This book examines the current and historical dimensions of relations between the United States and the Federal Republic of Germany, focusing on the complex economic issues that make the two countries interdependent and on the resulting policy implications. The contributors analyze the reasons for increasingly problematic relations between the United States and West Germany, arguing that the situation is exacerbated by the inadequate understanding Americans often have of the changing nature of society, politics, and culture in West Germany.

First published in 1911, On the Art of the Theatre remains one of the seminal texts of theatre theory and practice.

Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatrea (TM)s great modernisers. Here, he is eloquent and entertaining in expounding his views on the theatre; a crucial and prescient contribution that retains its relevance almost a century later.

This reissue contains a wealth of new features:

• a specially written Introduction and notes from editor Franc Chamberlain
• an updated bibliography
• further reading.

Controversial and original, On the Art of the Theatre stands as one of the most influential books on theatre of the twentieth century.

First published in 1911, On the Art of the Theatre remains one of the seminal texts of theatre theory and practice.

Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatre 's great modernisers. Here, he is eloquent and entertaining in expounding his views on the theatre; a crucial and prescient contribution that retains its relevance almost a century later.

This reissue contains a wealth of new features:

• a specially written Introduction and notes from editor Franc Chamberlain
• an updated bibliography
• further reading.

Controversial and original, On the Art of the Theatre stands as one of the most influential books on theatre of the twentieth century.

This book examines the current and historical dimensions of relations between the United States and the Federal Republic of Germany, focusing on the complex economic issues that make the two countries interdependent and on the resulting policy implications. The contributors analyze the reasons for increasingly problematic relations between the United States and West Germany, arguing that the situation is exacerbated by the inadequate understanding Americans often have of the changing nature of society, politics, and culture in West Germany.

Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present. This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, Music in Print and Beyond: Hildegard von Bingen to The Beatles sets new standards for the discussion of music's place in Western cultural life. Contributors: Joseph Auner, Bonnie J. Blackburn, Gabriela Cruz, Bonnie Gordon, Ellen T. Harris, Lewis Lockwood, Paul S. Machlin, Roberta Montemorra Marvin, Honey Meconi, Craig A. Monson, Kate van Orden, Sousan L. Youens. Roberta Montemorra Marvin teaches at the University of Iowa and is the author of Verdi the Student -- Verdi the Teacher (Istituto Nazionale di Studi Verdiani, 2010) and editor of The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013). Craig A. Monson is Professor of Musicology at Washington University (St Louis, Missouri) and is the author of Divas in the Convent: Nuns, Music, and Defiance in Seventeenth-Century Italy (University of Chicago Press, 2012).

This Is A New Release Of The Original 1919 Edition.

Edward Gordon Craig was an artist philosopher whose daring stage sets were many years ahead of their time and whose theories about the use of masks in theater remain startling even today. His work with bookplates is too little remembered, but the designs are a wonderful introduction to his aesthetic theories and his experiments with light and shadow, as this unique volume illustrates.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Edward Gordon Craig (1872-1966) was the most brilliant and influential stage designer this century. Always a controversial figure, he set out to revolutionise the theatre by creating a new art, the art of the theatre. Almost single-handed he formulated the principles on which a modern approach to stage design would be based. In his writings and engravings he transformed stage scenery from painted back-cloth into an abstract three-dimensional world of form and light. Craig's reputation as a designer is firmly established; his brilliance as a writer is only beginning to be recognised. Index to the Story of My Days shows him at his most self-revealing. As the original edition announced, 'Anything less like the conventional book of memoirs it would be difficult to imagine'. This 1981 reissue includes a specially written introductory essay by Peter Holland assessing the importance of Craig's career in the history of stage design.