This collection of original essays, written by scholars from disciplines across the humanities, addresses a wide range of questions about love through a focus on individual films, novels, plays, and works of philosophy. The essays touch on many varieties of love, including friendship, romantic love, parental love, and even the love of an author for her characters. How do social forces shape the types of love that can flourish and sustain themselves? What is the relationship between love and passion? Is love between human and nonhuman animals possible? What is the role of projection in love? These questions and more are explored through an investigation of works by authors ranging from Henrik Ibsen to Ian McEwan, from Rousseau to the Coen Brothers.

The Matrix trilogy is unique among recent popular films in that it is constructed around important philosophical questions--classic questions which have fascinated philosophers and other thinkers for thousands of years. Editor Christopher Grau here presents a collection of new, intriguing essays about some of the powerful and ancient questions broached by The Matrix and its sequels, written by some of the most prominent and reputable philosophers working today. They provide intelligent, accessible, and thought-provoking examinations of the philosophical issues that support the films.
Philosophers Explore The Matrix includes an introduction that surveys the use of philosophical ideas in the film. Topics that the contributors tackle include: how a collaborative dream could differ from hallucination, the difference between the Matrix and the "real" world; why living in the Matrix would be considered "bad"; the similarities between the Matrix and Plato's Cave; the moral status of artificially created beings, whether one can behave immorally in illusory circumstances, and the true nature of free will and responsibility. This volume also includes an appendix of classic philosophical writing on these issues by Plato, Berkeley, Descartes, Putnam, and Nozick.
Philosophers Explore The Matrix will fascinate any fan of the films who wants to delve deeper into their themes, as well as any student of philosophy who desires an accessible entry into this challenging and profoundly vital world of ideas.

Now in paperback, Soul Healer Susan Grau shares her near-death experience, deeply personal struggles, and stories of the thousands she's helped as an evidential medium to offer profound insights into your soul's journey, healing from grief, and the afterlife.

In this compassionate, insightful guide into the often-misunderstood realm of the spirit world, you will gain a deeper understanding of the afterlife and tools for connecting with angels, spirit guides, and souls on the other side.

Susan Grau shares her spiritual journey―including her decades of experiences as a Soul Healer and certified counselor, struggles with loss, and personal trauma―as an inspirational roadmap for those seeking enlightenment and healing. You will be captivated by the stories of some of the thousands of clients she has helped over the years as an evidential medium, each one containing a lesson for your soul.

Whether you’re grappling with the loss of a loved one, seeking answers to life's mysteries, interested in near-death experiences, or looking to deepen your spiritual awareness, Infinite Life, Infinite Lessons provides the clarity, wisdom, and solace needed for your journey.

This collection of seventeen essays newly identifies contributions to musical culture made by women before 1500 across Europe. You will learn about repertoire from such diverse locations as Iceland, Spain, and Italy, and encounter examples of musicianship from the gender-fluid professional musicians at the Islamicate courts of Syria to the nuns of Barking Abbey in England. The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women's musical agency by both medieval poets and by modern recording artists. Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.

This rare 10th anniversary edition (published in 2007) contains a new introduction by expert Soviet historian David M. Glantz. In addition all maps and graphics have been enhanced from the 1996 edition. "When the Soviet Union decided to invade Afghanistan, they evaluated their chances for success upon their experiences in East Germany, Hungary and Czechoslovakia. Unfortunately for their soldiers, as well as the people of Afghanistan, they ignored not only the experiences of the British in the same region, but also their own experience with the Basmachi resistance fighters in Central Asia from 1918-1933. Consequently, in Afghanistan the Soviet army found its tactics inadequate to meet the challenges posed by the difficult terrain and the highly motivated mujahideen freedom fighters. To capture the lessons their tactical leaders learned in Afghanistan and to explain the change in tactics that followed, the Frunze Military Academy compiled this book for their command and general staff combat arms officers. The lessons are valuable not just for Russian officers, but for the tactical training of platoon, company and battalion leaders of any nation likely to engage in conflicts involving civil war, guerrilla forces and rough terrain. This is a book dealing with the starkest features of the unforgiving landscape of tactical combat: casualties and death, adaptation, and survival." (From the original foreword by Hans Binnendijk, 1996)

