These stories are enveloped by change and the changes that shift the trajectories of our lives: change that shatters us, change that opens the world, and change from which we can never come back. These fourteen stories tell us about extensive and inevitable changes and how we realign ourselves and our lives, if we can.

This collection of eleven original essays interrogates the concept of freedom and recenters our understanding of the process of emancipation. Who defined freedom, and what did it mean to nineteenth-century African Americans, both during and after slavery? Some of the essays disrupt the traditional story and time-frame of emancipation.

This collection of eleven original essays interrogates the concept of freedom and recenters our understanding of the process of emancipation. Who defined freedom, and what did it mean to nineteenth-century African Americans, both during and after slavery? Some of the essays disrupt the traditional story and time-frame of emancipation.

With a reporter's eye for the inside story and a historian's grasp of the ironies in our collective past, Greg Downs affectionately observes some of the last survivors of what Greil Marcus has called the old, weird America. Living off the map and out of sight, folks like Embee, Rudy, Peg, and Branch define themselves by where they are, not by what they eat, drink, or wear. The man who is soon to abandon his family in ""Ain't I a King, Too?"" is mistaken for the populist autocrat of Louisiana, Huey P. Long - on the day after Long's assassination. In ""Hope Chests,"" a history teacher marries his student and takes her away from a place she hated, only to find that neither one of them can fully leave it behind. An elderly man in ""Snack Cakes"" enlists his grandson to help distribute his belongings among his many ex-wives, living and dead. In the title story, another intergenerational family tale, a young boy is caught in a feud between his mother and grandmother. The older woman uses the language of baseball to convey her view of religion and nobility to her grandson before the boy's mother takes him away, maybe forever. Caught up in pasts both personal and epic, Downs' characters struggle to maintain their peculiar, grounded manners in an increasingly detached world.

In his Gettysburg Address, Abraham Lincoln promised that the nation's sacrifices during the Civil War would lead to a "new birth of freedom." Lincoln's Unfinished Work analyzes how the United States has attempted to realize-or subvert-that promise over the past century and a half. The volume is not solely about Lincoln, or the immediate unfinished work of Reconstruction, or the broader unfinished work of America coming to terms with its tangled history of race; it investigates all three topics. The book opens with an essay by Richard Carwardine, who explores Lincoln's distinctive sense of humor. Later in the volume, Stephen Kantrowitz examines the limitations of Lincoln's Native American policy, while James W. Loewen discusses how textbooks regularly downplay the sixteenth president's antislavery convictions. Lawrence T. McDonnell looks at the role of poor Blacks and whites in the disintegration of the Confederacy. Eric Foner provides an overview of the Constitution-shattering impact of the Civil War amendments. Essays by J. William Harris and Jerald Podair examine the fate of Lincoln's ideas about land distribution to freedpeople. Gregory P. Downs focuses on the structural limitations that Republicans faced in their efforts to control racist violence during Reconstruction. Adrienne Petty and Mark Schultz argue that Black land ownership in the post-Reconstruction South persisted at surprisingly high rates. Rhondda Robinson Thomas examines the role of convict labor in the construction of Clemson University, the site of the conference from which this book evolved. Other essays look at events in the twentieth and twenty-first centuries. Randall J. Stephens analyzes the political conservatism of white evangelical Christianity. Peter Eisenstadt uses the career of Jackie Robinson to explore the meanings of integration. Joshua Casmir Catalano and Briana Pocratsky examine the debased state of public history on the airwaves, particularly as purveyed by the History Channel. Gavin Wright rounds out the volume with a striking political and economic analysis of the collapse of the Democratic Party in the South. Taken together, the essays in this volume offer a far-reaching, thought-provoking exploration of the unfinished work of democracy, particularly as it pertains to the legacy of slavery and white supremacy in America.

On May 1, 1866, a minor exchange between white Memphis city police and a group of black Union soldiers quickly escalated into murder and mayhem. Changes wrought by the Civil War and African American emancipation sent long-standing racial, economic, cultural, class, and gender tensions rocketing to new heights. For three days, a mob of white men roamed through South Memphis, leaving a trail of blood, rubble, and terror in their wake. By May 3, at least forty-six African American men, women, and children and two white men lay dead. An unknown number of black people had been driven out of the city. Every African American church and schoolhouse lay in ruins, homes and businesses burglarized and burned, and at least five women had been raped. As a federal military commander noted in the days following, "what [was] called the 'riot'" was "in reality [a] massacre" of extended proportions. It was also a massacre whose effects spread far beyond Memphis, Tennessee. As the essays in this collection reveal, the massacre at Memphis changed the trajectory of the post-Civil War nation. Led by recently freed slaves who refused to be cowed and federal officials who took their concerns seriously, the national response to the horror that ripped through the city in May 1866 helped to shape the nation we know today. Remembering the Memphis Massacre brings this pivotal moment and its players, long hidden from all but specialists in the field, to a public that continues to feel the effects of those three days and the history that made them possible.

On May 1, 1866, a minor exchange between white Memphis city police and a group of black Union soldiers quickly escalated into murder and mayhem. Changes wrought by the Civil War and African American emancipation sent long-standing racial, economic, cultural, class, and gender tensions rocketing to new heights. For three days, a mob of white men roamed through South Memphis, leaving a trail of blood, rubble, and terror in their wake. By May 3, at least forty-six African American men, women, and children and two white men lay dead. An unknown number of black people had been driven out of the city. Every African American church and schoolhouse lay in ruins, homes and businesses burglarized and burned, and at least five women had been raped. As a federal military commander noted in the days following, "what [was] called the 'riot'" was "in reality [a] massacre" of extended proportions. It was also a massacre whose effects spread far beyond Memphis, Tennessee. As the essays in this collection reveal, the massacre at Memphis changed the trajectory of the post-Civil War nation. Led by recently freed slaves who refused to be cowed and federal officials who took their concerns seriously, the national response to the horror that ripped through the city in May 1866 helped to shape the nation we know today. Remembering the Memphis Massacre brings this pivotal moment and its players, long hidden from all but specialists in the field, to a public that continues to feel the effects of those three days and the history that made them possible.

With a reporter's eye for the inside story and a historian's grasp of the ironies in our collective past, Greg Downs affectionately observes some of the last survivors of what Greil Marcus has called the old, weird America. Living off the map and out of sight, folks like Embee, Rudy, Peg, and Branch define themselves by where they are, not by what they eat, drink, or wear.

The man who is soon to abandon his family in "Ain't I a King, Too?" is mistaken for the populist autocrat of Louisiana, Huey P. Long--on the day after Long's assassination. In "Hope Chests," a history teacher marries his student and takes her away from a place she hated, only to find that neither one of them can fully leave it behind. An elderly man in "Snack Cakes" enlists his grandson to help distribute his belongings among his many ex-wives, living and dead. In the title story, another intergenerational family tale, a young boy is caught in a feud between his mother and grandmother. The older woman uses the language of baseball to convey her view of religion and nobility to her grandson before the boy's mother takes him away, maybe forever.

Caught up in pasts both personal and epic, Downs's characters struggle to maintain their peculiar, grounded manners in an increasingly detached world.