for SATB unaccompanied or with string accompaniment Versions for SSA and unison are also available.

for unison with descant, and piano, or piano and strings Instrumental material is available on hire. Versions for SSA and SATB are also available.

Suitable for oboe, and harpsichord (or piano), this is a work in four movements.

for unison (junior) and SATB (senior) choirs and keyboard The unison line, or junior choir, does have some small simple divisi. Overall, this is an accessible piece that is both rich and moving.

A piece suitable for unaccompanied clarinet.

Suitable for oboe and piano, this is a set of contrasting studies, each lasting less (and sometimes much less) than a minute.

for unaccompanied flute (alternating with piccolo)
Two pieces, one for flute and the other for piccolo, that are suitable to the advanced-intermediate student and are a great study in articulation.

for SSA and piano or strings Versions for unison and SATB are also available. Instrumental material is available on hire.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This comprehensive but concise guide for the student of orchestration is also an excellent book of reference for the practicing musician. Each instrument is considered within its respective group and helpful details are given on compass, technique, and timbre. The author takes many passages written for keyboard instruments and shows how they may be scored for a variety of combinations, thereby showing in the clearest possible manner the principles underlying effective orchestration. Exercises at the end of each chapter lead the student, by gradual stages, from simpler scoring for strings to the more complex art of writing for full orchestra. For this new edition Dr. Jacob has revised the text to reflect recent developments, particularly in wind and percussion instruments writing.