Nervous about statistics? This guide offers you a clear, straight to the point break down of exploratory and descriptive statistics and its potential. Anchored by lots of examples and exercises to enhance your learning, this book will give you the know-how and confidence needed to succeed on your quantitative research journey.

What were Montmartre and Montparnasse really like in their hey-day, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called `the prince of Bohemians', died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitue intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose name are now household words, and contains much hitherto unpublished information about the life and career of Modigliani obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frede presided over the Lapin Agile and Libion, patron of the Cafe de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves who started them.

Distillations: Nancy Goldring Drawings and Foto-Projections 1971-2021 surveys 50 years of visual and conceptual explorations by artist and writer Nancy Goldring. Material is arranged according to predominating themes throughout her career: Thresholds, Sites, Sets, Perspectives, Dreams and Visions, and Chiaroscuro. The book reveals her unique process, how she devised her technique of melding graphic and photographic material through projection, and tracks its evolution from the sandwiching of black-and-white graphic and photographic images through to the creation of her "foto-projections" and large installation work. Included are interviews with the artist and an introduction by Jarrett Earnest with essays by writers and curators Paolo Barbaro, David Levi Strauss, Michael Taussig, and Ellen Handy.

"This is the major text on the integration of field palaeontology and sedimentology, particularly valuable for both practical lab exercises and students working independently and unsupervised on field projects" Reviewer's comment Field Palaeontology provides a comprehensive, rigorous and unique approach to the analysis of fossils and sediments and offers a practical field guide which no palaeontology student can afford to be without. The past decade has seen immense changes in palaeontology and in the study of sedimentary rocks in general. This edition has been thoroughly revised to take into account these advancements in the subject to produce a book that is unique in its coverage of palaeontology and sedimentology. It aims to provide a basis for evaluating the information potential of fossiliferous sediments, and then to give an outline of the strategy and tactics whicn can be adopted in the field. Field Palaeontology is written for advanced undergraduate courses in palaeontology, palaeoecology, palaeobiology, sedimentology and biostratigraphy within geoscience and geology degrees. It is also useful reading for Masters earth science students and first year postgraduates looking for a grounding in the basics of the subject.

This edition of Boswell's Life of Johnson details how Boswell's original words were changed during the publication process, and offers a fresh reading of Boswell's work. Marshall Waingrow charts the changes made during composition and at the proof stage, and corrects and explains the printer's misreadings and author's errors which crept into the final edition. This edition of the manuscript is a companion work to the standard scholarly edition of the Life of Johnson, known as the Hill-Powell version.

"This is the major text on the integration of field palaeontology and sedimentology, particularly valuable for both practical lab exercises and students working independently and unsupervised on field projects" Reviewer's comment Field Palaeontology provides a comprehensive, rigorous and unique approach to the analysis of fossils and sediments and offers a practical field guide which no palaeontology student can afford to be without. The past decade has seen immense changes in palaeontology and in the study of sedimentary rocks in general. This edition has been thoroughly revised to take into account these advancements in the subject to produce a book that is unique in its coverage of palaeontology and sedimentology. It aims to provide a basis for evaluating the information potential of fossiliferous sediments, and then to give an outline of the strategy and tactics whicn can be adopted in the field. Field Palaeontology is written for advanced undergraduate courses in palaeontology, palaeoecology, palaeobiology, sedimentology and biostratigraphy within geoscience and geology degrees. It is also useful reading for Masters earth science students and first year postgraduates looking for a grounding in the basics of the subject.

Festival culture is an area which has attracted increasing interest in the field of Renaissance studies in recent years. In part the outcome of scholars' focus on the place of the city in the establishment and dissemination of common culture, the attention paid to festivals also arises from the interdisciplinary nature of the topic, which reaches across the usual demarcation lines between disciplines such as cultural, political and economic history, literature, and the visual and performing arts. The scholars contributing to this volume include representatives from all these disciplines. Their essays explore common themes in festival culture across Renaissance Europe, including the use of festival in political self-fashioning and the construction of a national self-image. Moreover, in their detailed examination of particular types of festival, they challenge generalizations and demonstrate the degree to which these events were influenced the personality of the prince, the sources of funding for the ceremony, and the role of festival managers. Usually perceived as binding forces promoting social cohesion, festivals held the potential for discord, as some of the essays here reveal. Examining a wide range of festivals including coronations, triumphal entries, funerals and courtly spectacles, this volume provides a more inclusive understanding than hitherto of festivals and their role in European Renaissance culture.

