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The author presents the method of research and creation in dance
and theater in Brazil, called Bailarino-Pesquisador-Interprete
(Dancer-Researcher-Performer, BPI), which was created by the author
herself. Through field research of ritual and Brazilian popular
manifestations the author formulates a proposal for body work. She
analyzes dance as an activity in which several bodies are
integrated to generate knowledge in the sensitive, the perceptible
and human relationships from direct contact with the surrounding
reality. BPI aims to build a flexible and individualized body, in
which the subject has room to develop. It emphasizes the need for a
more responsible contact with certain Brazilian cultural segments
so that stereotypes of a dance based on an ethnocentric view are
not reinforced.
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