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Showing 1 - 25 of 30 matches in All Departments
Internationally acclaimed theologian Graham Ward is well known for
his thoughtful engagement with postmodernism. This volume, the
fourth in The Church and Postmodern Culture series, offers an
engaging look at the political nature of the postmodern world.
This unusual rhyming journey through a world of dynamic story starters, was created in collaboration with twelve illustrators, to excite and engage everyone from avid book lovers, to the most reluctant readers. Children at home will ask for the book again and again, reliving their adventure across every contrasting page. In school environments this book is used by teachers in Key stages 1 and 2 to engage reluctant readers and writers, inspiring them to write creatively and map stories using the fun and disruptive content. Other more able writers in school extend their stories into fully illustrated poems. This book is a great tool for anyone who wants to reignite the imaginative wonder in the mind of their child/student.
Why believe? What kinds of things do people believe in? How have they come to believe them? And how does what they believe - or disbelieve - shape their lives and the meaning the world has for them? For Graham Ward, who is one of the mostinnovative writers on contemporary religion, these questions are more than just academic. They go to the heart not only of who but of what we are as human beings. Over the last thirty years, our understandings of mind and consciousness have changed in important ways through exciting new developments in neuroscience. The author addresses this quantum shift by exploring the biology of believing. He offers sustained reflection on perception, cognition, time, emotional intelligence, knowledge and sensation. Though the 'truth' of belief remains under increasing attack, in a thoroughly secularised context, Ward boldly argues that secularity is itself a form of believing. Pointing to the places where prayer and dreams intersect, this book offers a remarkable journey through philosophy, theology and culture, thereby revealing the true nature of the human condition.
This is a unique collection of essays that brings together contributions from theology, aesthetics, social and political science, philosophy and cultural theory to examine the surge in the public visibility of religion.Since the late 1980s, sociologists have been drawing our attention to an international surge in the public visibility of religion. This has increasingly challenged two central aspects of modern western European culture: first, the assumption that as we became more modern we would become more secularised and religion would disappear; and secondly, that religion and politics should occupy radically differentiated spheres in which private conviction did not exert itself within the public realm. The new visibility of religion is not simply a matter of what Keppel famously called 'The Revenge of God', that is, the resurgence of Christian, Islamic and Jewish fundamentalism. Religion is permeating western culture in many different forms from contemporary continental philosophy, the arts and the media, to the rhetoric of international politicians.This collection of essays brings together a unique collection of voices from theology, aesthetics, social and political science, philosophy and cultural theory in an exploration of four major aspects of this new visibility of religion: the revision of the secularisation thesis, the relationship between religion and violence, the new re-enchantment of reality and the return of metaphysics. The exploration is conducted through essays by and interviews with figures at the forefront of reflecting upon this major cultural shift and its implications. It is distinctively multidisciplinary, examining the phenomenon of the rise of religion in Western Europe from a number of interrelated perspectives.In recent years the study of the nature and function of religion with respect to politics has seen enormous changes. This important series provides a range of books devoted to furthering this study, and aimed at those studying and researching in this area across both disciplines.Titles in this series look specifically at the relationship between religion and political culture. Drawing upon a broad range of religious perspectives, the series is open for studies of historical as well as current phenomena in political culture. It seeks not only to inform but to provoke debate at a time when religion is gaining increasing prominence in the public realm.
This book provides an essential resource for studies in religion and politics. It is divided into three parts, beginning with an introduction outlining the contemporary relevance of reviewing the relationship between the two subject areas; a brief history of the interactions between religion and politics that have pertained both in East and the West, and the key concepts that relate these two fields. The second section comprises a selection of classic readings. This title is ideal for students of both religion and politics and general readers who are interested in the topics.
As stories of borders, territorial disputes, and migration have escalated in recent years, so too space has emerged as a critical concept in theoretical literature. This book explores the imagination of space at the dawn of modern, liberal theology in the writings of Friedrich Schleiermacher. Schleiermacher wrote against the backdrop of expanding European colonialism and nationalism, providing a powerful ethics of space for a rapidly shrinking planet. Selectively appropriated, Schleiermacher's spaces of modern theology can be a valuable contribution to contemporary attempts to theorize the importance of space and place in human geographies.
Beginning with an account of how Christian theology is called upon to read the signs of the time, "Cities of God" traces the shift in urban culture in North America and Western Europe that took place in the 1970s. The modern sites of eternal aspiration and hope became the post modern cities of eternal desires. The old, modern theological responses to the city become unbelievable and inadequate, necessitating a new theological approach to urban living. Such an approach would have to engage with and respond to the insurgent social atomism and the celebration of virtual realities evident in the late capitalist, post modern civic living. The book seeks to develop that approach, emphasizing the analogical relations which exist between physical, ecclesial, sacramental, social and political bodies. It argues for a profound participation of all these bodies in the Body of Christ. Working through analyses of contemporary film, architecture and literature, and drawing upon traditional theological resources in Augustine and Gregory of Nyssa, the book lays out a systematic theology which has the preparation and building of cities of God as its focus.