Shaker Fancy Goods tells the story of the Shaker Sisters of the nineteenth and early twentieth century who responded to the economic perils of the Industrial Revolution by inventing a lucrative industry of their own-Fancy Goods, a Victorian term for small adorned household objects made by women for women. Thanks to their work ethic, business savvy, and creativity, the tireless Shaker Sisters turned a seemingly modest trade into the economic engine that sustained their communal way of life, just as the men were abandoning the sect for worldly employment. Relying on journals and church family records that give voice to the plainspoken accounts of the sisters themselves, the book traces the work they did to establish their principal revenue streams, from designing the products, to producing them by hand (and later by machine, when they could do so without compromising quality) to bringing their handcrafts to market. Photographs, painstakingly gathered over years of research from museums and private collections, present the best examples of these fancy goods. Fancy goods include the most modest and domestic of items, like the pen wipes that the Sisters shaped into objects such as dolls, mittens, and flowers; or the emeries, pincushions, and needle books lovingly made back in an era when more than a minimal competency in sewing was expected in women; to more substantial purchases like the Dorothy cloaks that were in demand among fashionable women of the world; or the heavy rib-knitted sweaters, cardigans, and pullovers that became popular items among college boys and adventurous women.

An exchange on education ideas has shaped the transatlantic discourse in education for a long time. Over the past two decades education science has increasingly become networked internationally. Since 2015, the Office for International Cooperation in Education at DIPF | Leibniz Institute for Research and Information in Education has organized international sessions on education research at the Annual Meetings of the American Educational Research Association, thus providing a floor for transatlantic exchange on current research topics. The volume gives an overview of the transatlantic activities in education research with regard to these sessions representing a collection of topics ranging from school development over the use of large scale assessment and digital data in education to questions related to migration and public education or the economization of education. At the same time the volume offers a reflection on the assets and obstacles of international exchange.

Thousands of children each year experience the death of a loved one before they reach the age of 18, and some 10 to 15 percent of them experience mental health problems, such as depression, as a result. One study found that childhood grief is correlated with low grades, sleep problems, moodiness, behavior problems, and an inability to concentrate. When a loved one dies, children are faced with a kaleidoscope of feelings, thoughts, myths, and questions. This workbook offers tools that you can use to help a grieving child in your life deal with these feelings. The first section of Why Did You Die? is for adults. It describes a child's grief process and what can be expected as it progresses. The latter section includes activities you can do with a grieving child. Using an art therapy approach, the activities guide the child through the issues he or she must eventually confront. Different activities help the child express difficult feelings, separate myths from facts, and understand the finality of death. This direct yet non-threatening, secular approach will help children learn, grow, and thrive.

This is a collection of essays on an important but overlooked aspect of early modern English life: the artistic and intellectual patronage of the Inns of Court and their influence on religion, politics, education, rhetoric, and culture from the late fifteenth through the early eighteenth centuries. This period witnessed the height of the Inns' status as educational institutions: emerging from fairly informal associations in the fourteenth century, the Inns of Court in the fifteenth and sixteenth centuries had developed sophisticated curricula for their students, leading to their description in the early seventeenth century as England's 'third university'. Some of the most influential politicians, writers, and divines - as well as lawyers - of Tudor and Stuart England passed through the Inns: men such as Edward Hall, Richard Hooker, John Webster, John Selden, Edward Coke, William Lambarde, Francis Bacon, and John Donne. This is the first interdisciplinary publication on the early modern Inns of Court, bringing together scholarship in history, art history, literature, and drama. The book is lavishly illustrated and provides a unique collection of visual sources for the architecture, art, and gardens of the early modern Inns -- .

This illustrated biography follows Nicholas Hilliard's long and remarkable life (c. 1547-1619) from the West Country to the heart of the Elizabethan and Jacobean courts. It showcases new archival research and stunning images, many reproduced in color for the first time. Hilliard's portraits-some no larger than a watch-face-have decisively shaped perceptions of the appearances and personalities of many key figures in one of the most exciting, if volatile, periods in British history. His sitters included Elizabeth I, James I, and Mary, Queen of Scots; explorers Sir Francis Drake and Sir Walter Raleigh; and members of the emerging middle class from which he himself hailed. Hilliard counted the Medici, the Valois, the Habsburgs, and the Bourbons among his Continental European patrons and admirers. Published to mark the 400th anniversary of Hilliard's death, this is the definitive biography of one of Britain's most notable artists. Published in association with the Paul Mellon Centre for Studies in British Art