Umiko Wada never set out to be private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. And with her former boss recently deceased in mysterious circumstances, Wada is careful to choose the cases she takes very carefully. But her interest is gripped by a mysterious businessman who wants her to track down his estranged son. But she should have known that the simplest cases are never what they seem.

Soon she finds herself pulled into a labyrinthine conspiracy with links to a twenty year old investigation and to the chaos and trauma of the dying days of the Second World War. As Wada uncovers a dizzying web of links between then and now, it becomes clear that someone has gone to extraordinary lengths to keep the past buried. And the deeper Wada digs, the more danger she finds herself. Soon those she loves most will be sucked into the orbit of one of the most powerful men in Tokyo. And he will do whatever it takes to hold on to that power...

The Fine Art of Uncanny Prediction is another tour de force from the cunning mind of master storyteller Robert Goddard. Spanning seventy years, it takes the reader on a head-spinning journey of twist and counter-twist which keep you guessing until the final pages.

Counseling someone who is dying or consoling a family who has suffered a death is one of the hardest parts of ministry. In times like these it's important for pastors to know what to say and how best to offer their support. Pastoral Care in Times of Death and Dying is a practical guide that offers step-by-step direction and solid advice for handling the difficult responsibility of ministering to others in situations surrounding death. From visiting and shepherding the terminally ill to overseeing funeral arrangements and comforting grieving families, Danny Goddard helps pastors, chaplains, and lay leaders understand their roles and bereavement responsibilities so they ll know the best way to offer compassion, love, and support to those who need it most.

Ten years since it was first published in hardback, and now for the first time in mass market paperback, this volume of short stories by the cream of British crime writing talent celebrates 75 years of the quintessential Detection Club. The Detection Club represents the cream of British crime writing talent. Founded on the cusp of the 1930s, the Club's first President was G.K. Chesterton, and since then the mantle of Presidency has passed to some of the most significant names inthe history of crime fiction, including Agatha Christie, Dorothy L. Sayers and Julian Symons. The Club meets three times a year - to dine, to plot, and to exchange ideas. This anthology includes eleven new stories by the Best of British: Robert Barnard, Lyndsey Davis, Colin Dexter, Clare Francis, Robert Goddard, John Harvey, Reginald Hill, P.D. James, H.R.F. Keating, Michael Ridpath and Margaret Yorke, and has been edited by the Club's President, Simon Brett. Among the authors are a number of bestsellers, as well as winners of both Diamond and Gold Daggers. This outstanding collection is a must for crime lovers everywhere. P.D. James * The Part-Time Job Michael Ridpath * Partnership Track H.R.F. Keating * A Toothbrush John Harvey * The Sun, the Moon and the Stars Lindsey Davis * 'Going Anywhere Nice?' Colin Dexter * Between the Lines Robert Barnard * The Life-lie Margaret Yorke * The Woman from Marlow Robert Goddard * Toupee for a Bald Tyre Clare Francis * The Holiday Reginald Hill * Fool of Myself

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.