Over twenty years the ground-breaking anthology This Bridge Called my Back challenged feminists to envision new forms of communities and practices, Gloria E. Anzaldua and AnaLouise Keating have brought together an ambitions new collection of over eighty original contributions offering a bold new vision of women-of-colour consciousness for the twenty-first century. Through personal narratives, theoretical essays, textual collage, poetry, letters, artwork and fiction, This Bridge we Call Home examines and extends the discussion of issues at the centre of the first Bridge such as classism, homophobia, racism, identity politics, and community building, while exploring the additional issues of third world wave feminism, native sovereignty and lesbian pregnancy and mothering, transgendered issues, Arab-American stereotyping, Jewish identities, spiritual activism, and surviving academe. Written by women and men - both of colour and 'white', located inside and outside the United States - and motivated by a desire for social justice, This Bridge We Call Home invites feminists of all colours and genders to develop new forms of transcultural dialogues, practices, and alliances. Building on and pushing forward the revolutionary call for transformation announced over two decades ago, This Bridge We Call Home, will challenge readers to rethink existing categories and invent new individual and collective identities.

A bold collection of creative pieces and theoretical essays by women of color. New thought and new dialogue: a book that will teach in the most multiple sense of that word: a book that will be of lasting value to many diverse communities of women as well as to students from those communities. The authors explore a full spectrum of present concerns in over seventy pieces that vary from writing by new talents to published pieces by Audre Lorde, Joy Harjo, Norma Alarcon and Trinh T. Minh-ha.
"At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place...."Making Face/Making Soul" is an exciting collection of dynamic, important writings that all women of color and white feminists will learn from, enjoy, and return to again and again and again."--"Sojourner"
..".the pieces are stunning in what they risk and reveal..."--"The San Francisco Chronicle"

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldua weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues-including the September 11 attacks, neocolonial practices in the art world, and coalitional politics. She valorizes subaltern forms and methods of knowing, being, and creating that have been marginalized by Western thought, and theorizes her writing process as a fully embodied artistic and political practice. Resituating Anzaldua's work within Continental philosophy and new materialism, Light in the Dark takes Anzalduan scholarship in new directions.

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldua weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues-including the September 11 attacks, neocolonial practices in the art world, and coalitional politics. She valorizes subaltern forms and methods of knowing, being, and creating that have been marginalized by Western thought, and theorizes her writing process as a fully embodied artistic and political practice. Resituating Anzaldua's work within Continental philosophy and new materialism, Light in the Dark takes Anzalduan scholarship in new directions.

Over twenty years the ground-breaking anthology This Bridge Called my Back challenged feminists to envision new forms of communities and practices, Gloria E. Anzaldua and AnaLouise Keating have brought together an ambitions new collection of over eighty original contributions offering a bold new vision of women-of-colour consciousness for the twenty-first century. Through personal narratives, theoretical essays, textual collage, poetry, letters, artwork and fiction, This Bridge we Call Home examines and extends the discussion of issues at the centre of the first Bridge such as classism, homophobia, racism, identity politics, and community building, while exploring the additional issues of third world wave feminism, native sovereignty and lesbian pregnancy and mothering, transgendered issues, Arab-American stereotyping, Jewish identities, spiritual activism, and surviving academe. Written by women and men - both of colour and 'white', located inside and outside the United States - and motivated by a desire for social justice, This Bridge We Call Home invites feminists of all colours and genders to develop new forms of transcultural dialogues, practices, and alliances. Building on and pushing forward the revolutionary call for transformation announced over two decades ago, ^TThis Bridge We Call Home, will challenge readers to rethink existing categories and invent new individual and collective identities.

Born in the Rio Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldua was an internationally acclaimed cultural theorist. As the author of "Borderlands / La Frontera: The New Mestiza," Anzaldua played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. As an editor of three anthologies, including the groundbreaking "This Bridge Called My Back: Writings by Radical Women of Color," she played an equally vital role in developing an inclusionary, multicultural feminist movement. A versatile author, Anzaldua published poetry, theoretical essays, short stories, autobiographical narratives, interviews, and children's books. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women's studies.

This reader--which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldua produced during her thirty-year career--demonstrates the breadth and philosophical depth of her work. While the reader contains much of Anzaldua's published writing (including several pieces now out of print), more than half the material has never before been published. This newly available work offers fresh insights into crucial aspects of Anzaldua's life and career, including her upbringing, education, teaching experiences, writing practice and aesthetics, lifelong health struggles, and interest in visual art, as well as her theories of disability, multiculturalism, pedagogy, and spiritual activism. The pieces are arranged chronologically; each one is preceded by a brief introduction. The collection includes a glossary of Anzaldua's key terms and concepts, a timeline of her life, primary and secondary bibliographies, and a detailed index.

"Did you come from the other side? You know, from Mexico?" So begins the friendship between Prietita and Joaquin, the young boy who, with his mother, has crossed the Rio Grande River to Texas in search of a new life.

Prietita, a brave young Mexican American girl, defends Joaquin from the neighborhood kids who taunt him with shouts of "mojado" or "wetback." But what can she do to protect Joaquin and his mother from the Border Patrol as the van cruises slowly up the street toward their hiding place?

Writer Gloria Anzaldua is a major Mexican American literary voice. Illustrator Consuelo Mendez is a noted Latin American artist. Both grew up in South Texas. In this, their first collaboration, they have captured not only the hardship of daily life on the border, but also the beauty of the landscape and the dignity and generosity of spirit that the Mexican Americans and the Mexican immigrants share.

Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. As an editor of three anthologies, including the groundbreaking This Bridge Called My Back: Writings by Radical Women of Color, she played an equally vital role in developing an inclusionary, multicultural feminist movement. A versatile author, Anzaldúa published poetry, theoretical essays, short stories, autobiographical narratives, interviews, and children’s books. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women’s studies.This reader—which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldúa produced during her thirty-year career—demonstrates the breadth and philosophical depth of her work. While the reader contains much of Anzaldúa’s published writing (including several pieces now out of print), more than half the material has never before been published. This newly available work offers fresh insights into crucial aspects of Anzaldúa’s life and career, including her upbringing, education, teaching experiences, writing practice and aesthetics, lifelong health struggles, and interest in visual art, as well as her theories of disability, multiculturalism, pedagogy, and spiritual activism. The pieces are arranged chronologically; each one is preceded by a brief introduction. The collection includes a glossary of Anzaldúa’s key terms and concepts, a timeline of her life, primary and secondary bibliographies, and a detailed index.