'Modern European thought' describes a wide range of philosophies, cultural programmes, and political arguments developed in Europe in the period following the French Revolution. Throughout this period, many of the wide range of 'modernisms' (and anti-modernisms) had a distinctly religious and even theological character-not least when religion was subjected to the harshest criticism. Yet for all the breadth and complexity of modern European thought and, in particular, its relations to theology, a distinct body of themes and approaches recurred in each generation. Moreover, many of the issues that took intellectual shape in Europe are now global, rather than narrowly European, and, for good or ill, they form part of Europe's bequest to the world-from colonialism and the economic theories behind globalisation through to democracy to terrorism. This volume attempts to identify and comment on some of the most important of these. The thirty chapters are grouped into six thematic parts, moving from questions of identity and the self, through discussions of the human condition, the age of revolution, the world (both natural and technological), and knowledge methodologies, concluding with a section looking explicitly at how major theological themes have developed in modern European thought. The chapters engage with major thinkers including Kant, Hegel, Kierkegaard, Heidegger, Schleiermacher, Nietzsche, Dostoevsky, Barth, Rahner, Tillich, Bonhoeffer, Sartre, de Beauvoir, Wittgenstein, and Derrida, amongst many others. Taken together, these new essays provide a rich and reflective overview of the interchange between theology, philosophy and critical thought in Europe, over the past two hundred years.
As stories of borders, territorial disputes, and migration have escalated in recent years, so too space has emerged as a critical concept in theoretical literature. This book explores the imagination of space at the dawn of modern, liberal theology in the writings of Friedrich Schleiermacher. Schleiermacher wrote against the backdrop of expanding European colonialism and nationalism, providing a powerful ethics of space for a rapidly shrinking planet. Selectively appropriated, Schleiermacher's spaces of modern theology can be a valuable contribution to contemporary attempts to theorize the importance of space and place in human geographies.
The book sets out to address and answer three questions from the point of view of Christian theology. The first is, from where does theology speak? The second is, what are the mechanisms whereby cultures change? The third is, how might we conceive the relationship between the contemporary production of theological discourse and the transformation of cultures more generally? Drawing upon the work of standpoint epistemologists, cultural anthropologists and social scientists, the book argues that public acts of interpretation are involvements in renegotiating the future direction of cultural change. Though the enquiry is conducted from one particular standpoint - Christian theology - the observations and suggestions it makes regarding cultural transformation and the defense it makes of syncretism have more general application.
The book sets out to address and answer three questions from the point of view of Christian theology. The first is, from where does theology speak? The second is, what are the mechanisms whereby cultures change? The third is, how might we conceive the relationship between the contemporary production of theological discourse and the transformation of cultures more generally? Drawing upon the work of standpoint epistemologists, cultural anthropologists and social scientists, the book argues that public acts of interpretation are involvements in renegotiating the future direction of cultural change. Though the enquiry is conducted from one particular standpoint - Christian theology - the observations and suggestions it makes regarding cultural transformation and the defense it makes of syncretism have more general application.
How the Light Gets In: Ethical Life I presents a systematic account of the teachings of the Christian faith to offer a vision, from a human, created, and limited perspective, of the ways all things might be understood from the divine perspective. It explores how Christian doctrine is lived, and the way in which beliefs are not simply cognitive sets of ideas but embodied cultural practices. Christians learn how to understand the contents of their faith, learn the language of the faith, through engagements that are simultaneously somatic, affective, imaginative, and intellectual. In the first of four volumes, Graham Ward examines the complex levels of these engagements through three historical developments in the systematic organization of doctrine: the Creeds, the Summa, and Protestant dogmatics. He outlines a methodology for exploring and practicing systematic theology that captures how the faith is lived in cultural, social, and embodied engagements. Ward then unpicks several fundamental theological concepts and how they are to be understood from the point of view of an engaged systematics: truth, revelation, judgement, discernment, proclamation, faith seeking understanding, and believing as it relates to and grounds the possibilities for faith. This groundbreaking work offers an interdisciplinary investigation through poetry, art, film, the Bible and theological discourse, analysing the human condition and theology as the deep dream for salvation. The final part relates theology as a lived and ongoing pedagogy concerned with individual and corporate formation to biological life, social life, and life in Christ. Here an approach to living theologically is sketched that is the primary focus for all four volumes: ethical life.
