A compelling, fully illustrated account of the worldwide phenomenon of science fiction as depicted in film, literature and art, and the scientific advances and imagination behind it. Drawing on a wide range of examples from the literary and visual canons - short stories, novels, films, television programmes, video games, graphic novels, artworks and more - in both cult and popular culture, this extensively illustrated book examines how science fiction has provided a human response to science, exploring every reaction from complacency to exhilaration, and from hope to terror. Across five chapters this volume reviews the role played by science fiction in exploring our world and a multitude of ideas about our relationship with the human condition. This encompasses a fascinating range of themes - machines, travel, aliens (the Other), communication, threats and anxiety. Featuring a range of essays by experts on the subject as well as interviews with well-known science-fiction authors and reproductions of classic ephemera, graphics and objects throughout, it also focuses on the darker elements of this fascinating genre - the anxieties, fears, dystopias, monsters and apocalypses that have populated science fiction from the beginning. Ultimately, science fiction asks what makes us human, and what lies in the future to test, threaten and even destroy humanity. This publication has these questions at its core, making it especially relevant for a contemporary readership in an age preoccupied with the climate emergency, the coronavirus pandemic, the development of nuclear missiles and military technologies, and other global challenges.

Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.

Is there a justification for European integration? "The Idea of a European Superstate" examines this--the most basic--question raised by the European Union. In doing so, Glyn Morgan assesses the arguments put forward by eurosceptics and their critics. In a challenge to both sides of the debate, Morgan argues in support of a European superstate. Unless Europe forms a unitary sovereign state, Europe will remain, so he maintains, weak and dependent for its security on the United States.

"The Idea of a European Superstate" reshapes the debate on European political integration. It throws down a gauntlet to eurosceptics and euro-enthusiasts alike. While employing the arguments of contemporary political philosophy and international relations, this book is written in an accessible fashion that anyone interested in European integration can understand.

Alternate history is a genre of fiction that, although connected to science fiction, has its own rich history and lineage. With its roots in the writings of ancient Rome, alternate history matured into something close to its current form in the essays and novels of the nineteenth century. In more recent years a number of highly acclaimed novels have been published as alternate histories, by authors ranging from bestselling science fiction writers to Pulitzer prize-winning literary icons. The popularity of the genre is reflected in its success on television, where original concepts have been developed alongside adaptations of classic texts such as Philip K. Dick's The Man in the High Castle. This collection of essays, by both leading scholars in the field and rising stars, seeks to redress an imbalance between the importance and quality of alternate history texts and the available critical scholarship on the genre. The essays acknowledge the long and distinctive history of alternate history whilst also revelling in its vitality, adaptability, and contemporary relevance.

Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.