This volume celebrates the significant resurgence of interest in the anthropology of music and dance in recent decades. Traversing a range of fascinating topics,from the reassessment of historical figures such as Katherine Dunham and John Blacking, to the contemporary salience of sonic conflict between Islamic Uyghur and the Han Chinese, the essays within Music, Dance, Anthropology make a strong argument for the continued importance of the work of ethnomusicologists and ethnochoreologists, and of their ongoing recourse to anthropological theories and practices. Case studies are offered from areas as diverse as Central Africa,Ireland, Greece, Uganda and Central Asia, and illuminate core anthropological concepts such as the nature of embodied knowledge, the role of citizenship, ritual practices, and the construction of individual and group identities via a range of ethnographic methodologies. These include the consideration of soundscapes, the use of ethnographic filmmaking, and a reflection on the importance of close cultural engagement over many years. Taken together these contributions show the study of music and dance practices to be essential to any rounded study of social activity, in whatever context it is found. For as this volume consistently demonstrates, the performance of music and dance is always about more than just the performance of music and dance. Contributors: John Baily; Peter Cooke; Ann R. David; Catherine E. Foley; Andree Grau; Rachel Harris; Maria Koutsouba; Jerome Lewis; Barley Norton; Carole Pegg; Martin Stokes.

Grau reconsiders the relationship between "logos" and "mythos" as a precondition to opening theological hermeneutics to discourse from other cultures and genres, other modes of telling and retelling.

In the nineteenth century a new type of mystic emerged in Catholic Europe. While cases of stigmatisation had been reported since the thirteenth century, this era witnessed the development of the 'stigmatic': young women who attracted widespread interest thanks to the appearance of physical stigmata. To understand the popularity of these stigmatics we need to regard them as the 'saints' and religious 'celebrities' of their time. With their 'miraculous' bodies, they fit contemporary popular ideas (if not necessarily those of the Church) of what sanctity was. As knowledge about them spread via modern media and their fame became marketable, they developed into religious 'celebrities'.

This volume aims to present an updated portrait of the Roman countryside in Roman Spain by the comparison of different theoretical orientations and methodological strategies including the discussion of textual and iconographic sources and the analysis of the faunal remains. The archaeology of rural areas of the Roman world has traditionally been focused on the study of villae, both as an architectural model of Roman otium and as the central core of an economic system based on the extensive agricultural exploitation of latifundia. The assimilation of most rural settlements in provincial areas of the Roman Empire with the villa model implies the acceptance of specific ideas, such as the generalization of the slave mode of production, the rupture of the productive capacity of Late Iron Age communities, or the reduction in importance of free peasant labor in the Roman economy of most rural areas. However, in recent decades, as a consequence of the generalized extension of preventive or emergency archaeology and survey projects in most areas of the ancient territories of the Roman Empire, this traditional conception of the Roman countryside articulated around monumental villae is undergoing a thorough revision. New research projects are changing our current perception of the countryside of most parts of the Roman provincial world by assessing the importance of different types of rural settlements. In the last years, we have witnessed the publication of archaeological reports on the excavation of thousands of small rural sites, farms, farmsteads, enclosures, rural agglomerations of diverse nature, etc. One of the main consequences of all this research activity is a vigorous discussion of the paradigm of the slave mode of production as the basis of Roman rural economies in many provincial areas. A similar change in the paradigm is taking place, with some delay, in the archaeology of Roman Spain. After decades of preventive/emergency interventions there is a considerable quantity of unpublished data on this kind of rural settlements. However, unlike the cases of Roman Britain or Gallia Comata, no synthesis or national projects are undertaking the task of systematizing all these data. With the intention of addressing this current situation the present volume discusses the results and methodological strategies of different projects studying peasant settlements in several regions of Roman Spain.

