An exploration of how writers, artists, and filmmakers expose the costs and contest the assumptions of the Capitalocene era that guides readers through the rapidly developing field of Spanish environmental cultural studies. From the scars left by Franco's dams and mines to the toxic waste dumped in Equatorial Guinea, from the cruelty of the modern pork industry to the ravages of mass tourism in the Balearic Islands, this book delves into the power relations, material practices and social imaginaries underpinning the global economic system to uncover its unaffordable human and non-human costs. Guiding the reader through the rapidly emerging field of Spanish environmental cultural studies, with chapters on such topics as extractivism, animal studies, food studies, ecofeminism, decoloniality, critical race studies, tourism, and waste studies, an international team of US and European scholars show how Spanish writers, artists, and filmmakers have illuminated and contested the growth-oriented and neo-colonialist assumptions of the current Capitalocene era. Focussed on Spain, the volume also provides models for exploring the socioecological implications of cultural manifestations in other parts of the world. CONTRIBUTORS: Eugenia Afinoguenova, Samuel Amago, Daniel Ares-Lopez, Kata Beilin, John Beusterien, Miguel Caballero Vazquez, Jorge Catala, Glen S. Close, Jeffrey K. Coleman, Jamie de Moya-Cotter, Ana Fernandez-Cebrian, Ofelia Ferran, Tatjana Gajic , Pedro Garcia-Caro, Santiago Gorostiza, German Labrador Mendez, Maryanne L. Leone, Shanna Lino, Jorge Mari, Jose Manuel Marrero Henriquez, Maria Antonia Marti Escayol, Christine Martinez, Cristina Martinez Tejero, Micah McKay, Pamela F. Phillips, Merce Picornell, Luis I. Pradanos, Cecile Stehrenberger, John H. Trevathan, Joaquin Valdivielso, William Viestenz, Maite Zubiaurre.

Esta obra (libro de tapa dura) forma parte de la linea TREDITION CLASSICS en la cual la editorial tredition de Hamburgo esta publicando obras de los ultimos dos milenios que ya estan descatalogadas y solo pueden encontrarse en anticuarios. Esta linea quiere preservar la literatura y proteger la cultura para que miles de libros no se pierdan en el olvido. Con la linea TREDITION CLASSICS nos hemos propuesto reeditar miles de escritores clasicos de la literatura mundial en diversos idiomas para hacerles disponibles universalmente.

Esta obra forma parte de la linea TREDITION CLASSICS en la cual la editorial tredition de Hamburgo esta publicando obras de los ultimos dos milenios que ya estan descatalogadas y solo pueden encontrarse en anticuarios. Esta linea quiere preservar la literatura y proteger la cultura para que miles de libros no se pierdan en el olvido. Con la linea TREDITION CLASSICS nos hemos propuesto reeditar miles de escritores clasicos de la literatura mundial en diversos idiomas para hacerles disponibles universalmente.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tambien Hay Secreto En Muger; Volume 1 Of Ap�ndice Al Teatro Escogido; Manuel Eduardo De Gorostiza Manuel Eduardo de Gorostiza Rosa, 1826

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pedrarias Davila Pedro Gorostiza y Cepeda Impr. Nacional, 1838