volume contribute to the historical theological task of complicating the contemporary Orthodox narrative, but they also continue the “theological achievement” of thinking about theosis so that all Christian traditions may be challenged to stretch and shift their understanding of theosis even amidst an ecumenical celebration of the gift of participation in the life of God.

This monograph discusses the importance of wheeled armored systems for the US Army's future force design. Operational ideas require future forces be designed for rapid strategic deployabilty high lethality, operational mobility, survivability, versatility, and sustainability. It becomes a question of the tactical requirements that dictate whether the characteristics inherent in wheels or tracks better suits achievement of the intended results. The monograph briefly examines the current European situation and provides assessments of selected regional areas which crises may occur. Next, a comparison with Sir Julian Corbett's maritime fleet constitution draws corollaries from his theories of specialization, functions, and complexities. Next, an historical perspective examines the successes and failures of the following: the US Army's use of armored wheeled systems (the armored car and tank destroyer), the United States Marine Corps'; LAV-25 program, and the French experience in Chad. The remainder of the monograph addresses three fundamental questions linking armored wheeled systems to current battlefield requirements. These questions are: Can armored wheeled systems complement light forces in crisis operations as well as highly mechanized forces operating in war? Do armored wheeled systems provide the staying power on the battlefield? Given finite sea and airlift capabilities, can armored wheeled systems be deployed into a theater of operations without degrading the total amount of rapidly deployed forces available to conduct immediate operations?

untitled]
Public art
is a lot like the CIA
its need to maintain
plausible deniability
One could argue
this enriches the artistic product
makes more interesting entendre and layers
or one could say it puts a level of stress
this is not necessary
lays another cross, a burden on the artist's shoulders
a layer of stress
like inviting an unwanted guest, a thief at that,
a hustler, a whore, into one's own home

"Prophetgandist" is a war-torn carnival of words too immense to contain. It is philosophy, mysticism, and Dadaesque surrealism that will go on living in your very being. From political polemic and devil preachin' to sylvan expose, it covers humanity's foibles and glories while exploring the deep roots of our history to reveal the future.

A new beat intelligence unfolds, yet unseen on the American horizon. So sit back, listen, and watch the show. Someone left the propane on; the fire's still smoldering; the clues are lurking. The mystery is true; the detective is you.

Supplementing theological interpretation with historical, literary, and philosophical perspectives, The Weight of Love analyzes the nature and role of affectivity in medieval Christian devotion through an original interpretation of the writings of the Franciscan theologian Bonaventure. It intervenes in two crucial developments in medieval Christian thought and practice: the renewal of interest in the corpus of Dionysius the Areopagite in thirteenth-century Paris and the proliferation of new forms of affective meditation focused on the passion of Christ in the later Middle Ages. Through the exemplary life and death of Francis of Assisi, Robert Glenn Davis examines how Bonaventure traces a mystical itinerary culminating in the meditant's full participation in Christ's crucifixion. For Bonaventure, Davis asserts, this death represents the becoming-body of the soul, the consummation and transformation of desire into the crucified body of Christ. In conversation with the contemporary historiography of emotions and critical theories of affect, The Weight of Love contributes to scholarship on medieval devotional literature by urging and offering a more sustained engagement with the theological and philosophical elaborations of affectus. It also contributes to debates around the "affective turn" in the humanities by placing it within this important historical context, challenging modern categories of affect and emotion.