This book explores a key aspect of journalism history from a sociological perspective: the rise of the periodical press.With a focus not on the economic and technological causes of this revolution but on the social and political consequences, the book takes a global look at this key development in the British press. Taking as a point of departure the theory of E.S. Dallas, who defined the periodical as “the great event in modern history”, the book explores these premises and conclusions regarding authorship, publishing, and readership, considering the nineteenth century as a whole. After an introductory section discussing questions of theory and method, the analysis first offers an overview of the quantitative growth of the periodical market, whether measured in terms of publications, readership, or authorship, before turning to a more detailed consideration of its qualitative determinants and effects, again distinguishing the same three aspects. Offering new insight into this key turning point in journalism history, this book will be of interest to all students and scholars of journalism and journalism history, media history, media and communication studies, British history and modern history.

This volume comprises of a substantial selection of E.S. Dallas’s journalism in The Times. Although his reviews were crucial not only in forging the literary reputations of upcoming writers such as different as George Eliot and Mary Elizabeth Braddon, but also in recalibrating the response to well-established authors such as Tennyson and Dickens, Eneas Sweetland Dallas (1827-79) remains arguably the most unjustly neglected of mid-Victorian critics. Although Dallas wrote for many other periodicals, it was his reviews in The Times that had the greatest impact on both the market for books and literary culture in the mid-Victorian period. This collection brings together an anthology of his contributions, as well as a newly written introduction, a comprehensive listing of the articles he submitted to The Times, critical apparatus to contextualise the materials, and a detailed chronology, reappraising Dallas’ biography. This volume will be of great interest to students and scholars of literary history.

The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.

The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.

The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.

The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

Originally published in serial form from December 1860 to August 1861, Great Expectations is the 'autobiography' of Pip, as he transformed from apprentice village blacksmith to a London gentleman. Unlike many of Dickens's earlier works, the novel is not so much a protest against social evils as a sustained meditation upon the process of social reform in Victorian England. It is this which gives such importance to the book's handling of the theme of the gentleman, a theme central both to Dickens's society and to his own life story.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

A practical, inspirational guide to managing your moods, improving your outlook, and beating stress and anxiety Feeling overwhelmed, overstressed, or just plain down about life? This book is the cure for what ails you. Mood can affect every aspect of your life, from your performance at work to your personal relationships, and being able to take control of your moods, rather than have them control you, is something all the most successful people have in common. Combining techniques from two powerful, complementary therapeutic approaches Cognitive Behavioural Therapy and Mindfulness Feel Good is an everyday mood control book that can help you keep your spirits and your confidence high, and instill you with a more upbeat, positive, can-do attitude, come what may. * A source of inspiration for world-weary nine-to-fivers and an expert guide to beating stress and anxiety * Combines the latest research and proven techniques and practices from two powerful therapeutic approaches: CBT and Mindfulness * Packed with practical information on how to start feeling happier and more positive about life, and optimize how you deal with people and situations in life and at work * Designed for quick reference it lets you access practical information relevant to the mood you re in at the moment

Despite the title, Dickens's portrayal of early industrial society here is less relentlessly grim than that in novels by contemporaries such as Elizabeth Gaskell or Charles Kingsley. Hard Times weaves the tale of Thomas Gradgrind, a hard-headed politician who raises his children Louisa and Tom without love, of Sissy the circus girl with love to spare who is deserted and adopted into their family, and of the honest mill worker Stephen Blackpool and the bombastic mill owner Josiah Bounderby. The key contrasts created are finally less those between wealth and poverty, or capitalists and workers, than those between the head and the heart, between "Fact"-the cold, rationalistic approach to life that Dickens associates with utilitarianism-and "Fancy"-a warmth of the imagination and of the feelings, which values individuals above ideas. Concentrated and compressed in its narrative form, Hard Times is at once a fable, a novel of ideas, and a social novel that seeks to engage directly and analytically with political issues. The central conflicts raised in the text, between government's duty not to intervene to guarantee the liberty of the subject, and between quantitative and qualitative assessments of progress, remain unresolved today in the late or post industrial stages of liberal democracies.

Wilkie Collins is best known for his great mystery The Moonstone and The Woman in White-and for a life as sensational as are those novels. (The writer who famously advised other novelists to 'make 'em laugh, make 'em cry, make 'em wait' is now known to have kept entire households in different parts of England going simultaneously.) Yet Collins also wrote a succession of extraordinarily powerful novels of private life; of these The Evil Genius is among the finest. The story is motivated by the attraction between Herbert Linley and the woman he hires as governess for his child Kitty-the long suffering Sydney Westerfield. As one expects with Collins, the story is driven forward with deft assurance. Yet he also treats the theme of adultery and divorce in a manner quite unconventional for his time-and, remarkably, he manages to draw readers into a sympathetic understanding of both of the main female characters: the offending governess and the aggrieved wife. The Evil Genius was a very considerable success when first published; indeed, it brought Collins more financially than any of his other works. Over a century later its sinews retain the strength to speak powerfully to the reader; lively and intelligent, it is perhaps the finest of Collins' later novels.