Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artist's career - from youthful pictureseque views and watercolours of 'Gothic' ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turner's tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries - but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artist's biography with sensitive criticism of his work, through all phases of his career, in this classic work - first published in 1969 - that has long served as an outstanding introduction to Turner's life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.

Boas of the West Indies is a comprehensive survey of boid snakes, commonly known as boas, found on the islands of the Lucayan Archipelago, the Greater Antilles, and the Lesser Antilles. Bringing together the expertise of leading herpetologists R. Graham Reynolds, Robert W. Henderson, Luis M. Diaz, Tomas Michel Rodriguez, and Alberto R. Puente-Rolon, this volume synthesizes established knowledge and new findings on the evolutionary biology, natural history, and conservation statuses of these iconic snakes. One of the most ecologically diverse snake families, boas have inhabited the West Indies for millions of years. From the Cuban boa, which in many folk legends may grow to over twice a person's height, to the Hispaniolan vineboa, discovered only in 2020 and known to measure less than a meter long, Boas of the West Indies examines the eighteen species extant on these islands along with several others now extinct. Species accounts include details such as phenotypic traits, distribution, and behavior. Introductory chapters discuss the history of human-boa interaction, differences between West Indian and neotropical mainland boids, current conservation efforts, and more. Illustrated with over a hundred color photographs and range maps, Boas of the West Indies is a benchmark reference for herpetologists, conservationists, and snake hobbyists that expands our knowledge of-and celebrates-these fascinating creatures so integral to the ecology of these islands.

Many Canadians know that Viola Desmond is the first Black, non-royal woman to be featured on Canadian currency. But fewer know the details of Viola Desmond's life and legacy. In 1946, Desmond was arrested for refusing to give up her seat in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. Her singular act of courage was a catalyst in the struggle for racial equality that eventually ended segregation in Nova Scotia. Authors Graham Reynolds and Wanda Robson (Viola's sister) look beyond the theatre incident and provide new insights into her life. They detail not only her act of courage in resisting the practice of racial segregation in Canada, but also her extraordinary achievement as a pioneer African Canadian businesswoman. In spite of the widespread racial barriers that existed in Canada during most of the twentieth century, Viola Desmond became the pre-eminent Black beauty culturist in Canada, establishing the first Black beauty studio in Halifax and the Desmond School of Beauty Culture. She also created her own line of beauty products. Accessible, concise and timely, this book tells the incredible, important story of Viola Desmond, considered by many to be Canada's Rosa Parks.

In this intriguing study, two social psychologists and an intellectual historian describe the people and intellectual currents which have given rise to the complex discipline of American social psychology. The authors examine the influence of British evolutionary theory, French social theory, American pragmatism, and the ideas of Freud, Marx, and Lewin on the evolution of social psychological theory, and explain how these traditions contributed to later developments such as group dynamics, cognitive social psychology, and symbolic interaction. American social psychology during this century has shifted back and forth from a focus on individual psychological processes to a concern with the role of the broader social context and social interaction. This has resulted in the development of several quite distinct social psychologies, which are all valid rather than mutually exclusive, and it should be possible to build a discipline in which all aspects of social psychology, sociology, and related areas, as well as those interested in the history of the social sciences, will find this important and comprehensive appraisal of the field useful. This book is intended for professionals and graduate students in social psychology, sociology, history and theory of psychology, intellectual and social history, and the history of science.

In 1946, Viola Desmond was wrongfully arrested for sitting in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. In 2010, the Nova Scotia Government recognized this gross miscarriage of justice and posthumously granted her a free pardon. Most Canadians are aware of Rosa Parks, who refused to give up her seat on a racially segregated bus in Alabama, but Viola Desmond s act of resistance occurred nine years earlier. However, many Canadians are still unaware of Desmond s story or that racial segregation existed throughout many parts of Canada during most of the twentieth century. On the subject of race, Canadians seem to exhibit a form of collective amnesia. Viola Desmond s Canada is a groundbreaking book that provides a concise overview of the narrative of the Black experience in Canada. Reynolds traces this narrative from slavery under French and British rule in the eighteenth century to the practice of racial segregation and the fight for racial equality in the twentieth century. Included are personal recollections by Wanda Robson, Viola Desmond s youngest sister, together with important but previously unpublished documents and other primary sources in the history of Blacks in Canada."

This is a new release of the original 1949 edition.

In this sequel to "The Grafs of Arran Towers", Ben and Higgs work together again, to breathe new life into the city's museum and art gallery. It's a new beginning for Higgs, together with his secret friends the Grafs. However, Higgs's new opportunity is not as it first appears. Could it be over before it has even begun? For Ben, another adventure is about to start and a journey that will take him deeper into the world of the Grafs. It's time for the Grafs to repay their debt and come to Higgs's rescue!

In this sequel to "The Grafs of Arran Towers", Ben and Higgs work together again, to breathe new life into the city's museum and art gallery. It's a new beginning for Higgs, together with his secret friends the Grafs. However, Higgs's new opportunity is not as it first appears. Could it be over before it has even begun? For Ben, another adventure is about to start and a journey that will take him deeper into the world of the Grafs. It's time for the Grafs to repay their debt and come to Higgs's rescue!

After a skateboarding accident in his local car park, Arran Towers, young Ben Lewis discovers that the Car Park is inhabited by more than just the attendant (Higgs) and his dog (Tripod). There exists another incredible world of characters - the GRAFS! When he and Higgs discover a plan to destroy the Towers, the secretive and wonderful world of the GRAFS will be destroyed forever. They MUST escape, before it is too late and Ben and Higgs have little time to set them free. Will they succeed? Join Ben on his journey of discovery to find out if he can help them survive the explosive ending!

After a skateboarding accident in his local car park, Arran Towers, young Ben Lewis discovers that the Car Park is inhabited by more than just the attendant (Higgs) and his dog (Tripod). There exists another incredible world of characters - the GRAFS! When he and Higgs discover a plan to destroy the Towers, the secretive and wonderful world of the GRAFS will be destroyed forever. They MUST escape, before it is too late and Ben and Higgs have little time to set them free. Will they succeed? Join Ben on his journey of discovery to find out if he can help them survive the explosive ending!

John Constable, one of the most beloved of British painters, is renowned for his poetic approach to nature and his extraordinary use of broken color. In this beautiful two-volume set, the dean of Constable scholars, Graham Reynolds, discusses all the paintings and drawings the artist produced between 1790 and1816, both before and after his breakthrough into the original style that is the basis of his fame. Together with Reynolds`s award-winning The Later Paintings and Drawings of John Constable (1984), the books are a catalogue raisonne' of this artist`s monumental oeuvre.The two volumes, one of text and one of plates, describe and reproduce 1370 paintings and drawings in chronological order. They begin with Constable`s juvenilia and tentative experiments before he went to London in 1799 to become a professional artist. Next are some lesser-known works-elegant figure studies of girls, Constable`s first portraits, and his Lake District watercolors. Finally are the works after 1808-Dedham Vale: morning, Flatford Mill from a Lock on the Stour, A Summerland, The Stour Valley and Dedham Village, and the recently rediscovered The Wheatfield-works that made Constable a major force in British landscape painting. The volumes also include Constable`s numerous sketches of his homeland around East Bergholt and Dedham from this period, drawings on which he based his later masterpieces. An appendix records and reproduces, as addenda to The Later Paintings and Drawings, 94 works produced between 1817 and 1836 that have come to light since those books were published. Published for the Paul Mellon Center for Studies in British Art