How the Light Gets In: Ethical Life I presents a systematic account of the teachings of the Christian faith to offer a vision, from a human, created, and limited perspective, of the ways all things might be understood from the divine perspective. It explores how Christian doctrine is lived, and the way in which beliefs are not simply cognitive sets of ideas but embodied cultural practices. Christians learn how to understand the contents of their faith, learn the language of the faith, through engagements that are simultaneously somatic, affective, imaginative, and intellectual. In the first of four volumes, Graham Ward examines the complex levels of these engagements through three historical developments in the systematic organization of doctrine: the Creeds, the Summa, and Protestant dogmatics. He outlines a methodology for exploring and practicing systematic theology that captures how the faith is lived in cultural, social, and embodied engagements. Ward then unpicks several fundamental theological concepts and how they are to be understood from the point of view of an engaged systematics: truth, revelation, judgement, discernment, proclamation, faith seeking understanding, and believing as it relates to and grounds the possibilities for faith. This groundbreaking work offers an interdisciplinary investigation through poetry, art, film, the Bible and theological discourse, analysing the human condition and theology as the deep dream for salvation. The final part relates theology as a lived and ongoing pedagogy concerned with individual and corporate formation to biological life, social life, and life in Christ. Here an approach to living theologically is sketched that is the primary focus for all four volumes: ethical life.
'Modern European thought' describes a wide range of philosophies, cultural programmes, and political arguments developed in Europe in the period following the French Revolution. Throughout this period, many of the wide range of 'modernisms' (and anti-modernisms) had a distinctly religious and even theological character-not least when religion was subjected to the harshest criticism. Yet for all the breadth and complexity of modern European thought and, in particular, its relations to theology, a distinct body of themes and approaches recurred in each generation. Moreover, many of the issues that took intellectual shape in Europe are now global, rather than narrowly European, and, for good or ill, they form part of Europe's bequest to the world-from colonialism and the economic theories behind globalisation through to democracy to terrorism. This volume attempts to identify and comment on some of the most important of these. The thirty chapters are grouped into six thematic parts, moving from questions of identity and the self, through discussions of the human condition, the age of revolution, the world (both natural and technological), and knowledge methodologies, concluding with a section looking explicitly at how major theological themes have developed in modern European thought. The chapters engage with major thinkers including Kant, Hegel, Kierkegaard, Heidegger, Schleiermacher, Nietzsche, Dostoevsky, Barth, Rahner, Tillich, Bonhoeffer, Sartre, de Beauvoir, Wittgenstein, and Derrida, amongst many others. Taken together, these new essays provide a rich and reflective overview of the interchange between theology, philosophy and critical thought in Europe, over the past two hundred years.
This study offers a new and original analysis of the problem of religious language. Taking as its starting point Karl Barth's doctrine of analogy, it places this doctrine within the context of German Sprache and Rede philosophies and reveals the historical links between them and the work of the philosophers Emmanuel Levinas and Jacques Derrida. Drawing out the parallels between this work and Barth's insights into the language of theology, it concludes that Barth's doctrine of analogy is a theological reading of Derrida's economy of difference. This important contemporary interpretation of Karl Barth reveals his closeness to postmodern thinking and underlines his relevance to current debates on the language of theology. It will be of interest to those studying both general questions of theology and language and the particular relationship between theology and postmodernism.
Imaginative Apologetics draws on much that is most vibrant in contemporary theology to develop Christian apologetics for the present day. The contributors are leaders in their fields. They represent a confident approach to theology, grounded in a deep respect for the theological tradition of the Church. They display a perceptive interest in philosophy, and unlike many works of apologetics their interest is in the philosophy of the present day, not only that of previous centuries. Drawing on the theology of the imagination they show the centrality of the imagination to apologetics; from the significant of virtue in Christian ethics they show that Christian ethics is part of the Good News; from developments in the theology of knowledge they show that apologetics must be communal and must learn to tell stories. Dealing with history, the arts and the nature of atheism, with the natural sciences and social theory, Imaginative Apologetics presents a theological account of apologetics for the twenty-first century.
Every age needs to examine and propose its ways of living ethically. Another Kind of Normal: Ethical Life II constructs a mode of such living according to the Christian tradition, based upon an interpretation of Christ's coming and the relationship of that incarnation to God as the Creator of all things. In the second of four volumes, Graham Ward explores an Augustinian vision of consonance between divine rhythm and the rhythmic orders of creation. On the basis of what Augustine calls the 'interval', it proposes Christ is encountered as riddle, scandal, and paradox. It provides an account of creation as a Trinitarian event that calls for a rethinking of what are the key teachings in Christianity with respect to an understanding of creation as a divine benediction and a theatre for transformation and healing. Ward argues through Scriptural exegesis, for the omnidirectionality of time as graced, rejecting a conception of linear temporality and theologies indebted to that conception. Throughout, participation in God, through our hiddenness in Christ develops an account of the complex relationship between divine and human creativity, appealing to music, painting, poetry, drama, film, architecture, and novels.
Untamed Gospel complements The Bright Field and Darkness Yielding, and offers meditations, reflections, stories, prayers and poems for use throughout the church year. Each one focuses on the often startling nature of Jesus' sayings and teachings, the raw honesty of the psalms and other biblical texts, and on contemporary issues, such as mental health and displacement, seen in the light of the demands of the kingdom of God. A rich resource for worship, preaching, teaching and personal reflection throughout the year, Untamed Gospel contains hundreds of reproducible items, including seasonal reflections, stories, homilies, poems and some of Jim Cotter's last writings as he was being treated for cancer: a moving sequence of prayer poems inspired by the psalms. |
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