After an interval of over 100 years, this is a new historical-critical edition of the tragedy -Emilia Galotti- by Gotthold Ephraim Lessing (1729-1781), a work of significance in the history of the German language. It is based on the first edition of 1772 and is the first to contain an in-depth analysis of all manuscripts and printed editions. This analysis extends to the manuscript for the original printed edition, which was discovered as recently as 1948 and is important for the genesis of the text. The edition provides new insights into the history of the work's origination and impact and also assembles over 500 documents on the contemporary reception accorded to it."

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Originally published in 1766, the "Laocoon" has been called the first modern attempt to define the distinctive spheres of art and poetry, and its author, Lessing, the first modern esthetician. Lessing invented the modern concept of the artistic medium and modernist assumptions of the uniqueness of the individual arts. A new Foreword by Michael Fried emphasizes Lessing's current importance regarding trends in art history and literary theory. (Philosophy)