This essential introduction to contemporary constructive theology charts the most important disciplinary trends of the moment. It gives a historical overview of the field and discusses key hermeneutical and methodological concerns. The contributors apply a constructive perspective to a wide range of approaches, ranging from biblical hermeneutics and postcolonial studies to comparative, political, and black theology. What is Constructive Theology? shows how diverse and interdisciplinary constructive theology can be by exploring key themes in the field. The contributors explore the porous boundaries between Christianity and other religions, reflect on contextual, liberation and constructive theologies from Africa and from Black British perspectives, explore the connection between embodiment, epistemology and hermeneutics, and take a constructive approach to the dangerous memories and theologies of colonial histories in Belgium and Native Americans in the United States. This sampler of the field will help you rethink theologies and find constructive alternatives.

Of Divine Economy expands upon the economic connotations of the theological doctrine of redemption. The term redemption refers to a process of 'buying back' slaves from conditions of oppression, and thus compares the crux of Christian dogma to an economic exchange involving human emancipation. The phrase 'miraculous exchanges' refers to the problem of redemptive divine and human agency in an economic context in which many who desire justice and equity feel powerless and hopeless. The originality of Divine Economy lies not only in its theological reading of redemption as an economic metaphor, but also in its focus on the economic subtexts of Christian tradition and how they form and are formed by society's economic constructions. Grau's unique project merges together economic, historical, and psycho-social analysis with theological critique and construction.

The area of spinal cord plasticity has become a very actively researched field. The spinal cord has long been known to organize reflex patterns and serve as the major transmission pathway for sensory and motor nerve impulses. However, the role of the spinal cord in information processing and in experience driven alterations is generally not recognized. With recent advances in neural recording techniques, behavioral technologies and neural tracing and imaging methods has come the ability to better assess the role of the spinal cord in behavioral control and alteration. The discoveries in recent years have been revolutionary. Alterations due to nociceptive inputs, simple learning paradigms and repetitive inputs have now been documented and their mechanisms are being elucidated. These findings have important clinical implications. The development of pathological pain after a spinal cord injury likely depends on the sensitization of neurons within the spinal cord. The capacity of the spinal cord to change as a function of experience, and adapt to new environmental relations, also affects the recovery locomotive function after a spinal cord injury. Mechanisms within the spinal cord can support stepping and the capacity for this behavior depends on behavioral training. By taking advantage of the plasticity inherent within the spinal cord, rehabilitative procedures may foster the recovery of function.

This is a progressive Christian approach to soteriology and missiology in a global, postcolonial context. Much of the history of mission has been interlaced with imperial structures. Often the colonial and economic impulses of the colonial powers overshadow some of the counter-imperial tendencies of biblical texts and ecclesial communities. Evangelical missionary theologies have led to cultural genocide. These missionary practices have been heavily critiqued in the last few decades. Christian progressives have been in the forefront of the critique of mission, but have often responded in ways that reject the of mission of the word, instead highlighting a mission focused on developmental concerns that obscures the Christian content but continues to push Western capitalist structures into 'developing' postcolonial societies. Instead, this book proposes an integration of gospel and culture. It aims to steer a third course towards an integration of the knowledge and treasures, the losses and laments of Christianities forged in colonizing and colonized societies. Proposing that these Christianities are more alike than different, and in need of each other for reconciliation of communities facing the ecological and economic collapse at the limits of what the planet can carry.

