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A diverse and multinational volume, this book showcases the
passages of Joseph Conrad's narratives across geographical and
disciplinary boundaries, focusing on the transtextual and
transcultural elements of his fiction. Featuring contributions from
distinguished and emergent Conrad scholars, it unpacks the
transformative meanings which Conrad's narratives have achieved in
crossing national, cultural and disciplinary boundaries. Featuring
studies on the reception of Conrad in modern China, an exploration
of Conrad's relationship with India, a comparative study of the
hybrid art of Conrad and Salman Rushdie, and the responses of
Conrad's narratives to alternative media forms, this volume brings
out transtextual relations among Conrad's works and various media
forms, world narratives, philosophies, and emergent modes of
critical inquiry. Gathering essays by contributors from Canada,
Hong Kong, India, Japan, Norway, Poland, Taiwan, the United
Kingdom, and the United States, this volume constitutes an
inclusive, transnational networking of emergent border-crossing
scholarship.
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