The seventeenth century was a period of immense turmoil. This book explores the methods by which a distinctive iconography was created for each Stuart king, describes the cultural life of the Civil War period and the Cromwellian Protectorate, and analyses the impact of the antiquarian movement which constructed a new sense of national identity. Through this detailed and fascinating discussion of seventeenth-century society, Graham Parry provides a clear insight into the many forces operating on the literature of the period.

The seventeenth century was a period of immense turmoil. This book explores the methods by which a distinctive iconography was created for each Stuart king, describes the cultural life of the Civil War period and the Cromwellian Protectorate, and analyses the impact of the antiquarian movement which constructed a new sense of national identity. Through this detailed and fascinating discussion of seventeenth-century society, Graham Parry provides a clear insight into the many forces operating on the literature of the period.

A wide-ranging survey of the brief revival of religious art, architecture, music, and literature during the Counter-Reformation. This book offers an accessible overview of the achievements of Laudian culture, so much of which was destroyed in the Civil Wars. Some eighty years after the Reformation, the brief span of the Anglican Counter-Reformation in the 1620s and 1630s saw a revival of the arts in the Church. With the rise of a "High Church" movement, initiated by Lancelot Andrewes and propelled by William Laud, John Cosin and Matthew Wren, the arts of religion flourished once again. New churches were built, and cathedrals and parish churches began to install new furnishings that were appropriate to the ceremonial forms of worship now being introduced. Painted glass, religious painting and sculpture, and ornate screens, font-covers and tombs all re-appeared. Sacred music enjoyed a revival too, as cathedral and chapel choirs required an enlarged repertoire for the more complex services that the Laudian movement favoured. The heightened mood of piety also found expression in a remarkable flowering of devotional poetry and prose. All these are discussed in this remarkable book. First published in 2006 as The Arts of the Anglican Counter-Reformation. GRAHAM PARRY is Professor of English, University of York.

Essays on Milton's developing ideas on liberty, and his republicanism, as expressed in his writings over his lifetime. In his Second Defence of the English People (1654), reflecting on his career as a prose writer, prior to embarking on the composition of Paradise Lost, John Milton identified 'three varieties of liberty without whichcivilized life is scarcely possible, namely ecclesiastical liberty, domestic or personal liberty, and civil liberty'. In retrospect he was able to find in his earlier writings a systematic exposition of the grounds of freedom, and a commitment to expanding its domain through publication and polemic. Taking initiative from both the history of political thought and historicist aesthetics, the essays in this collection (which derive from the International Milton symposium at York) consider the conditions of liberty in Milton's writings, and the contested development of his republicanism, through his career as a civil servant and prose writer, through his great poems, to his posthumous reputation and the appropriation of his works; and they extend laterally to typologies of liberty, the realm of law, prosody, and religious faith and persecution.Winner of the 2002 Irene Samuel Prize for best composite work onMilton. The contributors are: THOMAS CORNS, JOHN CREASER, MARTIN DZELZAINIS, KATSUHIRO ENGETSU, STEPEHN FALLON, BARBARA LEWALSKI, JANEL MUELLER, CHRISTOPHER ORCHARD, GRAHAM PARRY, JOAD RAYMOND, JOHN RUMRICH, QUENTIN SKINNER, ANNE-JULIA ZWIERLEIN.GRAHAM PARRY is Professor of English, University of York; JOAD RAYMOND lectures in the School of English and American Studies, University of East Anglia.

The first of a two-volume examination of medievalism and academic scholarship, this collection is divided into four sections: Canonizing Chaucer, Antiquarian loomings, Medievalism, medieval studies, and Medieval studies at the millennium. Medievalism, the "continuing process of creating the middle ages", engenders formal medieval studies from a wide variety of popular interests in the middle ages. This volume accordingly explores the common ground between artisticand popular constructions of the middle ages and the study of the middle ages within the academy. Essays treat the genesis of medieval studies in early modern antiquarianism; the erection of academic medievalism through persistent, indeed perverse, appeals to heroic medieval manliness and attenuated female spirituality; the current jeopardy of the book (a medieval invention) in the face of technological assault; the politics of the nineteenth-century academy (F.W. Furnival and others); the editorial practice of Sidney Lanier; and the cultural canonization of Chaucer. Contributors: DAVID O. MATTHEWS, STEVE ELLIS, ANTONIA WARD, GRAHAM PARRY, MARGARET CLUNIES ROSS, ANNA SMOL, DAVID ALLAN, MATILDE MATEO, MARYA DEVOTO, ULRIKE WIETHAUS, STEPHEN STEELE, JAMES KENNEDY, WILLIAM CALIN, JESSE D. HURLBUT, JOAN GRENIER-WINTHER, WILLIAM PADEN

Essays on English Renaissance culture make a major contribution to the debate on historical method. For nearly two decades, Renaissance literary scholarship has been dominated by various forms of postmodern criticism which claim to expose the simplistic methodology of `traditional' criticism and to offer a more sophisticated view of the relation between literature and history; however, this new approach, although making scholars more alert to the political significance of literary texts, has been widely criticised on both methodological and theoretical grounds. The revisionist essays collected in this volume make a major contribution to the modern debate on historical method, approaching Renaissance culture from different gender perspectives and a variety of political standpoints, but all sharing an interest in the interdisciplinary study of the past.ROBIN HEADLAM WELLS is Professor of English, University of Surrey Roehampton; GLENN BURGESS is Professor of History, University of Hull; ROWLAND WYMER is Senior Lecturer in English at the University of Hull. Contributors: GLENN BURGESS, STANLEY STEWART, BLAIR WORDEN, ANDREW GURR, KATHARINE EISAMAN MAUS, ROWLAND WYMER, GRAHAM PARRY, MALCOLM SMUTS, STEVEN ZWICKER, HEATHER DUBROW,ROBIN HEADLAM WELLS.

The Trophies of Time presents the first comprehensive survey of the English antiquarians of the seventeenth century. In Britain throughout the period there was a persistent curiosity about the origins of the nation and its institutions, inspired initially by the publication in 1586 of Camden's Britannia. A remarkable campaign of scholarship developed, which attempted to imagine the vanished societies that had once flourished there. What could be known of prehistoric Britain from its monuments and language? Could the lay-out of Roman Britain be recovered? Was it possible somehow to retrieve the language, religion, and laws of Saxon England? The answers to these questions often had a bearing on contemporary issues of church and state and also enabled citizens to gain a new insight into the character and identity of their nation. Many of the most learned men of the age addressed themselves to antiquarian learning. This book assesses their achievements, and presents lively and fascinating portraits of Camden, Cotton, Selden, Spelman, Ussher, Dugdale, Aubrey, and many other lesser-known scholars.