The Bear Went Over the Mountain is a collection of vignettes written by Soviet junior officers describing their experiences fighting the Mujahideen guerrillas. The material was originally collected and published by the Frunze Combined Arms Staff College to serve as a text on combat against a guerrilla force in mountain-desert terrain. It was originally intended for internal use only and as such provides examples of both good and bad military practice. The hard lessons learned are not specifically 'Russian' in nature and many of the same mistakes and successes would apply equally to the American Army in Vietnam. Indeed, the knowledge gained from these reports should also apply to future conflicts involving civil war, guerrilla forces and rugged terrain.
This is not a history of the Soviet-Afghan War, but rather a series of snapshots of combat as seen by young platoon leaders, company commanders, battalion commanders and military advisers. It is an intimate look at the boring, brutal business of counterinsurgency punctuated by moments of heady excitement and terror.
Colonel Grau, the editor and translator, has added his own commentary to produce a useful guide for commanders to meet the challenges of this kind of war and to help keep his fellow soldiers alive. This book will also be of interest to the historian and general reader, who will discover that advances in technology have had little impact on this kind of war, and that many of the same tactics the British Army used on the Northwest Frontier still apply today.

This open access book presents a novel multidisciplinary perspective on the importance of human flourishing. The study of the good life or Eudaimonia has been a central concern at least since Aristotelian times. This responds to the common experience that we all seek happiness. Today, we are immersed in a new paradoxical boom, where the pursuit of happiness seems to permeate everything (books, media, organizations, talks), but at the same time, it is nowhere, or at least very difficult to achieve. In fact, it is not easy to even find a consensus regarding the meaning of the word happiness. Seligman (2011), one of the fathers of the positive psychology, confirmed that his original view the meaning he referred to was close to that of Aristotle. But, he recently confessed that he now detests the word happiness, since it is overused and has become almost meaningless. The aim of this open access book is to shed new light on human flourishing through the lenses of neurosciences and health, organizations, and arts. The novelty of this book is to offer a multi-disciplinary perspective on the importance of human flourishing in our lives. The book will examine further how different initiatives, policies and practices create opportunities for generating human flourishing.

An Atlas of Es Devlin, the first monograph on artist Es Devlin’s genre-defying practice, is an experiential publication encompassing art, activism, theatre, poetry, music, dance, opera and sculpture. Devlin’s protean work is rooted in a life-long practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala and the National Theatre, as well as Olympic Ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyonce, The Weeknd, U2, Rosalìa, Dr Dre and Kendrick Lamar. Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirror and translucencies, with over 700 colour images documenting over 120 projects spanning over 30 years, and a 50,000 word text featuring the artist’s personal commentaries on each art work as well as interviews with her collaborators including Hans Ulrich Obrist, Bono, Benedict Cumberbatch, Pharrell Williams, Carlo Rovelli, Brian Eno, Sam Mendes, Alice Rawsthorn and Abel ‘The Weeknd’ Tesfaye. Each book is boxed and includes a die-cut print from an edition of 5000. ‘Es is like superstring theory, at least eleven dimensions.’ Hans Ulrich Obrist ‘Es knows how to bend the mind around corners of our experience.’ Benedict Cumberbatch ‘Es takes our inchoate aspirations and sculpts them into a stage.’ Bono ‘I wish we’d had Es as a psychologist on some of our projects.’ Brian Eno ‘Es’s mind is both forensic and associative. She is able to x-ray a play and then she starts to dream.’ Lyndsey Turner ‘Es is a turning point for anyone she interacts with.’ Pharrell Williams ‘Es creates moments in which we suddenly become aware of life and existing, and time.’ Carlo Rovelli ‘With Es, there’s no “No”. She creates a whole universe.’ Abel ‘The Weeknd’ Tesfaye

Many managers and organizations still assume that employees who devote long hours to their jobs with no family interference are "ideal workers". However, this assumption has negative consequences for employees, their families and, more interestingly, for their organizations. This book provides a wealth of empirical evidence from around the globe, as well as innovative conceptual frameworks, to help practitioners and researchers alike to go beyond the classic notion of the "ideal worker" and to rethink what companies actually need from their employees. As it demonstrates, doing so will be beneficial for countless men and women, and for society at large.