Re-examines this unresolved murder in Kenya and the underlying role of rumour, the media and inter-state relations on how the death has been reported and investigated. Julie Ann Ward was a British tourist and wildlife photographer who went missing in Kenya's Maasai Mara Game Reserve in 1988 and was eventually found to have been murdered. Her death and the protracted search for her killers, stillat large, were hotly contested in the media. Many theories emerged as to how and why she died, generating three trials, several "true crime" books, and much speculation and rumour. At the core of Musila's study are thefollowing questions: why would this young woman's death be the subject of such strong contestations of ideas and multiple truths? And what does this reveal about cultural productions of truth and knowledge in Kenya and Britain, particularly in the light of the responses to her disappearance of the Kenyan police, the British Foreign Office, and the British High Commission in Nairobi. Building on existing scholarship on African history, narrative, gender and postcolonial studies, the author reveals how the Julie Ward murder and its attendant discourses offer insights into the journeys of ideas, and how these traverse the porous boundaries of the relationship between Kenya and Britain, and, by extension, Africa and the Global North. Grace A. Musila is a lecturer in the English Department of Stellenbosch University, South Africa

The Plague Years collects scholarly and essayistic reflections on literary, visual, and sonic representations of the COVID-19 and other pandemics. These are placed alongside poetry and short fiction written in the first two years of quarantine or isolation. This range expresses the intellectual and imaginative struggle and ingenuity entailed in coming to terms with the rampant spread of disease and its emotional, cultural, and political consequences. The contributions are from diverse contexts: Africa (from Egypt to South Africa), China, Japan, the US, and Scandinavia. They consider some of the array of contemporary engagements: poems translated from Mandarin about the traumas of the frontline, Chinese calligraphic poetry printed on cartons of PPE, comments on the literary history of representing epidemics and pandemics, political analyses of the post-truth present, and the role of life-writing and gaming in an interrupted world. Given the generative and creative obliquity of many of its parts, this collection shifts how one thinks about the diseased present and the archival pasts on which it draws. The chapters in this book were originally published as a special issue of English Studies in Africa.

Wangari Maathai was a scholar, writer, envrionmental activist, human rights champion, and Nobel Prize laureatte. In her life and thought, she tenaciously sought to expose the precarious lives of people across a variety of communities: women, rural communities, political prisoners, Kenyans, Africans, and citizens of the global South saddled with the burdens of international debt. She also intervened practically to dismantle the forces that limit people’s access to a dignified life. Wangari Maathai is, without a doubt, a worthy and relevant subject for the latest addition to the series, Voices of Liberation, published by the HSRC Press. She was committed to service and felt strongly about the principle of servant leadership, a timely and urgent issue not only for sub-Saharan Africa but, indeed, for the world. Wangari Maathai’s registers of freedom explores the multiple legacies of her life and offers readers a glimpse into the life and thought of one of the 20th century’s most remarkable woman.

Examines the variety of mostly unorganized and informal ways in which Africans exercise agency and resist state power in the 21st century, through citizen action and popular culture, and how the relationship between ruler and ruled is being reframed. The recent eruption of popular protests across North Africa and the Middle East has reopened academic debate on the meaning and strategies of resistance in the 21st century. This book argues that Western notions of state and civilsociety provide only a limited understanding of how power and resistance operate in the African context, where informality is central to the way both state officials and citizens exercise agency. With the principle of informality as a template, the chapters in this volume collectively examine the various modes - organised and unorganised, formal and informal, urban and rural, embodied and discursive, serious and ludic, online and offline, successful and failing - through which Africans contend with power. Resistance takes place against the backdrop of deep fractures in state sovereignty, the remnants of colonial rule and the constraints of a global, neoliberal economic system. Ebenezer Obadare is Associate Professor, Department of Sociology, University of Kansas; Wendy Willems is Assistant Professor, Department of Media and Communications, London School of Economics and Political Science (LSE) and Honorary Research Fellow, Department of Media Studies, University of the Witwatersrand, Johannesburg, South Africa.

brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. Draws on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres An authoritative scholarly resource on popular culture in Africa

PAPERBACK FOR SALE IN AFRICA ONLY Re-examines this unresolved murder in Kenya and the underlying role of rumour, the media and inter-state relations on how the death has been reported and investigated. Julie Ann Ward was a British tourist and wildlife photographer who went missing in Kenya's Maasai Mara Game Reserve in 1988 and was eventually found to have been murdered. Her death and the protracted search for her killers, stillat large, were hotly contested in the media. Many theories emerged as to how and why she died, generating three trials, several "true crime" books, and much speculation and rumour. At the core of Musila's study are thefollowing questions: why would this young woman's death be the subject of such strong contestations of ideas and multiple truths? And what does this reveal about cultural productions of truth and knowledge in Kenya and Britain, particularly in the light of the responses to her disappearance of the Kenyan police, the British Foreign Office, and the British High Commission in Nairobi. Building on existing scholarship on African history, narrative,gender and postcolonial studies, the author reveals how the Julie Ward murder and its attendant discourses offer insights into the journeys of ideas, and how these traverse the porous boundaries of the relationship between Kenya and Britain, and by extension, Africa and the Global North. Grace A. Musila is a lecturer in the English Department of Stellenbosch University, South Africa