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The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries - Multiplied and Modified (Paperback): Grazyna... The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries - Multiplied and Modified (Paperback)
Grazyna Jurkowlaniec, Magdalena Herman
R1,243 Discovery Miles 12 430 Ships in 10 - 15 working days

This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators', producers', owners' and beholders' motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period's print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda

The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries - Multiplied and Modified (Hardcover): Grazyna... The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries - Multiplied and Modified (Hardcover)
Grazyna Jurkowlaniec, Magdalena Herman
R4,206 Discovery Miles 42 060 Ships in 10 - 15 working days

This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators', producers', owners' and beholders' motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period's print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda

The Agency of Things in Medieval and Early Modern Art - Materials, Power and Manipulation (Paperback): Grazyna Jurkowlaniec,... The Agency of Things in Medieval and Early Modern Art - Materials, Power and Manipulation (Paperback)
Grazyna Jurkowlaniec, Ika Matyjaszkiewicz, Zuzanna Sarnecka
R1,324 Discovery Miles 13 240 Ships in 10 - 15 working days

This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

The Agency of Things in Medieval and Early Modern Art - Materials, Power and Manipulation (Hardcover): Grazyna Jurkowlaniec,... The Agency of Things in Medieval and Early Modern Art - Materials, Power and Manipulation (Hardcover)
Grazyna Jurkowlaniec, Ika Matyjaszkiewicz, Zuzanna Sarnecka
R3,932 Discovery Miles 39 320 Ships in 10 - 15 working days

This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

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