BBC feature drama adapted from Jane Austen's classic novel. When Catherine Moorland (Katharine Schlesinger), a young woman who enjoys reading Gothic novels, visits Bath with friends of the family, she meets the charming Henry Tilney (Peter Firth) and later befriends him and his sister, Eleanor (Ingrid Lacey). They invite her to their home, the mysterious Northanger Abbey, but, so engrossed in the books she reads, Catherine is certain the Abbey will be full of intrigue which leads her to imagine a fantastical story about the death of Henry's mother. After revealing her thoughts to Henry, Catherine fears she may have lost his affections forever.

Six classic movies starring Margaret Lockwood. 'The Wicked Lady' (1945) is set during the reign of King Charles II. Lockwood stars as Lady Skelton, an aristocrat who attempts to relieve the tedium of her day-to-day life by secretly acting as a highway robber. Lady Skelton soon finds herself caught up in a tangled web of romance, danger, and jealousy. In 'Love Story' (1944), Lissa (Lockwood) discovers she only has a short time to live, so travels to Cornwall for a final fling. While there, she falls in love with young mineral prospector, Kit (Stewart Granger). However, the course of true love does not run smoothly. In 'Bank Holiday' (1938), a group of people set off on an August bank holiday, including a raucous Cockney family, a would-be beauty queen, and two young lovers - whose relationship starts to come apart when one has to deal with a bereavement at the hospital where she works. In 'Give Us the Moon' (1944), a young man, Sascha (Vic Oliver), joins a group called 'The Elephants' whose principle is to abide by a complete disregard for work. However chaos ensues when the group decides to help run the hotel owned by Sascha's father. In 'Highly Dangerous' (1950), when British Intelligence discovers that an Iron Curtain country is developing insects as weapons, they dispatch entomologist Frances Gray (Lockwood) to get into the country and collect specimens. However her cover is almost immediately blown on her arrival and her contact is murdered. Finally, in 'The Lady Vanishes' (1938), when the elderly Miss Froy (Dame May Whitty) goes missing on a train bound for England, her friend Iris Henderson (Lockwood) sets out to find her. However, Iris' attempts are immediately frustrated by her fellow passengers, who question whether Miss Froy ever even existed. Only music scholar Gilbert Redman (Michael Redgrave) is prepared to believe Iris, and together they set about getting to the bottom of the mystery.

A collection of six BBC dramatisations of Jane Austen classics. Adapted by Andrew Davies after his success with his work on George Elliot's 'Middlemarch' for television, 'Pride and Prejudice' was the BBC's flagship drama in the schedule for autumn 1995. The story revolves around the arrival of the wealthy Mr Darcy (Colin Firth) and party and the excitement he causes amongst the five daughters of the Bennett family. In 'Persuasion' (1995), Anne Elliott (Amanda Root) has spent years regretting her rejection of Captain Wentworth's (Ciaran Hinds) proposal of marriage. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliott (Samuel West), while Captain Wentworth is now regarded as a very eligible bachelor. 'Northanger Abbey' (1986) stars Peter Firth and Robert Hardy. The story follows the adventures of Catherine Moorland (Katharine Schlesinger), who is invited by the romantic Henry Tilney to stay at the Abbey - and finds it to be shrouded in mystery and intrigue. In 'Sense and Sensibility' (1980), sisters Elinor and Marianne Dashwood (Irene Richard and Tracey Childs) lose their family fortune to spiteful relatives, and are forced to seek out suitable husbands in order to survive. While Marianne falls for the heartless John Willoughby (Peter Woodward), Elinor finds herself attracted to Edward Ferrars (Bosco Hogan) - who is himself betrothed to Lucy Steele (Julia Chambers). In 'Mansfield Park' (1983), Fanny Price (Sylvestra Le Touzel) struggles to adjust to her new aristrocratic lifestyle when she is sent by her debt-ridden mother to live with her rich aunt and cousins. Her 'superior' relatives constantly ignore her, and only her cousin Edmund (Nicholas Farrell) shows Fanny any interest. However, Fanny's charm and wit eventually win her many potential suitors, and before long she has to decide whether she wishes to wed for love or for status. Doran Godwin stars in 'Emma' (1972), which tells the stroy of the eponymous heroine whose chief joy in life is organising the lives of the friends with whom she surrounds herself. She is soon the apple of Mr Knightly (John Carson)'s eye, an older family friend who has watched her grow and advised her on many things in life.

Realist drama from Ealing Studios, based on a novel by Arthur La Bern and set in London's working-class East End just after World War 2. The action unfolds over the course of one dismal, rainy Sunday. Tommy Swann (John McCallum) has escaped from Dartmoor prison and turns up at the drab East End home of his former love Rose (Googie Withers), who is now married to the staid George (Edward Chapman) with three children. Rose has a difficult decision to make: should she help Tommy, or put her marriage - and the claustrophobic domesticity it entails - first?

Horror anthology. Architect Walter Craig (Mervyn Johns) arrives at country house Pilgrim Farm thinking that he has been hired to remodel it. He finds the building strangely familiar, and upon entering discovers that he recognizes all of the house's occupants from a recurring nightmare he has experienced. One by one, everyone present relates their own horrific nightmare: Grainger (Anthony Baird) dreams that he is a racing driver recuperating from an accident; teenager Sally O'Hara (Sally Ann Howes) dreams of a Christmas party where she discovers a lone crying child; Joan Courtland (Googie Withers) relates a story of an antique mirror linked to an ancient murder; the next story concerns two golfers who vie murderously for the attention of a young lady; and the final story features a ventriloquist (Michael Redgrave) whose dummy comes to life.

Six classic Arthur Askey comedies. 'Back Room Boy' (1942) follows the antics of Askey and a timid meterologist who are packed off to an Orkney Island lighthouse. After a bit of mucking about they go off hot on the trail of a band of Nazi spies. 'Band Waggon' (1940) is a spin-off movie from Askey's popular BBC radio programme of the same name. After being evicted from Broadcasting House, Arthur and Richard 'Stinker' Murdoch move to a castle where they stumble upon television equipment which they use to put on a show. The show is of course the ideal vehicle for the variety acts from the radio show. In 'Bees in Paradise' (1944), Askey plays a pilot who bales out over Paradise Island, not knowing that he is about to land in a bee-worshipping colony of women and that he is about to become a drone for the queen bee. When he finds out that, as custom demands, he is due to be sacrificed two months after the honeymoon, he soon starts thinking about escape. The women of course have other ideas. In 'King Arthur Was a Gentleman' (1942), Askey is a newly recruited soldier who finds himself stationed in King Arthur County. Naturally when he unexpectedly chances upon a sword he is convinced it belonged to Arthur and that now he is indestructible. In 'Miss London Ltd.' (1943), Askey stars as a man trying to save his flagging escort agency. A new partner suggests getting some new girls in, just in time for the soldiers' leave. The film features English singing favourite of the 1940s, Anne Shelton. In 'I Thank You' (1941), the perils, humiliations and humour of trying to run a second-rate theatrical company are further compounded when financial aid, given by the former famous music-hall star Lady Randall (Lily Morris), is withdrawn. Not to be defeated, the stars decide the show must go on and devise a plan to persuade her to reinvest.