In the Stone and the Glory, Greg Harris takes his readers on a profound journey through the Scriptures as they explore the glorious realities of the stone prophecies. The journey begins with Abraham on his way to Canaan; it continues with the Israelites wandering toward the Promised Land; it includes the glorious Temple, as well as the life of Christ in the days before His passion; it chronicles the stone prophecies in the book of Acts; and it culminates with Messiah?'s return in glory. Along the way, readers will joyfully find themselves identifying with the biblical characters, pondering how they would have responded if they themselves were living in Bible times. Like a skilled tour guide, Dr. Harris brings the Scripture to life in a way that insightfully weds biblical exegesis, Christ-centered theology, and practical application. from the foreword by John MacArthur

The Darkness and the Glory examines the cross from Christ?'s perspective and provides a compelling behind-the-scenes look at the profoundspiritual and theological realities of Calvary realities that transcend the physical, as the wrath of man was surpassed by both the wrath ofSatan and ultimately the wrath of God. With theological acumen and pastoral insight, Greg Harris invites readers to join him on a journeyto the cross they will never forget. Doctrinally sound yet warmly devotional, this Christ-centered book is highly recommended to allwho desire a better understanding of the glories of the cross. (Adapted from the Foreword by John MacArthur)

In The Cup and the Glory, Greg Harris unlocks the Scripture and opens the doorway into his personal experience of suffering so we see more clearly that we can trust God with our lives.

"Los Angeles photographer, Matthew Brandt, is a bit of a rock star in the photography world, challenging our ideas about photographic materials. His methodologies where process and subject matter are stirred up into whole new ways of seeing and thinking about the image, open the door to possibility." - Lenscratch In 1864, Matthew Brandt recreates George N. Barnard's 19th century images of a devastated, post-Sherman Atlanta. Using source imagery housed at the Library of Congress, he makes new albumen photographs from Barnard's images. Fortifying the foundational ingredients of the 19th-century albumen print - egg whites, silver nitrate, and salt - with peaches, sugar, flour, cinnamon, and butter, Brandt plays with external assumptions about the South, at the same time revealing a complex understanding of the complicated history his project explores.