This essay collection is gathered on the occasion of the retirement of Denise N. Baker, Professor of English at the University of North Carolina at Greensboro. New Directions in Medieval Mystical and Devotional Literature draws together the work of young and early career scholars who have worked with Baker as students as well as peers who have published her work, contributed to collections Baker has edited, and have been inspired and influenced by her wide-ranging and important scholarship over the past four decades. This collection includes studies of the wide variety of the texts and topics that have been the subject of Baker’s scholarly work, from the importance of philosophical and intellectual history in Julian of Norwich’s Showings and Langland’s Piers Plowman, to the gendered nature of martyrdom in medieval hagiography, to the preoccupation of architectural memorialization in Chaucer’s Canterbury Tales. These essays bridge the often wide gap between scholarship on medieval mystical texts, such as the writings of Julian of Norwich and the Cloud of Unknowing author, and scholarship on the work of major medieval vernacular authors such William Langland and Geoffrey Chaucer.

C.S. Lewis noted that the church has a problem: Whenever Christians are brainstorming together about who Jesus is and who we are, we go out and read mostly people who agree with us, or who live in our same time and place. It's hard to separate the cultural wheat from the chaff. But what happens when we do read people's answers to Jesus's question from the past lives and places of the church--people who may be wholly unlike us? Who is Jesus? What is he like? And who am I, encountering Jesus? The answers will surprise you. Jesus through Medieval Eyes, by Grace Hamman, looks to the Christians of the Middle Ages, to a time and culture dissimilar to our own, for their answers to these questions. Medieval Europeans were also suffering through pandemics, dealing with political and ecclesial corruption and instability, and reckoning with gender, money, and power. Yet their concerns and imaginations are unlike ours. Their ideas, narratives, and art about Jesus open up paradoxically fresh and ancient ways to approach and adore Christ--and reveal where our own cultural ideals about the Messiah fall short. In thoughtful and accessible chapters, medievalist scholar Grace Hamman explores and meditates upon medieval representations of Jesus in theology and literature. These representations of Jesus span from the familiar, like Jesus as the Judge at the End of Days, or Jesus as the Lover of the Song of Songs, to the more unusual, like Jesus as Our Mother. Through the words of medieval people like Julian of Norwich, St. Bernard of Clairvaux, Margery Kempe, and St. Thomas Aquinas, we meet these faces of Jesus and find renewed ways to love the Savior, in the words of St. Augustine, that "beauty so ancient and so new."