Theodor Fontane, Hermann Hesse, Thomas Mann, Franz Kafka, Gunther Grass, and Patrick SÜskind are among the writers examined in this comprehensive introduction to the development of the German novel in the late nineteenth and early twentieth centuries. Including a chronology and guide to further reading, the Companion conveys the vitality and complexity of the modern German novel, and the debates surrounding it.

Covers the major modernist literary works of Broch and constitutes the first comprehensive introduction in English to his political, cultural, aesthetic, and philosophical writings. Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, GiselaBrude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lutzeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.

A fresh and extensive look at the works of the great Austrian novelist in the context of the German and Austrian culture of his time. A panel of authors, critics, and academics convened by the Literaturhaus in Munich in 1999 voted Robert Musil's The Man without Qualities the most important German novel of the 20th century. Their collective judgment restson strong foundations: on the work's encyclopedic compass, embracing intellectual, social, political, and cultural concerns embodied in themes of striking originality; on its probing of key issues of Austrian and German life fromthe first four decades of the twentieth century; on the brilliance of its language, unsurpassed by any other 20th-century author writing in German. While this Companion gives The Man without Qualities the central focus it deserves, it also contributes to a deeper understanding of Musil's other significant works; in harnessing a team of established scholars from North America and Europe to the task of providing an assessment of Musil's work, it setsnew standards in scope and originality. The analyses are embedded in an appreciation of the intellectual contexts of Musil's writing, yielding fresh insights into Musil's artistic accomplishment and into his place in the Austrianand German cultural traditions of the 20th century. Contributors: Philip Payne, Klaus Amann, Galin Tihanov, Matthias Luserke-Jaqui, Silvia Bonacchi, Christian Rogowski, Peter Henninger, Walter Fanta, Karl Corino, GeneseGrill, Burton Pike, Rudiger Goerner Philip Payne is emeritus Professor of German Studies at Lancaster University, UK; Graham Bartram is retired as Senior Lecturer in German Studies at Lancaster University, UK; and Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.

Theodor Fontane, Hermann Hesse, Thomas Mann, Franz Kafka, Gunther Grass, and Patrick SÜskind are among the writers examined in this comprehensive introduction to the development of the German novel in the late nineteenth and early twentieth centuries. Including a chronology and guide to further reading, the Companion conveys the vitality and complexity of the modern German novel, and the debates surrounding it.